What is the plot?

Makoto spends his summer vacation at Rotsgard Academy mostly in his usual routine: he does miscellaneous work related to his store and errands in the city, and he continues his personal training, repeatedly practicing long-distance archery to steadily build up his mana and refine his control, treating the repetitive shots as a quiet, solitary way to relax while strengthening himself for future conflicts.

He also continues studying magic during this period, working with Shiki and drawing on Academy resources; Makoto systematically experiments with different elements and spell structures, cross-referencing what he learns in class with his own unconventional, high-capacity casting, while Shiki observes, analyzes his results, and occasionally corrects academy-style theory that does not fit Makoto's abnormal mana pool and perception.

As the vacation progresses and his reputation at Rotsgard as an exceptional teacher and merchant continues to grow, the Academy staff and others around him begin discussing the idea that simply remaining in a passive, "background" role is a waste; these conversations solidify into a concrete proposal that Makoto should have a formal mock battle, both to measure his ability under controlled conditions and to demonstrate his skills more openly.

One day it is formally decided that Makoto will indeed participate in this mock battle; the decision is presented to him, he accepts, and the planning begins around him: the Academy and interested parties arrange the framework, select the general format and participants, and start treating the upcoming bout as a notable event of the summer break that will test Makoto in front of observers rather than in his usual, private training.

What is the ending?

At the end of TSUKIMICHI -Moonlit Fantasy-, Season 2, Episode 11 "Summer of Growth and New Skills," Makoto and his followers finish their summer of training and skill development in the demiplane: the various races return from their mock battles and special training, everyone shows off the new techniques and abilities they have gained, and Makoto quietly resolves to keep pushing them further while also understanding he must grow himself. The episode closes on a calm, forward-looking note: the "summer of growth" has ended, but Makoto's group stands stronger and more united, ready to face the outside world.

Now, in a fuller, step‑by‑step narrative:

The day in the demiplane is bright and clear, the kind of warm, stable weather that feels like late summer. Fields around Makoto's town are lush and fully green, and the bustle of demi-human residents--oran, lizardmen, dwarves, wingkin, and others--gives the place the sound of a busy, confident community. The episode is already in its "summer" phase: this is not a moment of crisis but of review, of looking at what everyone has gained.

Inside one of the training areas, Makoto Misumi stands with his usual, slightly awkward posture--relaxed shoulders, calm but distant eyes behind his glasses, expression mild. He is watching a sparring session, keeping his presence light so he does not intimidate the participants. He is nominally the leader, but he stands more like a teacher at the edge of a field, letting his students move.

Tomoe, in her familiar blue kimono, long silver hair tied neatly, is nearby with arms folded, watching like a proud but demanding instructor. Her samurai‑like aura is obvious: confident smile, sharp gaze that tracks every movement. The sparring ends with a decisive blow from one of the trainees, and Tomoe nods in satisfaction. She comments, half to Makoto, half to herself, that the "summer" has borne fruit: sword techniques are sharper, reaction speeds are higher, and the trainees have finally started to move like real warriors, not just amateurs relying on raw power.

Mio is also present, her long black hair and black outfit making her stand out like a dark pillar among the more rustic colors of the demiplane residents. She leans forward just a little too eagerly whenever Makoto speaks, eyes locked on him, but she also pays attention to the results of the training: as a former calamity spider, she is naturally attentive to combat potential and magical finesse. When one trainee overextends and nearly falls, she reacts with a small, amused smile, but there is no cruelty in it; this is their growth period, and she is content to let them stumble as long as they get back up stronger.

Scene shifts: Makoto walks through the demiplane, checking different training zones. In one area, archers are lined up, loosing volleys at distant targets placed in complex patterns. Their arrows now curve, split, or accelerate in midair, demonstrating new techniques acquired over the summer. Some use wind magic to guide their shots; others release arrows that burst into light or shadow upon impact. Makoto quietly notes the improvements, giving modest praise, but internally he is cataloging who can be trusted in real combat, who still needs more time, and who might be suited for special roles.

Farther along, there is a magic training ground. Circles have been drawn on the ground, layered geometries glowing faintly. Various races chant or silently deploy spells. Elements explode, twist, then shrink into steady, controlled forms instead of wild bursts. Shiki is there, scholarly and composed, glasses glinting as he observes the casters' flows of mana. He methodically corrects hand positions, timing, and chant structure. When Makoto arrives, Shiki gives a concise report: magical theory has taken root, chantless casting has advanced among a few elites, and overall efficiency has risen. The "new skills" promised by the summer are now fully tangible.

Makoto listens without interrupting, nodding thoughtfully. On the inside, he feels a quiet satisfaction: this is what he wanted from the demiplane, not just safety but genuine development, a force that can stand on its own. He does not voice grand ambitions, but his resolve is visible in the way his gaze sweeps over the trainees--he is measuring their future, not just their present.

As the day progresses, the focus shifts from raw training to display. A series of mock battles is organized to cap off the season. Demiplane residents gather, forming an audience around arenas and open spaces. There is a festive air--this "summer" might have been hard work, but today is as much celebration as it is test.

In one arena, a group of wingkin faces off against a mixed ground unit. The wingkin glide and dive with improved precision; their spear thrusts and arrow shots are cleaner and more coordinated than before. Makoto stands at the edge, arms loosely at his sides, watching as the ground unit uses newly learned formations to compensate for lack of flight. They raise barriers, create wind currents, and coordinate timing to drag the wingkin into traps. The match ends without serious injury, but with both sides sweating and breathless, aware that they have just demonstrated a much higher level than at the start of the season.

Tomoe, seeing this, smirks with open pride. Her manner is bold: she says aloud that this result is fitting for retainers under the banner of Makoto. For her, these displays confirm that the stories and "dramas" she loves to admire in human history can now be reenacted here, with her own people. She teases Makoto when he responds modestly, chiding him for not recognizing his own role in their growth, yet under that is genuine respect.

Mio, not to be outdone, watches another match where close‑quarters fighters demonstrate techniques she helped polish: instant movements, blade‑coated magic, and lethal combinations of speed and raw force. She glances at Makoto often, looking for his reaction. When he acknowledges the improvement with a few sincere words, Mio's expression softens into pure contentment; her desire for his recognition is simple and intense.

There is a brief interlude where the hard edges soften. Evening begins to approach, and the sky over the demiplane shifts to warm colors. Around the town center, stalls are set up, and food is shared among the races: grilled meat, baked bread, fresh vegetables from the recently harvested fields. The sense of "summer" lingers in the way residents laugh, in the simple joy of eating and talking after hard training. Makoto sits among them, not on a raised platform but at an ordinary table, accepting food, trading minor conversation, absorbing their gratitude without drawing attention to it.

At this point, the episode subtly underlines where each main character stands at the end of this "summer":

Makoto Misumi is outwardly calm, quietly pleased but also thoughtful. He has confirmed that his people have grown and that his investment in training has paid off. His fate at the end of the episode is to remain firmly in the role of leader and teacher of the demiplane, resolved to continue strengthening them and himself for future conflicts beyond this safe world.

Tomoe stands secure beside him as his first follower. Her fragment‑linked past pains and the burdens of memory are not the focus here; instead, we see her as a military and cultural guide, a strategist proud of her pupils. Her fate at episode's end is to continue as Makoto's sword and as the one who shapes the demiplane's martial discipline, eager for the "next stage" of battles and stories.

Mio remains loyally at Makoto's side, simultaneously protective and possessive but clearly integrated into the community. She is not a distant calamity but an active trainer, helping others grow as fighters. Her fate at the end is to stay as Makoto's shield and fangs, pleased by his recognition and ready to unleash her full power when he next calls on her.

Shiki stands a step behind and to the side, the cerebral backbone of the group. He has spent the summer building up the intellectual and magical infrastructure of the demiplane. His fate at the close of the episode is to continue refining their magic and knowledge base, quietly planning ahead for how their new abilities will function in the wider world and in future conflicts.

As night begins to fall, the festive noise softens. The camera, figuratively speaking, returns to Makoto observing the demiplane from a slightly elevated vantage point--a balcony, a hill, or a rooftop. Lights from homes and facilities dot the town below. He watches people moving, talking, carrying tools and weapons, training even in the dimness. There is no loud speech; his reflection is mostly internal. You can see in his eyes that he is measuring what they have achieved this season and what still lies ahead.

The "summer of growth and new skills" comes to a quiet close with this view: Makoto's demiplane is no longer just a hidden refuge but a polished, growing force. All of the main characters involved in this ending--Makoto, Tomoe, Mio, and Shiki--stand alive, together, and stronger than before, their roles clarified and their paths leading forward into the next challenges that await beyond this peaceful sky.

Is there a post-credit scene?

There is no post‑credits scene in TSUKIMICHI -Moonlit Fantasy- Season 2, Episode 11 "Summer of Growth and New Skills" (2024).

After the regular ending sequence plays, the episode does not return to any additional dialogue, gag clip, or teaser scene; it simply finishes on the standard end card and then cuts out.

Why does Makoto decide to stay at Rotsgard during the summer vacation, and what specific kinds of magic training and miscellaneous work is he shown doing in this episode?

How is the mock battle opponent for Makoto chosen, and what are the detailed circumstances that lead up to the decision that he will have a mock battle in this episode?

During the mock battle itself, what concrete abilities, spells, or techniques does Makoto use, and how do his choices in the fight reveal his current limits and growth?

How do characters like Tomoe, Mio, Shiki, and the students react to Makoto’s performance and magic power in this episode, and what specific scenes show their internal thoughts or surprise?

What new skills or developments do Makoto’s students (and/or his followers) demonstrate in this episode, and how are these shown in particular training or combat scenes rather than just mentioned in dialogue?

Is this family friendly?

TSUKIMICHI -Moonlit Fantasy- Season 2 Episode 11 is not entirely family-friendly, though it contains only mild to moderate objectionable content overall.

Potentially objectionable aspects include:

Violence and Gore: The series contains moderate levels of violence and gore. Episode 11 features combat scenes and action sequences that may be intense for younger or sensitive viewers.

Sexual Content: The show depicts mild sexual content, including women in revealing attire, sexual overtones, and casual sexual advances on the main character. Characters discuss desires to sleep with the protagonist in a manner treated as comedic.

Nudity: The series includes drawings of characters in states of undress, particularly in closing credit scenes across multiple episodes.

The episode does not contain profanity, alcohol use, drug use, or smoking. Frightening and intense scenes are rated as mild overall for the series.

For children under 13 or those sensitive to violence, suggestive content, or fanservice-heavy anime, parental discretion is recommended. Teenagers aged 14 and up would likely find the content acceptable depending on individual sensitivity levels.