Great Minds: Season 3, Episode 97 - Episode 97 (2024)

The episode opens with the X-Men reeling from the sudden arrival of a woman who looks and sounds exactly like Jean Grey, forcing everyone to confront the possibility that the Jean living with them is not the real one. Beast performs genetic testing while the newly arrived woman is psychicly probed, and the episode quickly confirms the shock: the Jean the team has been living with is actually a clone, created by Mr. Sinister.

With that revelation in place, the story shifts to the fate of Nathan, the infant caught in Sinister's broader plan. Scott and Madelyne put aside their differences and rush to save the child from Sinister's vats, but they arrive too late to prevent the central damage Sinister intended to inflict. Nathan is infected with the techno-organic virus, and the episode makes clear that the infection is severe enough to leave him likely to die before Beast can find a cure.

The emotional fallout follows immediately after the rescue. Madelyne and the real Jean reach a temporary detente, no longer fighting each other in the moment, and Madelyne decides she will leave town to try to build her own life elsewhere. Scott is left facing the real Jean in what is clearly the beginning of a deeply uncomfortable and unresolved conversation about the clone, the birth, and everything that has just happened. The episode ends with Nathan no longer in their immediate care, having been sent into the future under Bishop's supervision.

The ending of X-Men '97 Season 1 begins with Rogue holding Gambit's corpse in her arms as Genosha is destroyed and the screen fades to black with her whispering, "Sugar, I can't feel you." After a six-month gap, the core X-Men are revealed to be lost in time: Rogue, Nightcrawler, Beast, Professor X, and Magneto wake up in ancient Egypt in 3,000 B.C. facing the mutant En Sabah Nur (Apocalypse), while Cyclops and Jean Land in 3,960 A.D. meeting their son Nathan Cable. The post-credits scene shows Apocalypse in present-day Genosha finding Gambit's burnt card and smiling, foreshadowing his resurrection of Gambit as one of his Horsemen.

The ending unfolds chronologically as follows:

First, the immediate aftermath of Genosha's destruction is shown. Rogue clutches Gambit's lifeless body, her voice breaking as she says, "Sugar, I can't feel you." The screen fades to black, leaving the audience in the silence of her loss. This moment establishes the emotional weight of the finale: Gambit's sacrifice to destroy Master Mold saved thousands but cost him his life, and Rogue's grief sets her on a path of vengeance.

Next, the scene shifts to Rogue's rampage. Blinded by rage, she attacks the facilities where Prime Sentinels are built, believing she is destroying the source of the threat to mutants. During this assault, Bastion intervenes, knocking Rogue unconscious and leaving her in a coma. This moment marks Rogue's transformation from a grieving friend to a vengeful warrior, but also her vulnerability when faced with an enemy she cannot overcome alone.

Then, the focus moves to Professor X and Magneto. Xavier, having broken Magneto's psyche to restore Earth's power, is trapped in a mind link with him. Val Cooper speaks the historic words, "Magneto was right," and releases Magneto from captivity. Freed, Magneto resumes his mission to protect mutantkind, reactivating Asteroid M and threatening to crash it into Earth. He demands the X-Men join him or face extinction with humanity. This scene highlights the culmination of Magneto's philosophy: his warnings about humanity's hatred were proven true by Genosha's annihilation.

The X-Men's confrontation with Bastion follows. The Phoenix force emerges from Jean Grey, depowering the Prime Sentinels and freeing the possessed humans. Jubilee defeats Bastion by clipping his wings and blasting him into the Monument of the Fallen Sentinels. However, Bastion survives, assimilating Cable's future tech arm to gain wings and fly into space with the goal of destroying Asteroid M. This sequence underscores the X-Men's resilience and the Phoenix force's power, but also Bastion's relentless ambition.

The convergence of the two storylines occurs when Bastion decides to crash Asteroid M into Earth. The U.S. government, with Avenger approval, launches missiles toward Asteroid M, worsening the situation. Professor X, having broken Magneto's psyche, revives his friend just as Asteroid M begins its descent. Magneto stops the crash, saving the day, but the X-Men disappear with the space station. This moment showcases Magneto's heroism and the X-Men's unity, but also the cost of their victory: their disappearance from the present timeline.

The six-month gap is revealed. Forge is in the wreckage of the X-Men's Westchester mansion, desperately searching for the team. Bishop arrives, revealing that the X-Men are not dead but lost in time. This scene sets the stage for the time-displacement narrative, emphasizing the mystery of the X-Men's fate and the hope that they will return.

The time-displacement scenes are then shown. Rogue, Nightcrawler, Beast, Professor X, and Magneto wake up in Egypt in 3,000 B.C., encountering En Sabah Nur (Apocalypse). They recognize his name and are concerned. Cyclops and Jean Land in 3,960 A.D., meeting their son Nathan Cable under the care of Mother Askani. These scenes establish the X-Men's new challenges: facing Apocalypse in ancient times and Cable in the future, while highlighting the theme of time as a barrier and a bridge between generations.

The post-credits scene shows Apocalypse in present-day Genosha, sifting through the wreckage. He finds Gambit's burnt playing card, remarks on "so much death," and smiles. This final moment foreshadows Gambit's resurrection as Death, one of Apocalypse's Horsemen, and sets the stage for future conflicts.

The fate of each main character in the ending is as follows:

• Rogue: She is in a coma after Bastion knocks her out, later waking up in 3,000 B.C. in Egypt with the other X-Men. Her grief over Gambit's death drives her to vengeance, but her coma leaves her vulnerable.
• Gambit: He sacrifices himself to destroy Master Mold, dying in the explosion. His body is held by Rogue as the screen fades to black. His fate is foreshadowed for resurrection as Death by Apocalypse.
• Magneto: He is released by Val Cooper after "Magneto was right" is spoken. He resumes his mission to protect mutants, reactivating Asteroid M and threatening to crash it into Earth. He disappears with the X-Men in the space station, waking up in 3,000 B.C.
• Professor X: He breaks Magneto's psyche to restore Earth's power, trapping them in a mind link. He revives Magneto, and they disappear with the X-Men in Asteroid M, waking up in 3,000 B.C.
• Cyclops and Jean Grey: They Land in 3,960 A.D., meeting their son Nathan Cable. Their fate is tied to the future timeline and their relationship with Cable.
• Nightcrawler, Beast, and Jubilee: They disappear with the X-Men in Asteroid M, waking up in 3,000 B.C. for Nightcrawler, Beast, and Professor X, and in 3,960 A.D. for Cyclops and Jean (Jubilee is left behind in the present).
• Wolverine: His fate is uncertain; he is weakened and missing with the X-Men. His survival without adamantium is implied, but his location is unknown.
• Bastion: He survives after being blasted into the Monument of the Fallen Sentinels, assimilating Cable's tech arm to gain wings and fly into space.
• En Sabah Nur (Apocalypse): He is seen in present-day Genosha, finding Gambit's card and smiling, foreshadowing his resurrection of Gambit as Death.

The ending encapsulates the themes of the series: the cost of sacrifice (Gambit's death), the validation of Magneto's philosophy (Genosha's destruction), the X-Men's resilience (their survival in time), and the looming threat of Apocalypse (his foreshadowing of Gambit's resurrection). The time-displacement narrative sets the stage for future conflicts, while the post-credits scene leaves the audience with a sense of impending doom and hope for Gambit's return.

Yes. The episode includes a post-credit scene in which Apocalypse is shown in the wreckage of Genosha, silently taking in the devastation and saying, "So much pain, my children. So much... death."

He then picks up one of Gambit's playing cards, specifically described in coverage as a queen of hearts card, which strongly suggests that Gambit's death is not the end of his story and that Apocalypse may be setting him up for a future role tied to the villain's Horsemen, especially Death.

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If you meant a different Great Minds episode, I'd need the correct series, network, or a synopsis to assess whether it's suitable for children.