The episode opens with Samuel growing suspicious about a question Katinha asks him, indicating a tension or hidden motive behind her inquiry. Meanwhile, Filipa notices a certain atmosphere between Nina and Danilo, suggesting a developing or complicated relationship. Yara watches Jussara closely as she interacts with Alan, who then asks Marlon for permission to get closer to Jussara, showing Alan's cautious approach to this relationship.

Jaques informs Tânia and Vanderson that everyone is under surveillance until he officially takes over the presidency of the Boaz company, establishing a climate of control and suspicion. Lorena compliments Ryan, which triggers jealousy in Kami, highlighting interpersonal conflicts and emotional undercurrents among the characters.

The day of the Boaz company party arrives, setting the stage for multiple interactions and confrontations. Despite his emotional pain, Samuel tells Leo firmly that he intends to stay with Katinha, reaffirming his commitment and possibly creating tension. Vanderson comes to pick up Sofia, and Abel reassures the girl that she will return home, indicating a protective or comforting dynamic.

Breno announces a problem with the pieces for the upcoming fashion show, and Abel promises to handle the issue, showing his leadership and problem-solving role. These events collectively build a narrative of personal and professional challenges converging at the Boaz company party, with characters making key decisions that affect their relationships and the company's future.

At the end of Dona de Mim Season 1, Episode 29, Vanderson proposes marriage to Gabriela, but Gabriela discovers Vanderson is still married to Ellen. Samuel demands Leo forget about a letter from Ellen, while Davi confronts Samuel about Leo. Alan expels Lucas from the warehouse after Lucas lies. Meanwhile, Danilo rehearses a play with Filipa, and Jaques catches them sharing a staged kiss.

Expanding on the ending scene by scene:

The episode opens with Leo finding Vanderson's contact information and telling Samuel that Vanderson is a con artist. This sets the tone of suspicion around Vanderson's intentions. Vanderson then asks Gabriela to marry him, a moment filled with hope and promise for Gabriela. However, this hope is shattered when Gabriela uncovers that Vanderson is still legally married to Ellen, revealing his duplicity.

Samuel, who appears to be protective or controlling, insists that Leo forget about a letter from Ellen, indicating some tension or secret involving Ellen's communication. This leads to a confrontation where Davi challenges Samuel about his treatment of Leo, suggesting a conflict between these characters regarding loyalty or truth.

In a separate subplot, Alan expels Lucas from the warehouse after discovering Lucas has lied, showing consequences for dishonesty within their circle.

The episode closes with Danilo and Filipa rehearsing a play, sharing a staged kiss that is witnessed by Jaques. This moment adds a layer of dramatic tension and possibly foreshadows future complications in their relationships.

Regarding the fate of the main characters involved at the end:

• Vanderson is exposed as still married, casting doubt on his sincerity toward Gabriela.
• Gabriela faces emotional turmoil upon learning Vanderson's secret.
• Samuel maintains a controlling stance over Leo, with Davi opposing him.
• Leo is caught between Samuel's demands and the mystery of Ellen's letter.
• Alan takes a firm stand against Lucas's dishonesty.
• Danilo and Filipa continue their artistic collaboration, with their relationship dynamics observed by Jaques.

This episode highlights themes of trust, deception, and confrontation among the characters, setting up further developments in their intertwined stories.

The TV show "Dona de Mim," Season 1, Episode 29, produced in 2025, does not have any information or indication of a post-credit scene in the available sources. The detailed summary and video content for Episode 29 focus on the main plot developments without mentioning any additional scenes after the credits.

Therefore, it can be concluded that Episode 29 does not include a post-credit scene.

In Episode 29, Leo is called to the Boaz factory and tries to explain herself to the women, but Bárbara demands she pay what she owes. Leo is eventually fired from the factory and, upon leaving, meets Samuel. Facing financial difficulties, Leo decides to accept a job as a nanny, replacing Stephany.

In Episode 29, Marlon criticizes Bárbara for picking on Leo, while Sofia tries to stop Abel and his brothers from going to the factory. Jaques suggests selling the factory, which upsets Rosa and Abel. Tânia proposes that Jaques embezzle money from the Boaz factory, adding tension to the situation.

Abel is involved in the factory's affairs and is concerned about the truth regarding Sofia's biological father. He demands that Samuel not reveal this truth. Abel also reassures Sofia when Vanderson comes to take her, promising she will return home.

Episode 29 shows Bárbara's antagonism toward Leo, Marlon's defense of Leo, and Filipa's complaint about her life to Abel. Additionally, Leo, Yara, and Stephany struggle with financial problems, and Denise informs Filipa that a new nanny has been hired for Sofia, indicating shifting dynamics among the characters.

Samuel, despite suffering emotionally, reaffirms to Leo his intention to stay with Katinha. This highlights his complex emotional state and his relationships with other characters in the story.

The TV show Dona de Mim (Season 1, Episode 29) is a Brazilian telenovela that blends drama, romance, and comedy, centered on emotional and social struggles, including themes like financial hardship and personal loss. It is not specifically designed as a family or children's show.

Potentially objectionable or upsetting content for children or sensitive viewers may include:

• Emotional distress and grief: The main character deals with a devastating pregnancy loss and ongoing family struggles, which involve intense emotional scenes.
• Threats and violence: There are scenes involving threats and moments of high tension or implied violence, such as threats against family members and characters reacting with panic or defensive actions.
• Complex adult themes: The show explores adult relationships, financial difficulties, and interpersonal conflicts typical of telenovelas, which may include romantic and dramatic situations not suitable for young children.

No explicit details or spoilers are revealed here, but the tone and content suggest it is more appropriate for mature audiences rather than young children or highly sensitive viewers.