Cinema, Sex, Politics: Bertolucci Makes ‘The Dreamers’ (2004)

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In the ending of "Cinema, Sex, Politics: Bertolucci Makes 'The Dreamers'," the three main characters, Matthew, Théo, and Isabelle, face the consequences of their intense and complicated relationship against the backdrop of the 1968 Paris student riots. The film concludes with a sense of unresolved tension and emotional turmoil, as the characters are forced to confront their feelings and the realities of their lives.

As the film draws to a close, Matthew, who has been deeply intertwined with Théo and Isabelle, finds himself increasingly isolated. The political unrest outside mirrors the chaos within their relationship. The final scenes depict a poignant moment where the trio's bond is tested, leading to a separation that signifies the end of their youthful idealism. The film ends with Matthew leaving the apartment, symbolizing a departure not just from the physical space but from the innocence of their shared experiences.

In a more detailed narrative, the ending unfolds as follows:

The atmosphere in the apartment grows increasingly tense as the political climate outside escalates. The sounds of protests and riots echo through the walls, creating a stark contrast to the intimate world that Matthew, Théo, and Isabelle have created within. The trio has spent the summer in a bubble of cinema, sex, and political discussions, but as the reality of the outside world intrudes, their relationships begin to fray.

In the final scenes, Matthew is seen grappling with his feelings for both Théo and Isabelle. He has developed a deep emotional connection with Isabelle, but Théo's protective nature and possessiveness complicate matters. The three of them engage in a series of conversations that reveal their vulnerabilities and desires, but also their fears of losing one another. The tension culminates in a heated argument, where underlying resentments surface, and the fragile balance of their relationship is threatened.

As the protests intensify, Matthew realizes that he cannot remain in this insular world forever. He feels a pull towards the outside, towards the political upheaval that is reshaping France. In a moment of clarity, he decides to leave the apartment, symbolizing a break from the cocoon they have built together. Théo and Isabelle are left behind, their expressions a mix of confusion, sadness, and a sense of impending loss.

The final shot captures Matthew walking away from the apartment, the sounds of the protests growing louder as he steps into the chaos of the outside world. The camera lingers on Théo and Isabelle, who are left in the dimly lit room, their faces reflecting the weight of their choices and the uncertainty of their future. The film closes on this poignant image, leaving the audience to ponder the fates of the characters and the impact of the political and personal upheavals they have experienced.

In summary, Matthew's departure signifies a loss of innocence and the harsh realities of adulthood, while Théo and Isabelle are left to navigate their complex relationship in a world that is rapidly changing around them. The ending encapsulates the themes of love, politics, and the bittersweet nature of youth, leaving the characters at a crossroads in their lives.

The movie "Cinema, Sex, Politics: Bertolucci Makes 'The Dreamers'" does not contain a post-credit scene. The documentary focuses on the making of Bernardo Bertolucci's film "The Dreamers," exploring the themes, artistic choices, and the cultural context surrounding the film. It provides insights into the creative process and the motivations behind the characters and narrative, but it concludes without any additional scenes or content after the credits.

The relationship between Matthew and the siblings, Théo and Isabelle, is central to the narrative of 'The Dreamers.' Matthew, an American student in Paris, becomes entwined in the lives of the French twins during the tumultuous backdrop of the 1968 student protests. His initial attraction to Isabelle and the bond he forms with Théo creates a complex dynamic filled with jealousy, desire, and a sense of belonging. As they share their love for cinema, their interactions reveal deep emotional connections and the exploration of sexual boundaries, ultimately leading to a blend of friendship and rivalry.

The film vividly captures the political climate of France in 1968 through the backdrop of student protests and societal upheaval. Scenes of demonstrations and the passionate discussions among the characters reflect the revolutionary spirit of the time. The characters often engage in debates about politics, cinema, and personal freedom, showcasing their youthful idealism and the impact of the political environment on their lives. The protests serve as a constant reminder of the outside world, contrasting with the intimate and insular world of the siblings and Matthew.

Cinema plays a pivotal role in the lives of Matthew, Théo, and Isabelle, serving as both a refuge and a means of connection. The characters frequently reference classic films, reenact scenes, and engage in discussions about their favorite directors and movies. This shared passion for cinema not only deepens their bond but also acts as a lens through which they explore their identities and desires. The film's numerous cinematic references highlight the characters' escapism and their struggle to navigate the complexities of love, politics, and personal freedom.

Isabelle's character evolves significantly throughout 'The Dreamers.' Initially portrayed as a free-spirited and playful young woman, she embodies a sense of rebellion and sexual exploration. As the story progresses, her relationships with Matthew and Théo reveal deeper layers of vulnerability and emotional conflict. Her flirtation with Matthew and her protective nature towards Théo showcase her complexity. Ultimately, Isabelle's journey reflects the tension between her desire for independence and the emotional ties that bind her to her brother and Matthew, culminating in moments of both liberation and entrapment.

The setting of Paris is significant in 'The Dreamers' as it serves as a vibrant backdrop that enhances the film's themes of youth, rebellion, and artistic expression. The city, with its rich cultural history and iconic landmarks, becomes a character in itself, embodying the spirit of the 1968 protests. The intimate apartment where the siblings live becomes a sanctuary for their explorations of sexuality and politics, contrasting with the chaotic streets outside. Paris symbolizes both freedom and confinement, reflecting the characters' internal struggles as they navigate their desires amidst a changing world.

The documentary "Cinema, Sex, Politics: Bertolucci Makes 'The Dreamers'" explores the themes and behind-the-scenes aspects of Bernardo Bertolucci's film "The Dreamers." While the documentary itself is not a narrative film, it discusses the original film, which contains several elements that may be considered objectionable or upsetting for children or sensitive viewers.

1. Sexual Content: The documentary addresses the explicit sexual themes present in "The Dreamers," including nudity and sexual situations that are integral to the film's narrative.

2. Political Themes: The film discusses the backdrop of political unrest in 1968 Paris, which may include discussions of protests and revolutionary ideas that could be intense for younger audiences.

3. Emotional Intensity: The exploration of complex relationships and emotional turmoil among the characters may be challenging for sensitive viewers, as it delves into themes of identity, sexuality, and familial bonds.

4. Candid Discussions: The documentary features candid interviews and discussions about the making of the film, which may include frank conversations about sexuality and personal experiences that could be uncomfortable for some viewers.

Overall, while the documentary provides valuable insights into Bertolucci's work, it contains themes and discussions that may not be suitable for all audiences, particularly children.