The first episode of Against the Ropes Season 1, titled "For Every Move, There's a Countermove," begins with Ángela being released from prison after serving six years for drug possession. The police return her belongings, but she insists the backpack containing the drugs was not hers. Upon returning home, Ángela finds her daughter Rocío is not there; instead, Rocío is living with Ángela's father, Lalo. Ángela is upset with her mother Victoria for allowing Lalo to have custody, but Victoria explains that Lalo had been financially supporting Rocío for the past three years. Ángela then goes to a wrestling match where she sees Candy, Lalo's girlfriend, competing and winning. Candy publicly claims Rocío as her daughter, which unsettles Ángela. When Ángela finally meets Rocío, the reunion is tense and distant, with Rocío clearly unhappy about her mother's return. Ángela learns that Rocío has told others her mother was in a rock band, a fabricated story to cover Ángela's absence. Ángela decides to find a job to support Rocío and sets boundaries, telling Rocío she must inform her before attending wrestling matches, which Rocío agrees to but without genuine commitment.

Ángela quickly finds employment at a bridal shop called The Happy Bride. However, she soon discovers that Dulce, a wrestler, has taken on the role of Rocío's maternal figure, creating tension and rivalry. Ángela's presence at the wrestling arena leads to a confrontation with Candy in the ring. The fight is physical and intense, but Ángela loses. After the match, Refugio, Ángela's godmother and an experienced wrestling trainer, offers to train her, reminding Ángela that wrestling is in her blood. Ángela tries on her late father's black luchador mask and adopts the wrestling persona "La Novia Negra" (The Bride in Black), marking her commitment to wrestling and reclaiming her identity.

Throughout the episode, Ángela reconnects with friends and family, including Malena, who was with her the day she was arrested and believes in her innocence. Ángela reveals her plan to Refugio: to win a few wrestling matches, gain Rocío's trust and affection, and then reveal her true identity as her mother. Meanwhile, Rocío is shown to have a crush on a boy named Julián, which adds complexity to her character and future storylines. Ángela also pursues the truth about the backpack that led to her imprisonment but loses a key piece of evidence when it is taken from her. Malena helps Ángela set up a rooftop training area with mattresses, signaling the formation of a wrestling team that will include other women like Josefina and Lucia.

The episode ends with Ángela fully embracing her new wrestling identity, determined to fight both in the ring and for her relationship with Rocío, setting the stage for the series' ongoing conflicts and character development.

Short Narrative Ending:

In the first episode of Against the Ropes, Angela returns home after prison and tries to reconnect with her daughter, Rocío, who is angry and distant. Angela gets a job at a bridal shop and ends up in a wrestling match against Candy, a rival wrestler. Angela loses the match, but her godmother Refugio offers to train her. At the end, Angela puts on her late father's black luchador mask and becomes the Bride in Black, setting the stage for her new journey.

Expanded Chronological Narrative:

The episode ends with Angela stepping into a new chapter of her life. After a tense day of reconnecting with her godmother Refugio and her friend Malena, Angela finds herself at the wrestling arena. She is still struggling to rebuild her relationship with her daughter Rocío, who is cold and resentful, especially after learning that Angela was recently released from prison. Rocío is also upset because Angela missed important moments in her life, and she now looks up to Dulce, another wrestler, as a mother figure.

Angela, determined to prove herself, gets a job at The Happy Bride, a local bridal shop. There, she meets new people and begins to rebuild her life, but tensions rise when she crosses paths with Candy, a wrestler who is both competitive and hostile. Candy challenges Angela to a match in the ring, and Angela accepts, hoping to show strength and earn respect.

The match itself is rough and chaotic. Angela is outmatched and loses badly, struggling to keep up with Candy's experience and aggression. The crowd watches, some cheering, others jeering. After the match, Angela is bruised and humiliated, but she does not give up. Refugio, her godmother, approaches her backstage. Refugio reminds Angela that she has wrestling in her blood--her father was a famous luchador, and Refugio believes Angela can follow in his footsteps. She offers to train Angela, giving her a chance to learn and grow.

The episode closes with Angela alone in a quiet moment. She goes to her father's old belongings and picks up his black luchador mask. She puts it on, looking at herself in the mirror. The mask transforms her, giving her a new identity--the Bride in Black (Novia Negra). This moment marks the beginning of Angela's journey to reclaim her life, her family, and her place in the world of lucha libre.

At the end of the episode, Angela's fate is uncertain, but she has taken the first step toward redemption. Rocío remains distant, but Angela is determined to earn her daughter's respect. Refugio is supportive and becomes a mentor figure. Candy is still a rival, but Angela is ready to face her again. The story sets up Angela's transformation from a woman trying to rebuild her life to a wrestler ready to fight for her future.

For the TV show Against the Ropes, season 1, episode 1 titled "For Every Move, There's a Countermove" (2023), there is no information in the available search results indicating the presence of a post-credit scene. The detailed plot summaries and episode descriptions do not mention any post-credit or after-credits scenes for this episode.

Therefore, it can be concluded that episode 1 does not have a post-credit scene or it is not notable enough to be documented in the sources reviewed.

Ángela becomes the Bride in Black, a mysterious wrestling persona, primarily to reconnect with her daughter Rocío, who loves lucha libre wrestling, and to regain her respect and presence in her life after being released from prison. She also wants to prove her innocence and fight against the unfairness she faces, including rigged matches and personal challenges in the wrestling world.

In episode 1, Ángela struggles to reconnect with Rocío, who has been living with her father Lalo and his girlfriend Candy during Ángela's six years in prison. Ángela finds Rocío at a wrestling match and witnesses Candy cheating in the ring. Despite the difficult circumstances and Candy's unfair tactics, Ángela fights in the ring, showing her determination to be part of Rocío's world and earn her daughter's respect.

Candy is Lalo's girlfriend and a wrestling champion who competes against Ángela. She is portrayed as a cheating and ruthless wrestler, with the referee favoring her in matches. Candy's presence creates direct conflict for Ángela, both in the ring and in her efforts to reconnect with her daughter, as Candy is a significant figure in Rocío's life and the wrestling scene.

Ángela receives support from several key characters: her godmother Refugio, who encourages her to focus on her fight and trains her; her friend Malena, who helps with training and personal matters; and her co-workers at the bridal shop, who eventually become part of her wrestling team. These relationships help Ángela rebuild her life and prepare for the challenges ahead.

The black luchador mask symbolizes Ángela's alter ego, the Bride in Black (La Novia Negra), which she adopts to enter the wrestling world anonymously. Wearing the mask allows her to fight under a new identity, channel her family's wrestling legacy, and protect her personal life while she works to regain her daughter's trust and prove herself in the ring.

Against the Ropes, Season 1, Episode 1: "For Every Move, There's a Countermove" is generally family-friendly in tone but contains some elements that may be unsuitable for very young children or sensitive viewers. The show blends comedy, drama, and sports, with a focus on family relationships and lucha libre wrestling.

Potentially objectionable or upsetting aspects include: - Mild violence related to wrestling matches, such as body slams and physical altercations, typical of the sport but not graphic or bloody. - Occasional mild profanity, including some strong language, though not excessive. - Brief scenes of emotional tension and conflict between family members, which may be intense but not disturbing. - Mild references to adult themes, such as past incarceration and family separation, presented in a way that is accessible but may require context for younger viewers.

Overall, the episode is suitable for older children and teens, but parents may want to preview it for younger or more sensitive audiences due to the combination of mild violence, emotional drama, and occasional strong language.