The film opens in 1994 as Noah Diaz, a former infantryman now living a quieter civilian life, finds himself pulled back into violence. An energy signature the Autobots have been tracking leads them to a museum exhibit where Elena, a security and curation assistant, has discovered an artifact: the Transwarp Key, split into two pieces and keyed to interdimensional travel. Elena shows Noah the fragment she retrieved; before they can secure it, sleek black Terrorcon scouts arrive under the command of Scourge. An explosive fight erupts amid the museum's halls. Bumblebee engages Scourge in close-quarters combat among shattered glass cases and toppled dinosaur skeletons. Scourge wields a corrosive dark energy that rends Bumblebee's chassis; he delivers a killing blow that severs Bumblebee's spark housing and reduces the Autobot to smoldering wreckage as Noah and Elena reel from the carnage. Optimus Prime reaches the scene moments too late, finding Bumblebee's broken form and Scourge vanishing through a ripple of Transwarp energy. Prime stares down at the remains and vows vengeance; Noah, bloodied and shaken, is pulled unwillingly into the Autobots' mission when Optimus orders him to guide them using knowledge Elena offers about where she traced the energy to.

Optimus rallies a small Autobot strike team and presses Elena and Noah into service. Elena explains that the fragment she found thrums with a frequency that matches an archaeological site in the Peruvian highlands. Noah, who maintains discipline honed in combat, argues they should let human authorities handle it; Optimus counters that a device like the Transwarp Key cannot be left to any government, and that the danger is planetary. The Autobots calibrate the fragment's signal and set off for South America. Along the way, scenes of Noah riding in the back of an Autobot transport show him bristling, swallowing memories of past missions as strangers stare; he keeps his military habits, checking exits and maintaining situational awareness. He grows protective of Elena when night raids by Terrorcon scouts repeatedly threaten the convoy, and optimism about returning to normal life fades as the deeper scale of the threat emerges.

The team arrives in the Peruvian jungle and follows the energy signature into cloud forests where an isolated indigenous human tribe has lived in close partnership with another faction of Transformers: the Maximals, led by Optimus Primal. Optimus Prime negotiates their cooperation with Primal in a terse exchange. Primal explains that centuries ago his people pledged to guard the second half of the Transwarp Key and that the tribe keeps it safe through ritual bonding. Noah and Elena witness the Maximals' symbiosis with the villagers: mechanical sentinels move alongside hunters and children. Optimus Prime curtly says they cannot allow Scourge to recover the second piece; Primal replies that the Maximals will defend the key with their lives. Elena helps catalog the Maximals' defenses and learns that their bond has been forged through sustained mutual aid rather than dominance.

As they explore the ruins where the second half is hidden, Scourge attacks in force. He arrives with a squad of Terrorcons and brings with him an aura of corrupting dark energy. The Terrorcons raid the village at night under a sulfurous sky. Night creatures and villagers flee as metallic warriors clash with organic defenders. During the assault, Scourge targets the Maximals personally; he unleashes a wave of malevolent energy that sweeps across the treetops and strikes Airazor, a lithe Maximal aerial scout who has bonded closely with one of the tribe's elders. The energy distorts Airazor's optics and frays the circuits that govern her empathy protocols; she shudders under the infection of the dark power and turns violent, her sensors hijacked to mimic Terrorcon tactics. Friends and villagers watch in horror as Airazor, once a guardian, becomes an instrument for Scourge's will.

Optimus Primal battles to subdue Airazor, alternating between strikes intended to incapacitate and entreaties meant to reach her consciousness. Airazor thrashes violently and, through broken speech modules, asks Primal to end her before the corruption spreads further. Primal hesitates, pressing his hand to her wasp-thin chassis, then pulls his blade and delivers a single, precise blow that severs her neck joint, terminating her systems. The tribe members who raised her gather, mourning, as Primal cradles her and repeats her name. The Maximals seal their grieving and fortify the sacred site. Scourge, meanwhile, exploits the chaos to seize the second fragment of the Transwarp Key from its stone reliquary. He feeds the two halves together; the device hums, and dark filaments of energy begin to braid into the opening of a transdimensional gateway. Scourge broadcasts a discrete taunt to the Autobots and Maximals--Unicron's awakening has begun, and he commands the Terrorcons to hold the field while the summoning completes.

Optimus Prime orders an immediate counterattack. The Autobots and Maximals coordinate tactics: Primal calls for pincer movements among tree canopies; Optimus deploys heavy-cover suppressive fire with his ion cannon; smaller Autobots use speed to harry the Terrorcon flanks. Elastically fought skirmishes blow across the jungle: Battletrap, a hulking Terrorcon with jagged armor and crushing appendages, slams into Autobot defenses and tears through barricades; Nightbird, an assassin-class Terrorcon who fights with poisoned blades, stalks from the shadows and ambushes rear guards. Noah rides on the flank of Mirage, an Autobot scout who maintains a wry, sardonic rapport with him. Mirage coaches Noah through manual controls and situational shooting while Mirage's optics flicker with concern for Bumblebee's loss. Elena tends to wounded villagers and passes intelligence to the Maximals; she is afraid but precise under pressure.

Scourge's ritual accelerates; the sky darkens and a jagged crack of dimension-space opens above a distant volcano that stands dormant but restless. The assembled dark energies ripple like a throat clearing, and Unicron--the colossal Transformer deity of destruction who feeds across worlds--begins to manifest at the edge of reality. The Terrorcons form a protective ring and press forward in tighter formation. Optimus orders a tactical withdrawal to the ridge overlooking the volcano, where the final confrontation can stop Unicron's portal. Primal volunteers to hold the jungle line while Optimus leads the assault to deny Scourge the final act of calling his master through. Noah refuses to remain back; he is enlisted to help the humans flee while Autobots and Maximals prepare to make their stand.

On the approach to the volcano, Mirage fashions a makeshift exosuit fitted to Noah's frame, integrating Autobot servos and a targeting system salvaged from battlefield wreckage. Mirage calibrates the suit's actuators and teaches Noah how to engage a massive Terrorcon assault with human hands augmented by Autobot tech. Noah buckles into the suit, its metal skin cold against his palms, and Mirage activates the suit's emergency stabilizers. As they close in, Battletrap lunges from a side ravine and crushes Mirage's flank with a swinging hook. Mirage pushes Noah clear and fires one last volley to blunt Battletrap's advance, but the assault damages Mirage's core. Sparks shower the ground as Mirage's voice modulator croaks instructions and farewell jokes. A final shock disables Mirage's servos; his chest cavity ruptures and his spark fades. Noah feels the suit jerk as Mirage falls; he staggers free, smoke stinging his eyes, and locks the suit controls to take the offensive. Mirage dies on the field, felled by Battletrap's crushing strike while saving Noah.

The volcano looms as both combatants converge. The Terrorcons have stationed Scourge on a central basalt pedestal where the two halves of the key sit in a humming cradle. Unicron's vortex pulses, and torrents of molten rock begin to spill from the crater, sliding down the slopes like liquid lava. Primal and Optimus marshal their forces for a decisive engagement. Optimus slams into Battletrap with a shoulder-mounted ram, fracturing its reinforced knee joints; Primal charges Battletrap's flank, delivering a crushing uppercut that rips its thoracic armor and ejects hydraulic fluids. Bumblebee, whose chassis had been reduced to ruins earlier, enters the fray again: the Maximals and surviving Autobots have rerouted power and reconstituted him using Maximal restoration circuitry and fragments from Mirage. His vocalizer glows as his spark reboots; he returns to combat with a new determination and joins Optimus and Primal in a coordinated assault. Together, Optimus, Primal, and Bumblebee press Battletrap until the Terrorcon's armaments overheat and explode; Battletrap crumples into molten metal as its fuel cells rupture and ignite.

Nightbird moves like a shadow across the battlefield, darting toward the support lines to attack the humans and the Maximals' rear. Nightbird engages Primal in a cat-and-mouse duel along a ridge scarred by eruptions. Primal anticipates a blade strike and counters with a rippling sweep that smashes Nightbird's sensory array and severs one of her wing assemblies. Nightbird staggers and, blinded, collapses into a fissure as lava vomits between the rocks; the molten streams catch her torso and her body is consumed by heat, metal warping and losing form until only a charred husk remains. Optimus and Bumblebee drive the rest of the Terrorcons back toward the pedestal where Scourge stands. Scourge uses the key to widen Unicron's aperture; tendrils of cosmic energy lash out, threatening to fold the volcano into a whirlpool of oblivion. Scourge laughs and lunges at Optimus.

Optimus attempts to wrench the key from Scourge's clutches; their titanic forms collide amid spurting magma. Scourge batteringly hurls blasts of dark energy that unravel Optimus's protective plating. The two trade blows--Optimus throwing crushing punches with ringed fists while Scourge slams an axe of corrupt matter into the Autobot's shoulder. Optics glare and pistons groan as both warriors sustain ruptures. Bumblebee darts through the melee and fires precise stingers that distract Scourge, but Scourge shoves Bumblebee aside and knocks him into the lava channels. His renewed form still glows, and he scrambles out, wounded but active. Primal leaps onto Scourge's back and rips at circuits with his mace-like fists, but Scourge tosses him aside with a whiplash strike.

With the key growing unstable and the portal widening, Optimus takes a decision. He tells his allies to hold steady; he charges through a spray of molten rock, catches Scourge's neck, and drives his blade through the Terrorcon's shoulder armor. Scourge screams and turns, clutching the key. In a swift, brutal motion, Optimus severs Scourge's head from his shoulders with a precise cut. Scourge's body spasms; the key slams into the stone cradle and slabs of energy burst outward. The head clatters to the basalt as Unicron's dimension fold convulses. Rather than hand the key to another, Optimus grips it with both hands and crushes it against the volcanic rock. The mechanism melts under the force, its energies fraying into sparks that scatter like fireflies into the air. The portal shudders and begins to close, the throat of Unicron retracting as the summoning link breaks; a thunderous roar recedes into silence.

The moment Optimus destroys the Transwarp Key, he realizes the cost: without the key, the Autobots have no immediate means to return to the war-torn planet they once called home. He watches the sky clear, the auroral fissure snapping shut like an eye blinking. The surviving Maximals and Autobots take stock. Bodies lay among the basalt: Airazor's frame rests draped in ceremonial cloth as villagers and Maximals pay last rites; Mirage's charred carapace lies near a scorched boulder while Noah kneels beside it, touching his metallic friend's cool hand and whispering a human thanks. Nightbird and Battletrap are destroyed and remain motionless in the lava flow, their components smoking and fused into the rock. Scourge's severed head cracks open and goes dark; the Terrorcon leader is dead by Optimus's blade and his throat is cut when the neck is severed. Bumblebee breathes shallowly as Maximal medics stabilize him; he opens his optics and gives Optimus a pained look. Noah helps lift Bumblebee's shattered panels while Elena moves through the field, directing survivors and counting the injured.

In the aftermath, Optimus addresses the gathered defenders. He states that the key is gone, that Unicron's immediate threat has passed, and that the Autobots will remain on Earth. He accepts the inability to return to Cybertron with a setjaw humility and thanks the Maximals for their alliance. The Maximals pledge to continue guarding the planet's vulnerable places, and Primal places a hand on Optimus's forearm in a warrior's salute. Elena embraces Noah; they look toward the horizon where the volcano's smoke thins into clouds. Noah, having fought beside machines and ancient guardians, sheds some of his reluctance and chooses to stay by Elena's side. The Autobots salvage what they can from the battlefield: spare parts, generators, and memories of comrades lost.

The final scene shows the survivors dispersed across the volcano's barren slopes as dawn breaks. Optimus stands at the crater's rim and watches a pale sun rise over an altered world; behind him, his remaining companions prepare to integrate with human society in small ways while maintaining vigilance. Primal returns to his tribe and oversees the burial of Airazor with the villagers. Elena helps coordinate relief efforts for the injured villagers and arranges for secure storage of recovered Autobot technology. Noah visits Mirage's remains one last time, places a small human token on the wreckage, and walks away to join Elena. Bumblebee, restored enough to move, gives Optimus a nod, and the two leaders share a long look across the valley. The camera lingers on the ruined pedestal where the Transwarp Key lay melted into slag; blackened metal and glass streaks reflect the early light. Silence settles. The film closes with the Autobots and Maximals standing together at the ridge, watching the sun climb and the world they have chosen to defend turn toward a new day.

The ending of Beast of War (2025) sees the last three surviving Australian soldiers--Leo, Will, and Kelly--stranded on a makeshift raft after their ship is sunk. They face a final confrontation with a great white shark and a Japanese soldier. Kelly sacrifices himself to help the others survive, and in the climax, Will hesitates to use a grenade against the enemy soldier, who then attacks them. The film closes with the survivors still fighting for their lives amid the ocean's dangers.

In the final sequence of Beast of War, the story unfolds with the remaining soldiers--Leo, Will, and Kelly--clinging to a raft made from floating wreckage after their ship was destroyed by Japanese planes. The vast, open sea surrounds them, and the tension is heightened by the presence of a massive great white shark circling beneath the surface.

Leo, sensing the imminent danger, attempts a daring sprint across the debris, which is slick with oil, to reach a nearby motorboat that remains mostly intact. This boat represents their only chance of escape. The soldiers work frantically to start the engine while the shark lurks below, occasionally breaking the water's surface, creating a palpable sense of dread.

In a desperate move, one soldier manages to jam an air raid siren into the shark's side. When the shark approaches, the siren emits a distorted, terrifying shriek, serving as a warning signal of its proximity. This moment adds a layer of suspense as the survivors balance their efforts to escape with the constant threat of the shark.

As they prepare to flee, a Japanese soldier appears on the wreckage. Will picks up the last grenade, ready to defend the group. The enemy soldier feigns surrender by discarding his sword, but Will hesitates to use the grenade. Seizing the moment, the soldier attacks, jumping onto the wreckage to kill them.

Kelly makes a crucial sacrifice during this confrontation, allowing Leo and Will to survive the immediate threat. The film ends with Leo and Will still alive but trapped in a brutal fight for survival against both the natural predator and human enemy, emphasizing the relentless dangers they face in the war-torn sea.

The fates of the main characters at the end are: - Kelly: Dies heroically, sacrificing himself to protect the others. - Leo: Survives the ordeal, embodying resilience and leadership. - Will: Also survives but is left in a precarious situation, still facing threats from both the shark and enemy soldier.

This ending highlights the brutal reality of survival in war, where threats come from both nature and human conflict, and where sacrifice is often necessary.

Beast of War (2025) is a survival horror-action film set during World War II, following a group of young Australian soldiers stranded at sea after their ship is sunk by enemy fire. Their ordeal is compounded by the relentless pursuit of a massive, scarred great white shark. The film is unflinching in its depiction of death, both from the shark and from the brutal realities of war. Below is a detailed, chronological account of the major character deaths, their circumstances, and the emotional and physical context of each.

Prologue and Early Losses

The film opens with the soldiers in training, establishing camaraderie and the harsh realities of military life. The first significant brush with death occurs during a training exercise: Will (Joel Nankervis) is swallowed by a mud pit as the unit races ahead. He is moments from suffocation, lungs filling with dirt, when Leo (Mark Coles Smith) turns back to save him. This act of bravery defines Leo's character early on, but it also foreshadows the life-and-death stakes to come. Will survives this incident, but the scene sets a tone of vulnerability and the ever-present threat of sudden, violent death.

The Sinking and Immediate Aftermath

The unit's ship is attacked and sunk by Japanese planes in the Timor Sea. The chaos of the attack claims many lives off-screen; the camera lingers on the floating, bloodied bodies of unnamed crewmates, emphasizing the scale of the tragedy. The survivors--including Will, Leo, and the antagonistic Des Kelly (Sam Delich)--scramble onto a makeshift raft of floating debris. The sea is thick with mist, the raft is unstable, and the men are wounded, dehydrated, and terrified. The shark's presence is immediately felt, its dorsal fin cutting through the oil-slicked water, drawn by the blood and chaos.

First Shark Attack

The shark's first on-screen kill is sudden and brutal. One of the younger soldiers, panicked and bleeding from a shrapnel wound, leans too close to the water's edge. The shark surges from below, its jaws clamping around his torso. The attack is visceral: the man is bitten in half at the waist, his upper body bobbing grotesquely in the water before being dragged under. The remaining soldiers are frozen in shock, the reality of their predicament crashing over them. This death is not just a physical loss but a psychological blow, shattering any remaining illusions of safety.

Thirst, Desperation, and a Grisly Solution

As hours turn to days, thirst becomes unbearable. One soldier, driven to madness by dehydration, attempts to drink seawater. Another, in a moment of grim pragmatism, slices open the vein of a dead comrade, drinking his blood to survive. This act is met with revulsion and horror by the others, but also a grim understanding--survival has stripped away civility. The emotional toll is palpable: guilt, shame, and a deepening sense of isolation pervade the group.

The Air Raid Siren and the Shark's Wounding

In a desperate bid to fight back, the survivors use a piece of wreckage--a jammed air raid siren--as a weapon. As the shark circles, one soldier manages to stab the siren into the creature's side. The siren emits a distorted, hellish shriek, both a warning and a taunt. The shark is wounded but not killed, its rage and hunger undiminished. The men's hope is fleeting; the shark's presence remains a constant, oppressive force.

Enemy Engagement and Further Losses

A Japanese soldier, adrift on his own piece of wreckage, approaches the raft. He discards his sword, feigning surrender. Will, holding the group's last grenade, hesitates--his humanity and wariness in conflict. The enemy soldier suddenly attacks, leaping onto the raft. In the ensuing struggle, another Australian soldier is killed, his throat slit by the Japanese combatant. The violence is intimate and shocking, a reminder that the human threat is as deadly as the natural one. The Japanese soldier is subsequently overpowered and killed, but the cost is another life lost.

Kelly's Ultimate Sacrifice

As the survivors dwindle to just Leo, Will, and Kelly, the shark makes a final, determined assault. Kelly, previously the group's bully and provocateur, undergoes a transformation. Recognizing that the motorboat--their only chance of escape--is within reach but the shark is between them and salvation, Kelly makes a choice. He distracts the shark, drawing it away from the others, and is taken in its jaws. His death is heroic and redemptive, a final act of courage that allows Leo and Will to reach the boat. Kelly's sacrifice is visceral and emotional: his screams are cut short as the shark drags him under, the water churning with blood.

The Final Duel and Survival

Leo and Will, now alone, manage to start the motorboat's engine. The shark gives chase, its massive body slamming against the hull. In a climactic struggle, Leo uses the last of their weapons to fend off the creature, finally driving it away. The two survivors are left exhausted, traumatized, but alive. The film ends with their rescue, but the emotional scars of their ordeal--and the memory of those lost--linger.

Summary of Major Character Deaths

• Unnamed Young Soldier: Killed in the first shark attack, bitten in half at the waist while panicking at the raft's edge. His death is sudden, graphic, and serves as the group's first real confrontation with the shark's lethality.
• Soldier Who Drinks Blood: While not shown dying on screen, his act of drinking a dead comrade's blood symbolizes the moral and physical degradation the survivors endure. The emotional impact of his actions contributes to the group's unraveling.
• Australian Soldier Killed by Japanese Combatant: Slain in close-quarters combat during the enemy soldier's surprise attack. His death is intimate, violent, and underscores the ongoing human threat amidst the natural horror.
• Des Kelly: Sacrifices himself to distract the shark, allowing Leo and Will to escape. His death is redemptive, a final act of courage that contrasts with his earlier antagonism. He is taken by the shark in a visceral, emotionally charged scene.
• Japanese Soldier: Killed by the survivors during the skirmish on the raft. His death is a direct result of the brutal, no-holds-barred struggle for survival.

Emotional and Thematic Context

Each death in Beast of War is not merely a plot device but a moment of profound emotional and psychological impact. The survivors grapple with fear, guilt, and the erosion of their humanity. The shark is both a literal and metaphorical predator, representing the indiscriminate violence of war and the natural world. The film's power lies in its unflinching portrayal of survival's cost, the bonds forged and broken under extreme duress, and the thin line between heroism and desperation.

The movie Beast of War (2025) does not have a post-credits scene. There is no indication from available sources or fan discussions that any extra footage or scene appears after the credits of this film. The story concludes with a tense and brutal survival sequence involving the last surviving soldiers and a great white shark, ending definitively without additional post-credits content.

Therefore, viewers can leave the theater or stop watching once the credits begin without missing any extra scenes or teasers.

The prologue in Beast of War sets the stage by introducing a group of young Australian soldiers during World War II. It highlights their camaraderie and training, focusing on key characters like Will and Leo. This scene showcases Leo's heroic act of saving Will from a mud pit, emphasizing the importance of loyalty and teamwork among soldiers.

Leo, an Aboriginal soldier, plays a pivotal role in the story. Despite facing discrimination and receiving lower pay than his white colleagues, he remains committed to his values. His actions are driven by a sense of duty and loyalty, which are crucial in the survival of the soldiers after their boat sinks.

Des Kelly is portrayed as the 'bad boy' of the troop, often insulting and mocking Leo. His character adds tension and conflict within the group, highlighting the interpersonal challenges the soldiers face alongside their external threats.

The survivors use a piece of wreckage containing a jammed air raid siren to deter the shark. When the shark approaches, the siren emits a loud, distorted shriek, acting as a warning. This creative tactic helps them temporarily fend off the shark while they work to start the motorboat's engine.

In the final scenes, the survivors face a Japanese soldier who pretends to surrender by throwing away his sword. However, he attempts to attack them, prompting Will to consider using a grenade. This confrontation adds a layer of tension and danger to the already dire situation.

Beast of War (2025) is not a family-friendly film. It is rated R for "bloody violent content, gore, and language," and international ratings consistently place it in the 15+ to 18+ range, indicating it is intended for mature audiences only. The film is a survival horror set during World War II, focusing on a group of Australian soldiers stranded at sea and hunted by a massive great white shark. Below is a detailed, non-spoiler summary of potentially objectionable or upsetting content, organized by scene type and emotional impact, based on available reviews and parental guides.

Potentially Objectionable or Upsetting Content

Opening War Sequences
The film begins with intense, chaotic battle scenes as the soldiers' ship comes under enemy fire. These sequences are loud, visually overwhelming, and filled with explosions, fire, and the realistic terror of combat. The ocean becomes a "hell of steel, fire, oil, and blood," with characters visibly panicked, injured, and desperate to survive. The emotional tone is one of primal fear and helplessness, which could be distressing for younger or sensitive viewers.

Stranded Survival Horror
After the ship sinks, the survivors cling to a makeshift raft, exhausted, injured, and psychologically shattered. The film does not shy away from showing the physical toll: bloody wounds, characters drinking their own urine out of desperation, and the constant threat of drowning or exposure. The group's camaraderie is strained by fear, exhaustion, and even internal conflict, including moments of racism and distrust among the soldiers. These scenes are emotionally raw and could be unsettling for those sensitive to human suffering and interpersonal tension.

Shark Attack Sequences
The great white shark is a relentless, terrifying presence. Practical effects are used to show the shark erupting from the water in sudden, violent attacks, with graphic depictions of limbs being torn off and blood in the water. The shark's appearances are accompanied by a haunting, siren-like sound effect that heightens the sense of dread. These scenes are designed to shock and frighten, with repeated shots of the shark's massive jaws and the survivors' terror as they are hunted from below. The violence is severe, and the gore is explicit, making these sequences particularly intense and potentially traumatic for children or sensitive viewers.

Psychological Stress and Hallucinations
As the ordeal continues, the survivors experience hallucinations and nightmares, blurring the line between reality and delusion. One character, suffering from a severe head injury, becomes a liability due to impaired judgment, adding to the group's peril. There is a moment where a grenade is nearly detonated accidentally during a nightmare, creating a tense, life-threatening situation within the group. These scenes explore the psychological breakdown under extreme stress, which could be disturbing for viewers sensitive to mental health themes.

Language and Profanity
The film contains frequent strong language, including profanity, which is noted as "severe" in parental guides. This adds to the gritty, realistic tone but may be inappropriate for younger audiences.

Themes
The overarching themes of the film--war, survival, fear, and the fragility of human life--are explored with unflinching honesty. The emotional journey is one of desperation, loss, and the struggle to maintain humanity in the face of overwhelming danger. These themes, while compelling for adult audiences, are heavy and potentially distressing for children or those sensitive to dark subject matter.

Summary Table of Content Concerns

| Content Type | Description | Potential Impact | |------------------------|-----------------------------------------------------------------------------|-------------------------------------------| | Violence & Gore | Graphic shark attacks, limb loss, bloody wounds, combat violence | Severe, shocking, traumatic | | Language | Frequent strong profanity | Inappropriate for children | | Psychological Stress | Hallucinations, nightmares, mental breakdown, internal group conflict | Disturbing, intense | | Survival Hardship | Drinking urine, exposure, exhaustion, injury | Unsettling, visceral | | Themes | War, death, fear, survival, racism | Heavy, emotionally challenging |

Conclusion

Beast of War (2025) is a tense, graphic, and emotionally intense survival horror film that is not suitable for children or sensitive viewers. It features severe violence, gore, strong language, and psychologically distressing scenarios, all presented with unflinching realism. Parents and guardians should exercise caution and consider the maturity and sensitivity of their audience before viewing.