Rosie tells the Three Little Pigs story to her wolf boy children, portraying the wolf as misunderstood and the pigs as villains.

Mrs. Zhang arrives to see Rosie, who has been ostracized from the pack for giving birth to hybrid children.

Rosie retorts that she needs her family, revealing she has four children who are wolf pups.

The wolf pups are taken out, thrown into cages, and transported back to the colony wearing muzzles.

In Alaska, Siana knows Birdie is on borrowed time until spring and tries to convince community scientists to help search for her.

Very few scientists agree, viewing it as a suicide mission.

Nuka tells the community that Birdie would have come looking for them if they were lost.

Odell finally volunteers to help Siana recruit for the search.

Siana and Nuka find Birdie's abandoned snowmobile next to hoof prints made by a two-legged being.

Birdie wakes up in a church to a scary man who walks on hooves.

The man holds up Birdie's picture of Gus and demands to know who he is.

In Texas, a man demonstrates a contraption to Helen Zhang and her pregnant daughter Ginger for stem cell extraction from a living hybrid specimen.

The subject will not survive the procedure.

Zhang calls over Willow, a frightened hybrid girl, to position the device as a demonstration, alarming the others.

At the farmhouse, Ven, the dad, dislikes hybrids and has Zhang's wanted poster of Gus.

While Becky and Jepperd figure out what to do about Ven, Gus and Wendy discover Ven's sweet son Theo is a hybrid.

Ven has brainwashed Theo into thinking hybrids are terrible animals.

Gus and Wendy free Theo of that notion.

After a baby is delivered at the farmhouse, Theo helps the crew escape Rosie by giving them his dad's van.

Ven tells Rosie that the crew stole his van and they were headed to Nag's Reef on the coast.

Rosie surveys the house, sees boots and a picture of Ven's family, and asks if he lives alone.

Ven stupidly says yes, claiming the Sick took his wife and boy last year.

Rosie asks what the reward is for calling in the deer kid.

She replies that his family gets to live, clicks a training clicker, and her wolf boys tear Ven apart.

Rosie and Tex head to Nag's Reef.

Gus, Jepperd, Becky, Wendy, and Singh travel toward the coast.

Singh reveals to the group that humans only have a few days left, based on his knowledge from a dream.

They arrive at the coast to find The Whale Song, the last boat to Alaska, has just left and is not coming back.

Someone tries to reach The Whale Song via radio, but there is no response.

The group spends time renovating a small dinghy to chase The Whale Song.

The same woman radios The Whale Song again, asking it to turn back, as the group works on the dinghy.

Rosie hears the radio call in her truck while heading to Nag's Reef to capture Gus.

Becky and Jepperd hatch a plan to keep Dr. Singh off the boat since they all can't fit; Becky agrees to keep the kids away while Jepperd handles Singh.

Wendy duct tapes Gus's antler back on his head and tells him she believes in him no matter what.

Singh and Jepperd have an intense conversation where Jepperd expresses distrust.

Singh shares a detail from his dream: in the cave, it is just him and Gus, with Jepperd and the rest of the group absent.

Rosie arrives at the coastline at Nag's Reef.

Shots are fired at the group; Jepp is shot in the leg.

Rosie tracks down the group, forcing Becky and Wendy to enable Gus, Jepperd, and Singh's escape in the dinghy.

The group launches the dinghy toward The Whale Song.

Shortly after leaving, the dinghy breaks down and Jepperd is forced to row.

One of Rosie's sons attacks Becky on the beach.

Becky kills the hybrid wolf pup by stabbing it in the side.

Becky tells Wendy to leave.

Wendy escapes as Rosie arrives, knocks Becky out, and tries to save her wounded son.

Rosie comes up short in capturing Gus again and decides not to return to Zhang Farms.

Rosie tells Tex to leave and go back home while she and the pack stay at Nag's Reef.

Gus, Jepperd, and Singh reach The Whale Song in the ocean.

Wendy and Becky stick together on the beach and decide to set out to find their family.

The pack closes in on Wendy and Becky.

Short Summary

The episode ends with the group separated at the coast. Gus, Jepperd, and Singh successfully escape on a boat, while Wendy and Becky are left behind and pursued by Rosie and her pack of wolf-boys. Becky fights off one of the pack members but is knocked unconscious by Rosie, leaving their fate uncertain.

Expanded Narrative

The episode opens one hundred thirty-five days after the government has fallen. We are introduced to Rosie Zhang in a solitary caravan, where she is with her children. Rosie never wanted to be a mother and had dreams of being an artist, but life intervened and she gave up everything for her children. She rewrites the story of the Three Little Pigs for them, reframing the wolf as a misunderstood creature and the pigs as the villains, suggesting her own worldview and justifications for her actions.

The group of Gus, Jepperd, Becky, Wendy, and Dr. Singh make their way toward the coast in search of a boat that will take them to Alaska. They discover that a ship is already there, but when they arrive, they find the boat has already left an hour prior. At the coast, they encounter a survivor named Coral, who informs them that the ship is packed to the brim with people and there is no way they would be able to secure passage even if they attempted to swim out to it. Gus manages to convince Coral to help them despite this dire situation.

The group attempts to construct their own boat to pursue the departing vessel. Their makeshift boat actually functions and allows them to set out after the larger ship. However, their journey is interrupted when Rosie and her pack arrive at the coastline. Shots are fired at the group, and in the chaos, Jepperd is shot in the leg. Wendy and Becky become separated from the others and are left behind.

Rosie refuses to communicate with Jang and instead orders Tex to leave and return home. She decides that she and the pack will remain at the coast for the time being, suggesting that something about this location or the situation has triggered her memory or resolve.

As the episode concludes, Wendy and Becky decide to stay together and attempt to find their family. The pack closes in on them. Becky fights back against one of the wolf-boys and manages to stab it in the side. She tells Wendy to leave and escape. As Wendy attempts to flee, Rosie catches up to her. Rosie knocks Becky unconscious while simultaneously trying to save her own son. At the same moment, Gus, Jepperd, and Singh successfully make it to their ship and escape, leaving Becky and Wendy's fates unresolved as the episode ends.

No, there is no post-credits scene in Sweet Tooth season 3 episode 3, "The Pack."

Detailed recaps of the episode confirm it ends with key action sequences: Rosie arrives shooting at Gus, forcing Gus, Jepp, and Singh to escape on a makeshift boat, leaving Wendy and Becky behind; Rosie then stays at Coral's with her wolf pack, while Coral departs unaware in Theo's van. No sources mention any additional content after the credits, such as a teaser or stinger, distinguishing it from the series finale's post-credits tree-sprouting scene in the last episode.

Sweet Tooth Season 3 Episode 3 "The Pack" is rated TV-14 and contains content that may not be suitable for younger children or sensitive viewers.

Potentially objectionable content includes:

Violence and injury detail - The episode features combat scenes, physical altercations between characters, and depictions of injuries. One scene involves a threatening situation with a weapon directed at a character's neck.

Threat and peril - There are intense confrontational moments and scenes of characters in dangerous situations being pursued.

Language - The episode contains profanity appropriate to its TV-14 rating.

Emotional intensity - Reviewers noted the episode is emotionally heavy and heartbreaking in places, with dark subject matter woven throughout.

The episode balances these darker elements with adventure sequences, but the overall tone combines serious violence, threat, and emotional distress that would likely be unsuitable for children under 13 or those sensitive to intense dramatic content.