What is the plot?

Night has fallen over a towering high-rise apartment building, its elevator humming quietly as it ascends through the floors. Luna, a prostitute, is buzzed in by a regular client and steps inside. The elevator doors close, enclosing her in the dimly lit metal box. Suddenly, a masked figure appears, silently and swiftly stabbing her multiple times. Luna's terrified eyes widen as she collapses, blood pooling on the cold floor. Before the elevator reaches the top floor, the killer vanishes into the shadows, leaving only the echo of Luna's death behind.

The next morning, the body of Luna is discovered on the top floor by Professor Issacs, a tenant and violinist, and Mrs. Moss, a widow who also lives in the building. Their shock is palpable as they call the police. Police Commissioners Enci and Renzi arrive to investigate, their brusque and often insensitive demeanor casting a grim shadow over the proceedings. At the crime scene, a love letter is found, hinting at a possible emotional motive behind the murder.

Meanwhile, Mizar Harrington, a glamorous casino stripper and tenant, is oblivious to the growing danger. After finishing her shift at the casino, she returns to her apartment, unaware that she is being watched. In a chilling scene, the masked killer drowns Mizar in her bathtub, her struggles muffled by the water. Her lifeless body is found the next day, deepening the mystery and terror in the building.

In the wake of these murders, Andrea, the building's landlord and photographer, decides to sublet Mizar's vacant apartment to two young models, Jennifer and Marilyn. During a dinner with them, Andrea is visibly disturbed when Jennifer accidentally cuts her finger. His fear of blood is evident, a subtle but telling detail that hints at his complex nature. As Andrea leaves the building, he is confronted by Adam, a mysterious and menacing figure who warns him, "Jennifer cannot belong to anyone else." Adam's possessiveness and dark past loom ominously over Jennifer's new life.

Jennifer and Marilyn settle into their new home, unaware of the building's deadly history. Jennifer soon senses a sinister presence watching her. One night, she finds a delicate iris flower left at her door--a chilling signature from the killer. The iris, with its joined petals symbolizing unity, is a cryptic calling card that deepens the sense of dread.

Jennifer's suspicions grow when she overhears Mrs. Moss speaking to a male voice in her apartment. Driven by curiosity and fear, Jennifer breaks into Mrs. Moss's apartment, only to be attacked by David, Mrs. Moss's deformed son who lives hidden in a secret room. David's grotesque appearance and violent outburst terrify Jennifer, but before she can escape, Mrs. Moss arrives and forcefully ejects her from the apartment. Jennifer calls the police, but Mrs. Moss deceitfully hides David and claims she lives alone, frustrating the investigation.

As tension mounts, the police continue their investigation, but their incompetence and corruption hinder progress. Commissioner Enci's sexist and racist remarks, coupled with his odd behavior of pocketing a victim's mail for his stamp collection, add a grimly absurd layer to the proceedings.

The killer's identity remains a mystery until the final act. It is revealed that Professor Issacs, the seemingly benign violinist tenant, is the masked murderer. His disguise is modeled after David's, who wears a similar mask while spying on other tenants. Issacs's motive is rooted in tragedy: he accidentally killed his own daughter in the building's basement, mistaking her for Jennifer in the dark and suffocating her with steam. This loss has driven him to madness and a twisted desire for revenge.

In a harrowing climax, Professor Issacs chloroforms Jennifer, intending to kill her as he did the others. He throws David's lifeless body down the open stairwell, framing him for the murders. Just as Issacs prepares to finish Jennifer, Andrea arrives unexpectedly. A brutal struggle ensues in the elevator shaft area, the tension crackling as Andrea fights to save Jennifer. With a burst of strength and desperation, Andrea overpowers Issacs and hurls him over the railing to his death, his body crashing down the stairwell.

The ordeal ends with Andrea and Jennifer embracing passionately, relief washing over them as the nightmare finally lifts. The camera lingers on their entwined figures, a moment of fragile peace after the storm of terror.

Thus concludes the chilling tale of The Case of the Bloody Iris, a story of obsession, madness, and survival set against the claustrophobic backdrop of a high-rise apartment building where beauty and death intertwine.

What is the ending?

In the ending of "The Case of the Bloody Iris," the true identity of the killer is revealed, leading to a dramatic confrontation. The protagonist, a model named Edwige, faces the murderer in a tense showdown. Ultimately, the killer is apprehended, but not before a final twist reveals deeper connections between the characters. The film concludes with a sense of resolution, but also leaves lingering questions about the nature of violence and obsession.

As the film approaches its climax, the atmosphere thickens with tension. Edwige, portrayed with a mix of vulnerability and determination, finds herself increasingly entangled in the web of murder that has plagued her and her friends. The scene shifts to a dimly lit apartment, where Edwige, feeling the weight of fear and uncertainty, decides to confront the truth behind the gruesome killings that have left her and her fellow models in terror.

In a pivotal moment, Edwige receives a phone call that leads her to a secluded location, a place that feels both familiar and foreboding. The camera captures her apprehension as she navigates the darkened hallways, the shadows playing tricks on her mind. Each creak of the floorboards amplifies her anxiety, and the audience can sense her internal struggle--she is torn between the desire for safety and the need for answers.

As she reaches the climax of her search, Edwige encounters the killer, whose identity is finally unveiled. The revelation is shocking, as it ties back to the earlier events of the film, weaving together the threads of mystery and suspense. The killer, driven by a twisted sense of love and obsession, confronts Edwige with a chilling intensity. The emotional stakes are high; Edwige's fear is palpable, yet there is also a flicker of defiance in her eyes.

In a tense standoff, Edwige fights back, showcasing her resilience. The struggle is visceral, filled with raw emotion as she grapples with the reality of her situation. The scene is fraught with danger, and the audience is on the edge of their seats, fully invested in Edwige's fate. Just as it seems all hope is lost, the police arrive, having tracked her down through a series of clues that had been laid throughout the film.

The confrontation culminates in a chaotic but decisive moment. The killer is apprehended, but not without a final act of desperation that leaves Edwige shaken. The police, led by a determined officer, secure the scene, and the tension begins to dissipate. Edwige, though physically unharmed, is left grappling with the emotional aftermath of her ordeal. The camera lingers on her face, capturing the mixture of relief and trauma that washes over her.

As the film draws to a close, the remaining characters are left to reflect on the events that have transpired. Edwige's friend, who had been supportive throughout the chaos, stands by her side, offering a sense of solidarity. The final scenes depict the aftermath of the violence, with the characters contemplating the fragility of life and the darkness that can lurk beneath the surface of seemingly ordinary lives.

In the end, Edwige emerges as a survivor, but the experience has irrevocably changed her. The film closes on a haunting note, suggesting that while the immediate threat has been neutralized, the scars of the past will linger, leaving the audience to ponder the complexities of human nature and the shadows that can dwell within.

Is there a post-credit scene?

The Case of the Bloody Iris, produced in 1972, does not have a post-credit scene. The film concludes with its final moments, wrapping up the mystery surrounding the murders and the identity of the killer. The narrative focuses on the resolution of the plot and the fates of the main characters, leaving no additional scenes or content after the credits roll. The film ends on a note that ties up the story, emphasizing the emotional aftermath of the events that transpired.

What role do the supporting characters play in the investigation?

The supporting characters, including Jennifer's friends and acquaintances, play pivotal roles in the investigation by providing clues, red herrings, and insights into the killer's motives. Their interactions with Jennifer and the detective help to build tension and deepen the mystery.

Who is the main protagonist in The Case of the Bloody Iris?

The main protagonist in The Case of the Bloody Iris is a young woman named Jennifer, portrayed by actress Edwige Fenech. She is a model who becomes embroiled in a series of murders that occur around her.

What motivates the character of the detective in the film?

The detective, Inspector Rocco, is motivated by a strong sense of duty and justice. He is determined to solve the murders that are terrorizing the city, and his personal investment in the case grows as he becomes more involved with Jennifer and the unfolding mystery.

What is the significance of the bloody iris in the film?

The bloody iris serves as a key symbol in the film, representing both the beauty and horror of the murders. It is linked to the killer's identity and the pattern of the crimes, making it a crucial element in the investigation.

How does Jennifer's character evolve throughout the film?

Jennifer's character evolves from a carefree model to a woman deeply affected by the violence around her. As she becomes more entangled in the mystery, her fear and vulnerability are juxtaposed with her determination to uncover the truth.

Is this family friendly?

The Case of the Bloody Iris, produced in 1972, is not considered family-friendly due to its content. Here are some potentially objectionable or upsetting aspects that may occur for children or sensitive viewers:

  1. Graphic Violence: The film contains several scenes of murder and violence, including graphic depictions of the aftermath of violent acts.

  2. Sexual Content: There are instances of nudity and sexual situations that may be inappropriate for younger audiences.

  3. Murder Mystery Themes: The central plot revolves around a series of murders, which may be disturbing for sensitive viewers, especially given the nature of the killings.

  4. Psychological Tension: The film features intense moments of suspense and psychological horror that could be unsettling.

  5. Dark Themes: The overall tone of the film is dark and may explore themes of betrayal, fear, and death, which could be distressing.

These elements contribute to a mature viewing experience, making it unsuitable for children or those who are sensitive to such content.