In 1984 in a Massachusetts middle school auditorium, fourteen-year-old Donny Berger sits in detention and watches his teacher, Mary McGarricle, walk among the other students. Donny flirts with Mary and she initially responds by assigning him an extended stretch of after-school detention. During that detention period, Mary crosses the boundary between teacher and student: she seduces Donny, and they begin a sexual relationship. The tryst becomes public in a humiliating way when the school holds an assembly and the affair is exposed. Authorities arrest Mary, charge her with statutory rape, and a court convicts her. The judge sentences Mary to thirty years behind bars. As Mary's pregnancy comes to light, a judge awards custody of her unborn child to Donny's abusive father, on the condition that Donny will assume full custody once he reaches adulthood. The scandal elevates Donny to a kind of child celebrity, and headlines and cameras follow him, but the attention does not protect him from the pressure of his home life.

Decades pass. Donny falls into a life of financial instability and alcohol dependence. He accrues $43,000 in back taxes owed to the Internal Revenue Service and faces the real threat of imprisonment for failure to pay. Desperate and scrambling for money, Donny places a long-shot $20 wager on an underdog in a marathon at odds of eight thousand to one, hoping the tiny stake will become a windfall. He also takes a different tack to get cash: Randall Morgan, a television producer who remembers Donny's past notoriety, offers him fifty thousand dollars to set up a media-friendly reunion with Donny's son and Mary. Donny sees the money as a lifeline and also as a way to reconnect.

Donny's son has been living under a new name for years. After the scandal, the boy changes his name from Han Solo Berger to Todd Peterson and moves forward with a constructed life: he becomes a successful corporate employee and plans to marry his fiancée, Jamie, at the seaside estate of his boss, Steve Spirou, on Cape Cod. Donny learns of the wedding from a newspaper and travels uninvited to the Cape. At the rehearsal and reception, Donny's presence unsettles Todd; Todd tries to pass Donny off to the guests as an eccentric old friend rather than reveal their blood relation. Todd resists reconnecting with Mary at first, but Donny manipulates the schedule, moving the rehearsal dinner away from the church and engineering a series of social situations that make it harder for Todd to dismiss him. Faced with pressure, Todd reluctantly agrees to a prison visit to see Mary.

When Todd meets Mary through the prison glass, a television crew arranged by Randall intrudes on their private conversation. Todd refuses to sign a consent form for the broadcast and storms out in disgust; the intrusion reignites the bitterness he has long held about his parents and the public spectacle their relationship created. Meanwhile, Donny observes Todd's fiancée, Jamie, more closely and discovers that she is sexually entangled with other men: she is carrying on affairs with Steve Spirou and with her brother, Chad. Jamie scrambles to cover her tracks. She offers Donny fifty thousand dollars to silence him and to construct an alternate explanation for her seeming indiscretions. Donny takes the money but does not hand the matter off cleanly; guilt gnaws at him.

The day of the wedding arrives and Donny decides to reveal the truth. He bursts into the ceremony and interrupts the vows, announcing that he is Todd's father and exposing Jamie's infidelities to the assembled guests. Todd reacts with anger and shock but then, confronted with the undeniable facts and with the person who raised him, he breaks off the engagement. He walks away from his corporate job, embraces his father, and chooses to reclaim the name he was given at birth: Han Solo Berger. He starts a relationship with a strip-club bartender named Brie, leaving behind the groom persona Todd Peterson. Donny refuses to accept any inheritance or financial windfall from Han; instead he decides to take responsibility for his part in the past and prepares to serve whatever legal consequences remain for him. After he has resigned himself to the prison term, Donny discovers that the underdog he bet on wins the marathon, and his $20 stake multiplies into $160,000. He uses the winnings to settle the $43,000 tax bill, thereby preventing the immediate threat of incarceration and giving him a precarious measure of stability as he plans for the future, including the possibility of reconnecting with Mary when she completes her sentence.

In another city and in a very different timeline, Miami's Narcotics Bureau confronts a new crisis. Captain Conrad Howard, a respected officer who has spent years compiling evidence against high-level traffickers and compromised agents, is dead; he is a public figure posthumously. His death is the hinge of a larger frame-up. A massive transfer of money lands in an account bearing Howard's name, and investigators, reporters, and criminal elements interpret the transfer as proof that Howard collaborated with cartels. The city's leading detectives, Mike Lowrey and Marcus Burnett, face accusations when the ledger points toward their late captain. Mike and Marcus open an inquiry because they know Howard's career and suspect that someone is planting evidence to smear him. They discover that someone sent a large sum into an account under Howard's name in a calculated effort to ruin his reputation and shield the operation's real mastermind.

As Mike and Marcus dig deeper, they learn about a man named James McGrath, a former DEA agent who disappeared into the cartel underworld. McGrath used to work undercover and then was taken captive by drug lords; he survived brutal torture and, over time, betrayed his partners to his captors. Howard accumulated a decade's worth of documentation implicating McGrath in those betrayals and in a continuing network of corruption and trafficking. McGrath now operates from the shadows and wants Howard's files gone: he engineers the scheme that funnels money into Howard's account to turn a hero into a traitor and to silence anyone who can tie him to the cartels. The frame places Mike and Marcus on the edge of indictment.

Complicating the investigation is Mike's son, Armando, who can identify McGrath as the man behind the operation. Armando sits in prison and knows things that make him a target. While prison officials transport Armando to a secure meeting so he can point the detectives toward McGrath, armed men ambush the convoy. In the attack on the transport, agents and guards exchange fire with masked assailants. Armando almost dies in the melee; bullets tear through the sides of the vehicle and shatter glass, and he barely survives when Mike and Marcus fight to extract him. During that operation, a helicopter that the department uses to transfer Armando is shot down in midflight by enemy fire. The chopper goes into a violent spiral, hits power lines, and crashes, forcing Mike and Marcus into survival mode. The crash leaves wreckage spread across a mangrove marsh; investigators who arrive later piece together that the downing is staged to implicate Mike and Marcus in a failed transfer.

The political and media machinery moves fast. With the public already primed by the incriminating account transfer, prosecutors and the press paint Mike and Marcus as accomplices; American lawmen who once protected the city are suddenly fugitives. Miami's criminal underworld responds to the turmoil as well. McGrath offers a bounty on the heads of Mike and Marcus; gangs across Miami begin hunting them. The pair have no option but to avoid custody and find the people who set Howard up. They enlist allies wherever they can: AMMO agents Kelly and Dorn step forward to help sift through Howard's files and to secure the evidence that would allow Armando to name McGrath. Kelly examines Howard's physical dossiers while Dorn tracks digital money transfers. The agents work in cramped rooms under fluorescent lights, sorting ledger entries, tape recordings, and surveillance stills so that Armando can identify faces and places from memory.

The situation escalates when Mike tries to inform Captain Rita Secada of what they discover. Rita is a high-ranking official and a trusted contact. Mike calls her and explains the leads they have uncovered, but the call travels through channels that expose the information. Adam Lockwood, the district attorney who is dating Rita and is frequently present in her professional sphere, overhears an incriminating detail. Lockwood becomes the inside man: he uses his legal access and his proximity to Rita to feed intel to McGrath and to sabotage Mike and Marcus's maneuvers from within the system. After hearing the tip, Lockwood arranges for McGrath's henchmen to attack Mike and Marcus's families to cow the two fugitives.

The first assault lands at Marcus's home. Men in dark clothing kick down a side door and spray a room with automatic fire. Marcus's son-in-law, Reggie, hears the commotion and moves without hesitation. Reggie intercepts the intruders in the hallway and fights them hand-to-hand; he pulls a shotgun from under a kitchen table and fires through a doorway, forcing the attackers back and covering Marcus's family until uniformed patrol cars arrive. Reggie's actions keep Marcus's family safe; the attackers retreat in a van and vanish into the night.

At Mike's house, the strike team moves quicker. Two men in a black SUV race up the Lowrey driveway, jump out with bolt-cutters, and subdue the gate. They push into the house, find Mike's new wife, Christine, and the young girl Callie, who is Captain Howard's granddaughter, and seize them. The intruders cuff Christine and Callie and shove them into the back of the SUV. Mike gets a call from Marcus; his voice is tight, and he hears the crash, the shouts, and finally Christine's terrified pleas through a muted line. Mike snaps into action. He and Marcus follow the trail of the SUV, engage in a high-speed chase through Miami traffic, and exchange gunfire with McGrath's foot soldiers. The pursuit ends when the attackers leave the highway and pull into a derelict gator-themed amusement park on the edge of the Everglades.

Before Mike and Marcus can complete their rescue, the men approach Lockwood with a proposition: help them discredit Rita and lock the investigation. Lockwood complies and uses his access to manipulate a temporary warrant to stall the investigation. Meanwhile, Kelly and Dorn track Lockwood's communications and determine that he is cooperating with McGrath. They force a confrontation with Lockwood in a municipal parking lot. Kelly points a gun at the DA while Dorn reads back his intercepted phone calls and plays surveillance audio that places him at the scene when Christine and Callie disappear. Lockwood becomes violent. He lunges for his car keys and tries to drive off; Dorn tackles him, and Kelly disarms him. The agents extract a voice sample from Lockwood and, after seizing his phone, they upload the audio patterns to a secure server so they can construct a voiceprint. The voiceprint becomes bait: Kelly and Dorn set up a recorded message in Lockwood's voice to be transmitted to McGrath, arranging a meeting under the pretense of turning over evidence.

The decoy draws McGrath out to the gator amusement park. The deserted park contains rusted rides, dilapidated signs promising photo ops with reptiles, and a water-filled arena lined with concrete pits where alligators once lived. McGrath arrives with a phalanx of armed henchmen. He and his crew fan out among the overgrown walkways, sweeping for any sign of officials. Mike and Marcus approach the park from the far gate while Kelly and Dorn coordinate with local law enforcement to create a perimeter. The first clash occurs near the arcade building: McGrath's men fire through broken glass; Mike returns fire from behind a payphone booth; Marcus barrels through a line of attackers with a stolen golf cart, knocking two of them down and clearing a path. The exchange of bullets sends sparks and debris across the theme park's empty midway.

Lockwood tries to flee during the melee. He reaches a small private airstrip adjacent to the amusement park and runs to a waiting single-engine plane. Lockwood shoves a pilot aside and climbs into the cockpit, slamming the door. Rita, who has followed the forces to the park and who spots Lockwood attempting escape, takes a rifle from an airfield attendant. She fires at the plane's fuselage as it taxis; bullets puncture the fuel tank and the engine. The plane lifts off in a lurch but loses power and lists toward the gator pits. Rita does not hesitate: she fires again, hitting the wing. The aircraft careens out of control and smashes through a chain-link fence; Lockwood opens the cockpit just as the plane slams into the barrier and nose-dives into the open gator arena. As the plane shudders to a stop in shallow water, Lockwood stumbles out and tries to run. Rita reaches him and, with a final shove, kicks him toward one of the deep pits. A massive albino alligator, which has lived in the park's exhibit tank, lashes out and drags Lockwood into the murky water. The animal thrashes and then closes around him; the DA is killed as the gator devours him, his body disappearing under the surface. The spectacle unfolds in the harsh light of rotor blades and flashlight beams, and the crowd of armed men retreats in disarray.

Inside the park, during the firefight, Armando moves with purpose. He keeps Callie close to his chest and navigates a maze of concession stands and collapsed bleachers while gunmen spray the air. Armando shields Callie from a ricochet that shatters a nearby concession sign and carries her through a low service tunnel to a maintenance exit. He bursts out into dawn air and puts Callie in a car that Marcus secures. Armando's hands shake from a graze wound, but he refuses to stay behind; he steps back into the park to cover Callie's exit. As the sun climbs, Mike and Marcus locate McGrath and a small number of his remaining lieutenants near an abandoned beach area on the outskirts of the park. They pursue on foot over a stretch of dunes and broken boardwalk.

At the edge of the water, Mike confronts McGrath. McGrath stands with Christine, who the kidnappers were using as bait; she is disheveled but alive. McGrath raises a pistol and fires at Mike; the shot misses and kicks up sand. Mike takes cover behind the carcass of a beach umbrella and returns fire in a single, measured burst. His round strikes McGrath in the torso. McGrath doubles over, blood spilling down his shirt, and collapses into the sand. Mike approaches and, with a final, deliberate shot, kills McGrath. The weapon clatters from McGrath's hands and lands in the surf. Christine cries out and runs into Mike's arms. Marcus secures the perimeter and watches as McGrath's men either surrender or attempt to flee along the shoreline. Officers who have been working undercover close in and take the surviving henchmen into custody.

Judy Howard, Captain Howard's daughter and a United States Marshal, arrives at the beach just after McGrath falls. She runs past flashing emergency lights and points a pistol at Armando, who has walked onto the beach with his palms raised, a small daughter at his feet. Judy accuses him of killing her father and vows to execute him on the spot. Callie, the granddaughter of Conrad Howard whom Armando saved, steps between Judy and Armando and pleads aloud that he saved her life. Callie speaks quickly, recounting how Armando moved into danger to keep her from being taken into the park's inner compound and how he protected her through the gunfire. Judy lowers the gun as Callie trusts Armando with her final word, and she looks at Armando with a jolt of conflicting rage and gratitude. Judy drops the pistol and lets Armando go. Mike moves to help Armando: he takes a step forward, then reaches down and hands Armando a set of keys to a waiting car. Mike helps Armando into the vehicle and urges him to run. Armando drives away, not toward a police station but on a narrow back road that deposits him out of jurisdiction where he can vanish while evidence clears Howard's name.

Kelly and Dorn distribute the hard drives and files they have recovered to federal investigators. They present the recordings, bank transfers, and Howard's own documentation that tie McGrath to the cartel network and that demonstrate how Lockwood used his office to manipulate warrants and evidence. Prosecutors reconvene and reverse the narrative that branded Captain Conrad Howard as a traitor. The official record restored, Howard's name is cleared; the city issues a public statement exonerating him. Mike, Marcus, and their partners receive cooperation from federal prosecutors to pursue the remaining operatives and to protect witnesses who can testify against the cartels and their compromised allies.

Armando disappears into the night but not before he makes a call to someone he trusts; his voice is quiet and he says only that he will be gone for a while and that Callie is safe. Christine returns home with Mike a little shaken but alive; she and Mike embrace in the kitchen of their house, and she thanks him for bringing her back. Marcus reunites with his family; Reggie gets a quiet nod and a handshake for his quick defense of Marcus's children. Judy considers pressing charges against Armando, but she never files them; she watches the files come back from federal agents, reads Howard's exoneration, stands at her father's grave, and places a hand on the headstone where she says his name aloud once more.

In the months after the arrests and the shootouts, federal agents close in on the last tendrils of McGrath's network. Several of McGrath's captured lieutenants plead guilty in exchange for testimony. Local prosecutors reopen cases that had been compromised. Donny, in a different life across the country, uses the money from his improbable bet to stave off immediate incarceration and begins to make tentative plans to contact Mary and attempt a face-to-face reconciliation when she is out of prison. Han--formerly Todd--settles into a new routine with Brie, and he takes steps to rebuild a life that now acknowledges both his past name and the father he once rejected.

The final images of these intertwined stories close on a handful of specific moments. On a Miami beach at sunrise, Mike and Christine walk along the shore with wet footprints behind them; the ocean roars softly and the body of James McGrath has been excised from the life he built. At a quiet Massachusetts race track, Donny watches footage of his long-shot bet crossing the finish line and, with a muted smile, realizes that the $20 he risked has paid a debt that kept him out of prison for now. In Madison County, Judy kneels at her father's headstone and reads the inscription aloud, then stands and walks away without making a fuss. Armando, having shaken the immediate manhunt, drives a used sedan into a rural night, his face set and determined to live another day. The legal files that Captain Conrad Howard kept are secure in a federal strongroom; prosecutors label them, seal them, and file them under "Exculpatory Evidence -- Conrad Howard." The movie closes as those doors lock and the city returns to the slow, uneasy business of putting pieces together after violence, scandal, and revelation.

At the end of The Boy I Hate (2025), Samantha Smiles and Tristan Montgomery confront their past and feelings during their cross-country trip. Samantha chooses to follow her own path, embracing her feelings for Tristan, while resolving the tension with her best friend Renee. Tristan and Samantha reconcile, and the story closes with them together, having overcome their history and misunderstandings.

Now, a detailed scene-by-scene narration of the ending:

The final sequence begins as Samantha and Tristan near New York City, the destination of the wedding they are attending. The atmosphere is tense but charged with unspoken emotions. Samantha, who has spent much of the trip wrestling with her feelings and loyalty to her best friend Renee, finally breaks the silence. She admits to Tristan that she has never truly gotten over him, revealing the depth of her conflicted emotions since their secret summer years ago.

Tristan listens intently, his usual confident demeanor softening. He confesses that he, too, has struggled with his feelings for Samantha, explaining that his past behavior--moving on quickly and seeming indifferent--was a mask for his own insecurities and fears of vulnerability.

As they arrive at the wedding venue, Samantha and Tristan face Renee together. There is a moment of awkwardness, but Samantha openly tells Renee the truth about her feelings and the history she shares with Tristan. Renee, initially hurt and surprised, listens and then expresses her own feelings of betrayal but also her desire for Samantha's happiness.

The wedding ceremony proceeds, and Samantha and Tristan share a quiet moment away from the crowd. They acknowledge that their relationship will be complicated but worth pursuing. Samantha decides to stop living for others' expectations, choosing instead to embrace her own desires and future.

The final scene shows Samantha and Tristan walking hand in hand through the city streets, symbolizing a new beginning. Renee watches from a distance, a bittersweet smile on her face, indicating acceptance and the hope for healing.

Regarding the fates of the main characters:

• Samantha Smiles resolves her internal conflict by choosing to pursue her own happiness with Tristan, stepping away from the shadow of her past and her boyfriend Steven's betrayal.

• Tristan Montgomery sheds his tough exterior, opening up emotionally and committing to a genuine relationship with Samantha.

• Renee Montgomery faces the pain of her brother and best friend's relationship but ultimately accepts their choice, hinting at personal growth and forgiveness.

This ending highlights the themes of confronting past wounds, the complexity of love and friendship, and the courage to choose oneself despite difficult circumstances.

For the movie titled The Boy I Hate (2025), there is no available information or record indicating the presence of a post-credits scene. The search results do not mention this movie or any post-credits content related to it. The results focus on other 2025 movies like How to Train Your Dragon, Heart Eyes, and I Know What You Did Last Summer, but none reference The Boy I Hate or its post-credits scenes.

Therefore, based on current data, it appears that The Boy I Hate (2025) does not have a post-credits scene, or if it does, it has not been publicly documented or discussed in available sources.

Samantha Smiles and Tristan Montgomery had a one-night stand during one summer when Samantha was her best friend Renee's trusted friend. This secret summer fling left Samantha torn between her feelings for Tristan and her loyalty to Renee, and Tristan acted indifferent afterward, which hurt Samantha deeply.

Samantha finds out about her boyfriend Steven's affair with his secretary when she makes a stop to say goodbye to him during the road trip. She catches him red-handed, which leads to a confrontation where Tristan teaches Steven a lesson, but Samantha initially runs away without confronting Steven directly.

Samantha's boyfriend Steven bails on their planned cross-country road trip to Renee's wedding, forcing Samantha to make the drive alone. However, her best friend Renee, unaware of Samantha's history with her brother Tristan, sets Samantha up to travel with Tristan, leading to the two being forced to confront their past and feelings during the trip from LA to New York.

Tristan Montgomery suffered an injury that ended his football career, which is a significant part of his backstory. This injury reveals a more vulnerable side of Tristan behind his popular and reckless persona, and it influences his interactions with Samantha during their road trip.

During the road trip, Samantha and Tristan are forced to open up about their lives, including their past summer fling and Tristan's injury. Despite their initial animosity and Samantha's feelings of betrayal, the trip reveals a different, more vulnerable and caring side of Tristan, leading to a rekindling of feelings and a complex dynamic between them as they travel together to Renee's wedding.

The movie The Boy I Hate (2025) is a romantic drama centered on complex relationships, including themes of love, betrayal, and family dynamics. It is not specifically categorized as family-friendly or a children's film.

Potentially objectionable or upsetting aspects for children or sensitive viewers may include:

• Themes of romantic betrayal and cheating, as the story involves a character being cheated on by a boyfriend.
• Family drama and emotional conflicts, which may include tense or upsetting interactions.
• Relationship struggles and emotional tension that could be intense for younger audiences.

There is no indication of explicit violence or graphic content, but the emotional and relational themes might be challenging for children or sensitive viewers. The film's tone and subject matter suggest it is more suitable for teens and adults rather than young children.