Only Murders in the Building: Season 5, Episode 4 - Dirty Birds (2025)

I'm sorry, but I can't provide that.

The trio--Charles, Mabel, and Oliver--host a dinner at Oliver's apartment where billionaires Jay, Camila, and Bash crash the party, reveal their coordinated alibi for Nicky's murder, expose that the severed finger isn't Jay's, and trap the podcasters with lawsuit threats over their new contracts, leaving them silenced and back at square one.

Now, let me take you through the ending of "Dirty Birds," scene by scene, as the night unfolds at Oliver's lavish apartment in the Arconia, painting every tense moment, every revelation, and the raw defeat etched on our trio's faces.

The scene opens in Oliver's warmly lit dining room, the table groaning under platters of caviar, bubbly champagne flutes catching the light, and gourmet dishes Oliver has prepared with manic enthusiasm after pulling an all-nighter on Ritalin with Vince, the birdwatching friend who decoded Lester's ledger. Mabel paces with fierce determination, her eyes sharp on the murder board pinned nearby, still convinced Jay is the culprit because of his missing finger. Charles fusses over the seating, his paranoia evident in the way he adjusts napkins, whispering suspicions about the "dirty birds" from the Velvet Room--Nicky the brown-headed cowbird, Jay the Eurasian Jay, Bash the enigmatic longevity freak. Oliver, buzzing with energy, boasts about their solid detective work: only five birds were in the gaming parlor the night Nicky was murdered, and they've identified four.

The doorbell rings sharply. Oliver swings it open to reveal Jay Pflug, the slick billionaire with a bandaged hand where his finger should be, smiling too smoothly as he steps in, followed moments later by Camila White and Bash bursting through uninvited, their presence turning the air thick with menace. Camila, poised and icy with Renée Zellweger's signature edge, and Bash, ageless and calculating, crash the intimate dinner like predators scenting weakness. They decline the food politely but dominate the space, their tailored suits contrasting the trio's rumpled sleuthing attire. Jay's eyes flick to the murder board, amusement curling his lips.

The billionaires waste no time. They propose a toast, but it's a trap--they've come to warn the trio to stop their podcast snooping. Mabel fires back, voice steady: it's not libel to report three billionaires lurking near a murder scene. Jay, Camila, and Bash counter coolly, synchronized like they've rehearsed: Nicky's body was found hanging in a dry cleaners rack, a classic mob hit. They claim they barely knew him, just that he owned the Velvet Room. The trio, sweating now, accidentally lets slip they handled Nicky's body--a felony. Charles blanches, Oliver stammers, Mabel's confidence cracks as the power shifts.

Split into tense side interrogations, the scene fractures: In the kitchen, Oliver presses Bash, who spins a vivid alibi--Nicky stormed the Velvet Room Saturday night wielding a meat cleaver, wild-eyed and raging. Jay heroically leaped to defend his friends, losing his finger in the chaos as blood sprayed across the green baize tables. Bash nods solemnly, his youthful face belying hidden years. In the living room, Charles corners Camila, who echoes the exact story word-for-word, her gaze unblinking. Mabel grills Jay alone, staring at his bandaged hand, but he unwraps it slowly, revealing the missing finger is on his left hand--the severed one from the shrimp cocktail was from the right. Mabel's face crumples in horror, her strongest lead dissolving like smoke. The alibi holds; it's airtight, coordinated.

Reunited around the table, the billionaires drop the hammer: under the trio's shiny new podcast contracts with their conglomerate, any public mention of Jay, Camila, or Bash risks a crippling libel lawsuit. Charles's hands tremble on his glass. Oliver's manic high crashes into despair. Mabel, already reeling from her earlier lie to rival podcaster Thē about a fake Wandify deal--tied to her ex-friend Zoe's Season 1 death--feels the vulnerability hit deepest, her shift from cocky detective to exposed young woman raw in Selena Gomez's wide-eyed performance.

The episode closes with the billionaires departing smugly into the night, leaving the apartment door swinging. Charles, Oliver, and Mabel slump at the table amid half-eaten caviar and toppled champagne, the murder board mocking them from the wall. Defeat hangs heavy--eyes downcast, shoulders slumped, the weight of being outmaneuvered sinking in. They've been played, lured into silence, their path forward erased. No arrests, no breakthroughs; just the cold reality of gagged voices and a reset investigation.

Here is the fate of each main participant in this ending: Charles-Haden Savage walks away shaken, his paranoia validated but powerless under legal threats, committed yet muzzled. Mabel Mora emerges humiliated, her Jay lead shattered and contract blunder compounding her insecurities, forcing a vulnerable pivot. Oliver Putnam crashes from his Ritalin-fueled high, his dinner party hosting turned into a billionaire ambush, leaving him deflated but scheming anew. Jay Pflug struts out unscathed, his false alibi intact and finger mismatch protecting him. Camila White exits composed, her story aligning perfectly to evade suspicion. Bash departs enigmatic, his longevity secrets untouched, all three billionaires empowered, having silenced their accusers without a drop of blood spilled. Vince, the bird expert, fades into the background, his ledger decode now a dead end.

No, there is no post-credits scene in Only Murders in the Building season 5 episode 4, "Dirty Birds."

Search results detail the episode's ending with the trio realizing Jay's missing finger does not match the one they found, just as they sign the Wondify contract now owned by the billionaires, leaving them legally unable to accuse them. Reviews and breakdowns focus on this twist, the billionaire trio's manipulation, and episode-specific Easter eggs like birds in the opening credits, with no mention of post-credits content. IMDb trivia notes only the opening credits birds, confirming no additional end-credits material.

In the episode 'Dirty Birds' from Only Murders in the Building Season 5, the three billionaires--Jay, Camila White, and Bash Steed--describe a chaotic poker night in the Velvet Room. Nicky, furious with nostrils dusted in powder, storms in wielding a cleaver. Jay attempts to intervene to prevent harm, but Nicky chops off Jay's finger in the struggle. The billionaires panic and flee the room, marking the last time they saw Nicky alive. Later, they return to search for Jay's severed finger, their stories aligning perfectly during separate interrogations by Charles, Oliver, and Mabel.

Jay Pflug, the billionaire Eurasian Jay, lost his finger during the poker night incident when Nicky swung a cleaver at him while he tried to stop the enraged Nicky from hurting someone. The finger is from Jay's right hand, but the trio later realizes the finger they found in the shrimp cocktail is from a left hand, confirming it is not Jay's. Jay reveals he joined the Velvet Room only for card games in the murder building and brings Pabst Blue Ribbon to prove his normalcy, tying into his motivation to appear as an everyday guy despite his family's tainted pharma empire history.

The billionaires--Jay, Camila with her scented candle and indoor sunglasses, and Bash with hulking bodyguards--unexpectedly invite themselves to Oliver's after catching the trio snooping. They feign turning on each other but deliver converging stories exonerating themselves. They warn of suing for libel since Nicky's body was at the dry cleaners, not the Velvet Room, and mob hits are common. When the trio admits to possessing Nicky's body (a felony), the billionaires gain leverage, forcing the podcasters into silence on them under threat of legal action, shifting the investigation's direction.

During dinner at Charles' apartment, Mabel defends Jay emphatically, her eyelashes fluttering as she describes him positively, prompting Charles and Oliver to tease her about crushing on the suspect. She doesn't deny it and insists on reuniting Jay with his finger as a kind gesture. This emotional pull contrasts her sharp detective instincts, highlighting her vulnerability amid the high-stakes grilling, while internally weighing Jay's 'normal guy' facade against his billionaire status.

Amid celebrating cleared billionaire suspects, Mabel receives news that Wondify wants to sign their podcast, triumphantly declaring 'Take that, THÉâ„â¢.' Rushing to the office, they sign without reading, falling into a new corporate snare. Their liaison later reveals restrictions, including no discussion of the billionaires due to libel risks, trapping them legally and forcing a pivot. This interrupts their post-interrogation dinner high, blending relief with emerging tension over podcast control.

No -- Only Murders in the Building Season 5, Episode 4 ("Dirty Birds") is not family friendly; it carries a TV‑MA / MA15+ rating and includes content that may be upsetting for children or very sensitive viewers.

Potentially objectionable or upsetting elements (brief, non‑spoiling):

• Mature themes and a recent death -- The episode revolves around a death in the building and investigative/true‑crime subject matter that can be upsetting for children and some adults.
• Mild violence / references to violence -- There are scenes and discussion of violent events and their aftermath presented in the comedic‑mystery context; violence/gore is described as mild but may still disturb sensitive viewers.
• Frightening or intense moments -- Brief tense or suspenseful scenes intended to create mystery or jump‑scare tension are present and rated as mildly frightening.
• Moderate profanity -- Language includes moderate swearing that may be unsuitable for younger audiences.
• Alcohol and smoking -- Characters use alcohol and there are references or depictions of smoking/alcohol use.
• Adult situations / implied mature content -- While explicit sexual content is absent in parental guides, there are adult interpersonal themes and contract/legal dealings that carry mature undertones.

If you're deciding for a child or very sensitive viewer: expect mature subject matter (a death and investigation), some tense or suspenseful moments, moderate strong language, and alcohol use; if any of those are a concern, previewing the episode first or choosing a lower‑rated program is recommended.