Kris, Celina, and Jay, a trio of vloggers who run a ghost hunting channel, set out on a road trip to film an episode at a cemetery. During the drive, Kris reveals she has secretly changed their destination to an abandoned house deep in the woods called the "House on Eden," where a woman went missing about 60 years ago. Celina and Jay are upset by this deception but agree to follow Kris to the new location. They park their van and carry their equipment through a wooded trail toward the house, filming b-roll footage along the way. They notice signs of recent human presence and occasionally glimpse something in the distance but dismiss these sightings.

Upon reaching the house, the team begins their investigation. Strange phenomena start occurring: a cat ball lights up and sparkles when something moves nearby, doors open and close on their own, and an elderly woman, possibly a spirit, appears in a bedroom. Celina deliberately enters a trance-like state to allow a spirit to communicate through her. During this, Celina absentmindedly picks at a large open wound on her arm. Kris is grabbed by a ghostly figure and shoved beneath dirty water in a bathtub. Jay films close-ups of Kris and tensions arise between him and Celina, who punches Jay in the face after being shaken awake from her trance, causing a bloody nose. Kris falls down stairs and is found unconscious by her friends.

The spirit they encounter is revealed to be an ancient, malevolent entity connected to the house. A painting of Lilith, a naked young woman entwined with a snake, is shown, and later an older naked woman resembling Lilith appears. The spirit manifests physically, kneeling beside an unconscious figure and slashing her own neck, spilling blood onto the prone person. The team's dynamic deteriorates as fear and supernatural influence grow. Kris, who is revealed to be pregnant, is stared at by a disabled woman who seems to recognize her condition. Celina's trance episodes and erratic behavior increase, culminating in violent outbursts and physical confrontations with Jay and Kris.

As the haunting intensifies, the team struggles to maintain control. Celina's trance state deepens, and she lashes out unpredictably. Kris is repeatedly attacked by the spirit, including being submerged in the bathtub. The house itself seems to trap them, with doors and windows behaving unnaturally. The trio's friendship unravels under the pressure of the supernatural events and their own interpersonal conflicts. The film ends with the implication that the ancient spirit has claimed them, leaving their fate ambiguous but grim.

At the end of House on Eden (2025), the three main characters--Kris, Celina, and Jay--succumb to the malevolent ancient spirit inhabiting the abandoned house. Kris, who is revealed to be pregnant, is overwhelmed and ultimately possessed or killed by the spirit. Celina falls into a trance and becomes violent, attacking Jay, who also suffers injuries. The film closes with the fate of the trio sealed in the house, implying they are trapped or lost to the spirit's power.

The ending unfolds in a tense, scene-by-scene progression:

1. Celina's Trance and Violence: Celina deliberately enters a trance-like state to allow the spirit to communicate through her. When she awakens, she lashes out violently, punching Jay in the face and causing a bloody nose. This marks a turning point where the spirit's influence visibly fractures the group's cohesion.

2. Kris's Collapse: Kris, who is pregnant, is found unconscious on the floor after falling down the stairs. This physical collapse signals her vulnerability and the increasing danger posed by the spirit.

3. Supernatural Assault: Kris is grabbed by a ghostly figure and forcibly submerged beneath dirty water in a bathtub. This scene is a direct confrontation with the spirit's power, showing the physical and psychological torment inflicted on the characters.

4. Lilith's Appearance and Gore: An older woman, identified as Lilith, appears kneeling beside an unconscious figure and slashes her own neck, spilling blood onto the prone person. This disturbing ritualistic act underscores the ancient and malevolent nature of the spirit haunting the house.

5. Final Fate of the Characters: Jay, injured and with a bloody nose, is left amidst the chaos. Celina, under the spirit's control, and Kris, incapacitated and possibly possessed or killed, are trapped in the house. The film ends with the implication that none of them escape, their fates sealed by the ancient force.

Throughout these final scenes, the film emphasizes the breakdown of trust and the overpowering influence of the spirit. The characters' interpersonal conflicts--especially Kris's unilateral decision to divert their investigation--compound their vulnerability. The ending leaves the trio lost to the house's dark presence, with no clear rescue or escape, highlighting the horror of being consumed by an ancient evil.

Yes, the movie House on Eden (2025) does have a post-credit scene. In this scene, after the main events conclude with the character Chris being ambushed and taken up to the attic by an old lady, the film ends with a last-second title card. The scene is ambiguous and unsettling, showing Chris getting out of a bathtub and then being confronted by the old lady who appears to have some malevolent control or possession over her. The exact nature of who pushed Chris into the bathtub is debated, with possibilities including the possessed Selena or the old lady herself, but the old lady's presence and influence are strongly implied in the final moments.

The ancient spirit is a malevolent presence residing in the abandoned house deep in the woods that Kris, Celina, and Jay encounter during their paranormal investigation. It manifests through eerie phenomena such as doors opening and closing on their own, possession of characters, and violent acts like self-inflicted wounds by a ghostly figure named Lilith, indicating its dangerous and supernatural nature.

Kris secretly reroutes the team from their planned cemetery investigation to the House on Eden without consulting Celina and Jay, causing tension and displeasure among the group. This decision leads to conflict, mistrust, and frustration, as Kris is focused on boosting her channel's popularity while her friends feel blindsided and uneasy about the unplanned and isolated location.

Lilith appears as an older woman ghostly figure associated with the house's dark history. She is depicted in a painting and later in the film as a naked older woman who performs violent acts, including slashing her own neck and spilling blood on an unconscious individual. Lilith's presence is linked to the malevolent spirit haunting the house and contributes to the horror elements of the story.

The team experiences multiple supernatural events including a cat ball that lights up when something moves nearby, doors opening and closing by themselves, possession of Celina during a trance, ghostly figures grabbing Kris and submerging her underwater, and Celina exhibiting trance-like behavior with physical wounds. These phenomena escalate the tension and danger as the night progresses.

Initially, Kris, Celina, and Jay have a playful and friendly rapport, but Kris's unilateral decision to change the investigation site strains their relationships. Celina and Jay express displeasure and frustration, leading to arguments and physical altercations, such as Celina punching Jay. Moments of solidarity are rare, and the stress of the haunting exacerbates their conflicts and mistrust.

The movie House on Eden (2025) is not family friendly; it is rated R and contains horror elements that may be upsetting for children or sensitive viewers.

Potentially objectionable or upsetting aspects include:

• Paranormal horror and suspense involving a malevolent, ancient spirit in an abandoned house, with eerie sounds like screams and thumps.
• Disturbing themes related to pregnancy, including vulnerability and exploitation by a cult, connected to dark mythological references.
• Ritualistic scenes involving blood and anti-baptism symbolism, implying possession and corruption.
• Scary and unsettling atmosphere with characters experiencing sickness, fear, and being trapped in a creepy, spotless old house.
• Some mature language and crude humor, including poop jokes, which may be inappropriate for younger audiences.
• The film uses a found footage style with shaky camera work, which can be disorienting or stressful for some viewers.

Overall, the film's horror content, occult themes, and tense, frightening scenes make it unsuitable for children and those sensitive to paranormal horror or ritualistic violence.