Wrath of Man (2021)

The sun beats down mercilessly on a sunbaked Los Angeles street as the Fortico armored cash truck rumbles along, its massive frame a fortress on wheels. Inside the back, Patrick "H" Hill (Jason Statham) sits vigilant, his face a mask of stoic intensity, counting stacks of cash with mechanical precision. Up front, his son Dougie (Lex Daniels), a lanky teenager with wide, innocent eyes, surprises him by popping up through the hatch from the hidden compartment where he's been stowing away for a joyride. "Dad, you gotta see this," Dougie grins, oblivious to the danger brewing outside.

Suddenly, the truck jolts to a halt. Masked robbers swarm it like wolves, drilling through the rear doors with ruthless efficiency. They burst in, guns blazing commands: "Out! Now! Hands up!" H and the two front guards comply, stepping into the blinding daylight with hands clasped behind their heads. The robbers force the front guards to their knees. Jan (Scott Eastwood), a smirking brute with a squinting eye and gum-chewing swagger, levels his pistol without hesitation. Two crisp shots ring out--point-blank executions. The unnamed Fortico guards crumple lifeless to the asphalt, blood pooling under the relentless sun.

Dougie, peering from the truck's hatch, locks eyes with Jan. The boy's face drains of color, but it's too late. Jan's lips curl into a predatory sneer. "Kid saw my face," he mutters coldly. He unleashes a barrage: first the liver, then both lungs, the spleen, and finally the heart. Dougie slumps, lifeless, his blood spraying across the truck's interior in vivid crimson arcs. H lunges back toward his son, a guttural roar escaping his throat, but Jan pivots with chilling calm. "Parting gift," Jan growls, pumping two bullets into H's chest. H collapses beside Dougie's body, the world fading to black as the robbers flee with the cash, tires screeching into the distance.

Three weeks later, in the sterile hush of a Los Angeles hospital room, H stirs awake, his body a map of scars and simmering rage. Monitors beep steadily as FBI Agent Patrick King (Andy Garcia) enters, his suit crisp, eyes sharp with calculated sympathy. "Your boy... Dougie. I'm sorry," King says, sliding a folder across the bed. Inside: a list of suspects tied to armored truck heists. "I know what you want. I'll look the other way. Just don't make it messy." H nods, his voice a gravelly whisper: "It won't be." The seed of vengeance takes root, H's mind already plotting.

Five months after the robbery, H strides into the Fortico Armored Car Company depot in Los Angeles, a sprawling fortress of steel vaults holding millions. He's a rookie cash truck driver now, his application barely scraping by. Supervisor Bullet (Holt McCallany), a grizzled veteran with a no-nonsense glare, oversees H's driving and shooting tests. H fumbles deliberately--tires screeching wide, shots grazing targets--earning Bullet's skeptical grunt. "You're a lump, H. But we need bodies." Bullet hires him anyway, clapping his shoulder with false camaraderie.

H meets his partner, Boy Sweat Dave (Josh Hartnett), a twitchy motormouth with a perpetual sheen of nervous perspiration. "Call me Dave, newbie. Don't sweat it--literally," Dave quips, wiping his brow. Other guards filter in: the stoic Dana (Dar Salim), veteran Age, and the watchful Hargreaves, a Fortico staffer with a quiet intensity. H memorizes them all, staring at the employee ID badge wall like a predator mapping prey, routes and faces etching into his brain.

H's first shift with Dave builds immediate tension. They load the truck with cash, the depot's vaults groaning under Black Friday weekend reserves nearing $180 million. As they roll out on a routine LA route, H's eyes scan every shadow, every alley. He's no rookie--flashbacks pierce the present: H as a former crime lord, ruthless overlord of LA's underworld, now infiltrated here after two months of dead-end searches for his son's killers. This job is bait. He wants his truck hit.

The ambush comes fast on a deserted stretch. A crew led by a wild-eyed Post Malone-lookalike rams their truck, sparking a brutal firefight. Bullets ping off armored plating as robbers swarm. Dave freezes in the driver's seat, paralyzed by fear, sweat pouring. H explodes into action, using Bullet--dragged into the fray as a human shield--as cover. He unleashes havoc: precise headshots drop one robber after another. Bodies pile up in the dust, blood staining the concrete. H singlehandedly annihilates the entire crew, their screams cut short by his unrelenting gunfire. Dave stares, slack-jawed. "What the fuck, H? You're a goddamn machine!" H says nothing, holstering his weapon, tension coiling tighter. Word spreads at Fortico: the new guy's a enigma.

Days blur into weeks of routes, H baiting subtly. In a dimly lit bar after hours, he corners a chatty coworker, gun pressed to the man's temple under the table. "Routes. Suspects. Talk," H growls. The man spills scraps, fear etching his face. H's associates--his old crime crew--mistake another truck for easy pickings: Age's route. They hit hard, but bail in panic upon spotting H inside. "Boss is back? Abort!" one hisses over radio. Revelation dawns: H's "London trip" was a lie; his goons had no clue about his infiltration.

Meanwhile, across town in Jackson's hideout--a grimy warehouse stacked with weapons and heist blueprints--Jackson (Jeffrey Donovan), a calculating kingpin with icy command, rallies his crew. Jan lounges smugly, flaunting a $28,000 bike he's splurged on against orders. "Rules are for suckers," he smirks to his mates. Bullet, revealed as Jackson's inside man at Fortico, feeds truck schedules via burner phone. They're gearing for the big score: Fortico's depot on Black Friday weekend, $150-180 million ripe for the taking. "One last ride, boys," Jackson toasts, tension humming like a live wire.

Black Friday dawns chaotic, LA streets clogged with shoppers. Fortico depot buzzes, trucks loaded to bursting. H and Dave roll in for shift, the air thick with holiday frenzy. Jackson's crew strikes at dawn, storming the depot exterior in a blitz of black masks and automatic fire. They take hostages--Fortico staff herded at gunpoint into the vault room. Bullet, playing double agent, reveals the haul to Hargreaves under duress: "Nearly $180 mil. We're ghosts after this." Hargreaves nods, eyes narrowing--he's pieced together Bullet's betrayal, linking him to Dougie's murder via leaked routes.

Chaos erupts as alarms shriek. Hostages revolt in a desperate surge. A staffer's bullet grazes Jackson's neck, arterial blood spraying. Gunfire echoes through the concrete halls--robbers mow down most Fortico guards in sprays of red mist. Hargreaves turns the tide, his hidden pistol barking death: he drops robber after robber, bodies thudding to the floor in puddles of gore. H emerges from the shadows, a one-man apocalypse, picking off Jackson's men with surgical precision--headshots, gut shots, limbs severed in ballistic fury.

Bullet reveals his colors fully. He guns down Dana execution-style, the guard's body jerking before collapsing. Another guard follows, brains painting the wall. Boy Sweat Dave charges in panic; Bullet drills him center mass. "Sorry, kid--business," Bullet snarls. H confronts him in the truck bay, tension peaking. Bullet confesses, gun trembling: "I'm the inside man. Fed the routes. That day your truck got hit? I set it up. Dougie... collateral." H's eyes blaze recognition--this ties Bullet to his son's blood.

Bullet shoots H, bullets tearing into his shoulder, dropping him amid the cash bags. Amid the melee, H spots Jan across the depot-- the squinting killer from the opening robbery, face unmasked in the frenzy. Memory floods: Dougie's dying stare, Jan's "parting gift." Rage surges. Jackson's crew flees with the money truck, Jackson bleeding profusely in the back with Jan and Bullet. Police sirens wail closer, choppers thumping overhead. Outside, SWAT cordons the depot, bullets ricocheting in a symphony of violence.

En route to escape, paranoia fractures the trio. Jackson, neck wound gushing, wheezes accusations. Jan, eyes feral, acts first--knife flashing, he slits Jackson's throat in a wet gurgle. Jackson chokes, blood bubbling, slumping dead against the money bags. Bullet wheels on Jan: "Traitor!" He raises his gun, but Jan's faster-- a point-blank headshot explodes Bullet's skull in a pink mist, brains splattering the truck's interior. Jan laughs maniacally, alone with the loot, speeding to his loft apartment.

In the depot's aftermath, Hargreaves--having survived the revolt--plants a tracking phone in one of the stolen money bags during the chaos, its screen dark but primed to ring. H, wounded but unbowed, staggers up, clutching a hidden pistol. Police swarm, but Agent King pulls strings, eyes meeting H's in silent accord.

Night falls over Jan's upscale loft apartment, a sleek lair overlooking LA's glittering sprawl. He unloads the bags, stacking millions amid his flashy $28,000 bike. Greed gleams in his eyes--frat-boy entitlement masking psychopathy. His phone buzzes irrelevantly; he ignores it at first. Then it rings insistently from inside a money bag. He fishes it out, smirking. "Wrong number, asshole." But the line crackles alive--H's voice, ice-cold: "Found you."

The door splinters inward. H bursts through, a specter of vengeance, bloodied but unstoppable. Jan whirls, gun up, but H is lightning. He hurls Dougie's autopsy report--a crumpled sheaf of papers--at Jan's feet. It skitters across the floor, pages splaying open. H advances, pistol steady, forcing Jan back against the wall. Tension builds like a storm, the city lights casting long shadows over their standoff. "Read it," H commands, voice a lethal whisper.

Jan's bravado cracks, eyes darting to the report. H snatches it up, reading aloud with deliberate slowness, each word a dagger: "Gunshot wound to the liver. Both lungs. Spleen. And finally... the heart." Jan's face pales, gum forgotten, as realization dawns--the exact wounds he inflicted on the boy. "You... you're that guard? The kid?" Jan stammers, backing into his bike, which topples with a crash.

H's eyes burn with paternal fury, the emotional weight crushing: visions of Dougie's lifeless body, the hospital bed, five months of calculated hell. "My son," H growls. "You shot him because he saw your ugly face." Jan lunges desperately, but H fires--first the liver, Jan howling as blood blooms on his shirt. Then both lungs, gasps turning to wet rattles. Spleen next, Jan crumpling to his knees, pleading incoherently. Finally, the heart--center mass, precise and mercifully swift. Jan twitches once, eyes glazing over, dead in a heap amid the money.

H stands over the body, chest heaving, the autopsy report fluttering from his hand onto Jan's corpse--a poetic shroud. Vengeance complete, the fire in his eyes dims to cold ash. He abandons the fortune, stepping over the blood-slick floor without a backward glance. Outside the building, Agent King waits in the shadows, squad cars cordoning the street. H meets his gaze. "Task is done," H says flatly. King nods, a ghost of a smile-- the cash recovery is his now.

An unmarked car idles curbside. An unnamed man--implied one of H's old associates from his crime lord days--leans out. H slides into the passenger seat without a word. The engine growls to life, taillights fading into the labyrinthine LA night, H vanishing into the distance, his wrath sated but his soul forever scarred.

In the ending of "Wrath of Man," H, the main character, confronts the men responsible for the death of his son. He reveals his true identity and motives, leading to a violent showdown. H successfully eliminates the gang members, including the leader, and avenges his son's death. The film concludes with H walking away, having achieved his goal but leaving a trail of destruction behind.

As the climax of "Wrath of Man" unfolds, the tension escalates in a series of meticulously crafted scenes.

Scene 1: The final confrontation takes place in a warehouse, dimly lit and filled with the remnants of a criminal operation. H, played by Jason Statham, enters with a steely resolve, his face a mask of determination. He is armed and ready, his movements precise and calculated. The atmosphere is thick with anticipation as he approaches the gang members who had wronged him.

Scene 2: H's presence is immediately felt by the gang, who are caught off guard by his sudden appearance. The leader, a man named Jan, recognizes H and the tension in the room spikes. H's eyes burn with a mix of rage and sorrow, revealing the depth of his pain over his son's death. The gang members, initially confident, begin to realize that they are in grave danger.

Scene 3: A fierce gunfight erupts. H moves with a lethal grace, taking out gang members one by one. The sound of gunfire echoes through the warehouse, punctuated by the thuds of bodies hitting the ground. H's focus is unwavering; each shot he fires is fueled by his desire for vengeance. The camera captures the chaos, the flashes of gunfire illuminating H's grim expression.

Scene 4: As the dust settles, H confronts Jan, the man who orchestrated the robbery that led to his son's death. The confrontation is intense, filled with unspoken emotions. H reveals his true identity, the father seeking justice for his son. Jan, realizing the gravity of his actions, tries to plead for his life, but H is unyielding. The emotional weight of the moment hangs heavy in the air.

Scene 5: In a final act of retribution, H takes down Jan, ensuring that he will not escape the consequences of his actions. The scene is brutal yet cathartic, as H finally feels a sense of closure. The camera lingers on H's face, capturing the mix of relief and lingering sorrow as he stands over Jan's lifeless body.

Scene 6: The film concludes with H walking away from the warehouse, the sounds of sirens approaching in the distance. He is a man transformed, having avenged his son but at a great cost. The weight of his actions hangs over him, suggesting that while he has achieved his goal, the path he chose has left him irrevocably changed.

In the end, H's journey is one of loss and vengeance, highlighting the lengths a father will go to for his child. The fates of the main characters are sealed: H walks away, a haunted figure, while Jan and the gang members meet their demise, serving as a stark reminder of the consequences of their choices. The film closes on a somber note, leaving the audience to reflect on the cycle of violence and the emotional toll it takes on those involved.

In "Wrath of Man," there is no post-credit scene. The film concludes its narrative without any additional scenes or content after the credits roll. The story wraps up with a focus on the main character, H, and the resolution of his quest for vengeance, leaving the audience with a sense of closure regarding the events that transpired throughout the film.

H, played by Jason Statham, is driven by a deep-seated desire for revenge after the brutal murder of his son, which is revealed through flashbacks. His stoic demeanor masks a turbulent emotional state, as he meticulously plans to track down those responsible for the crime.

H secures a job at the cash truck company, Fortico, by showcasing his exceptional skills during a robbery simulation. His calm and calculated approach during the test impresses the hiring manager, allowing him to gain access to the inner workings of the company and the people involved.

Jan, portrayed by Josh Hartnett, is a key figure in H's investigation. He is connected to the criminal underworld and provides H with crucial information about the gang responsible for the robbery that led to his son's death. Their interactions reveal H's relentless pursuit of justice and the lengths he will go to achieve it.

Initially, H's colleagues view him with suspicion due to his intense demeanor and secretive nature. However, as the story unfolds, they begin to respect his skills and bravery during heists. The tension between H and his colleagues highlights his isolation and the emotional burden he carries, as they remain unaware of his true motivations.

Bullet, played by Holt McCallany, is a veteran guard at Fortico who becomes a reluctant ally to H. He is initially skeptical of H's methods but gradually recognizes his capabilities. Bullet's character serves as a bridge between H and the rest of the team, providing insight into the cash truck operations while also grappling with his own moral dilemmas regarding loyalty and justice.

"Wrath of Man," directed by Guy Ritchie, is not considered family-friendly due to its intense themes and graphic content. Here are some potentially objectionable or upsetting aspects that may affect children or sensitive viewers:

1. Violence: The film contains numerous scenes of graphic violence, including shootouts and physical confrontations that are depicted in a brutal manner.

2. Death: There are several instances of characters being killed, which are portrayed in a stark and often shocking way, contributing to a dark atmosphere.

3. Strong Language: The dialogue includes frequent use of strong profanity, which may not be suitable for younger audiences.

4. Themes of Revenge and Grief: The central themes revolve around revenge and the emotional turmoil associated with loss, which may be heavy and distressing for some viewers.

5. Criminal Activity: The plot involves criminal elements, including robbery and betrayal, which may not be appropriate for children.

6. Emotional Distress: Characters experience significant emotional pain and trauma, which could be upsetting for sensitive viewers.

Overall, the film's mature content and intense emotional themes make it more suitable for adult audiences.