Six weeks before Christmas in London, the film opens with a voiceover from newly elected British Prime Minister David (Hugh Grant), who reflects with hopeful warmth: "Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere." This sets the tone for the interwoven stories about to unfold.

David arrives at 10 Downing Street, stepping into his role with a mix of nervous energy and charm. His household staff includes Natalie (Martine McCutcheon), a bright and kind tea server who quickly captures his attention. Meanwhile, washed-up rock star Billy Mack (Bill Nighy), with his gravelly voice and cheeky bravado, is recording a parody Christmas single with his long-suffering manager Joe (Gregor Fisher), hoping for a comeback despite his reckless lifestyle.

At a family home, Daniel (Liam Neeson) is quietly grieving the recent death of his wife, a loss that hangs heavy over him and his young stepson Sam (Thomas Brodie-Sangster). Sam is a bright, earnest boy, navigating the confusing waters of first love. Nearby, Karen (Emma Thompson) and Harry (Alan Rickman) live with their two children in a comfortable London house. Harry, managing a design agency, is outwardly successful but inwardly restless. Karen is a devoted mother and wife, unaware that Harry's attentions are beginning to stray.

Juliet (Keira Knightley) and Peter (Chiwetel Ejiofor) are newlyweds, their wedding a joyous occasion three weeks before Christmas. Mark (Andrew Lincoln), Peter's best friend, attends the wedding but harbors a secret: he is deeply in love with Juliet, though he hides it behind a mask of awkwardness and distance.

At the wedding, Jamie (Colin Firth), a novelist, is introduced. His world soon shatters when he discovers that his girlfriend is cheating on him with his brother. Devastated, Jamie retreats to a remote French cottage to heal, where he meets Aurélia (Lúcia Moniz), a Portuguese housekeeper who speaks no English. Their connection begins despite the language barrier.

Colin (Kris Marshall), a socially awkward man convinced English women don't find him attractive, dreams of American women's supposed preference for his type. His subplot will lead him far from London. Sarah (Laura Linney), working in an office and caring for her mentally ill brother Michael (Rory MacGregor), struggles to balance her personal responsibilities with her quiet affection for her co-worker Karl (Rodrigo Santoro).

As the weeks progress, the characters' lives intertwine against the bustling backdrop of London's offices, homes, and public spaces. David's political duties at 10 Downing Street are complicated by his growing feelings for Natalie, whose warmth and sincerity contrast with the cold formality of politics. Billy Mack's irreverent antics in the recording studio provide comic relief, but beneath his brash exterior lies a man yearning for genuine connection.

Tensions rise at Karen and Harry's home. Harry, caught in a mid-life crisis, becomes infatuated with his new secretary Mia (Heike Makatsch). In a moment of weakness, he buys Mia an expensive necklace from the elaborate and slow-wrapping jewelry salesman Rufus (Rowan Atkinson). Karen discovers the necklace wrapped in a box she believes is for her. The crushing realization dawns on her: Harry is having an affair. In one of the film's most heart-wrenching scenes, Karen retreats to her bedroom, tears streaming as she listens to Joni Mitchell's "Both Sides Now", embodying the pain of betrayal and shattered trust.

Mark's secret love for Juliet unfolds quietly. He has avoided her, acting cold and distant for "self-preservation," but Juliet discovers a video he made secretly filming her, revealing his true feelings. On Christmas Eve, Mark arrives at Juliet's doorstep with a stack of cue cards, silently confessing: "To me, you are perfect." He holds up card after card, revealing his unspoken love and respect for her and Peter's relationship. Juliet, moved yet resolute, responds with a gentle kiss on his cheek. Mark accepts that his love must remain unfulfilled and begins to move on.

Jamie's retreat to his French cottage is a pivotal emotional turning point. There, he and Aurélia forge a tender connection despite the language barrier, communicating through gestures and a Portuguese phrasebook. Jamie learns of Aurélia's difficult life and her inability to afford a plane ticket to visit her family in Portugal. When he returns to England, Jamie realizes he is in love with her and begins learning Portuguese. He travels back to France and proposes in broken Portuguese, to which Aurélia joyfully replies "Yes." Their love story symbolizes hope and new beginnings born from heartbreak.

Meanwhile, Sarah's story is one of quiet sacrifice. She longs to accept Karl's invitation to a Christmas party but must care for her brother Michael, who has a mental health crisis. The tension between duty and desire is palpable. Karl's patience and understanding offer a glimpse of hope, though Sarah's obligations weigh heavily on her.

David's political life is tested when a diplomatic incident arises involving the US President and a scandal with his secretary Mia. Despite the pressures, David pursues his feelings for Natalie, culminating in a charming scene where he sings carols door-to-door searching for her. When he finds Natalie, they share a heartfelt confession of love, and David's political and personal worlds harmonize.

Colin's comedic subplot takes him to Wisconsin, where his belief that American women prefer him is humorously confirmed. He quickly finds himself surrounded by enthusiastic admirers, fulfilling his romantic fantasies in a lighthearted contrast to the film's more serious stories.

Sam, encouraged by Daniel, prepares to confess his love to Joanna at the school Christmas concert. Overcoming youthful nerves, Sam performs a drum solo, winning Joanna's heart and marking a sweet coming-of-age moment.

The film's climax converges on Christmas Eve and Christmas Day. Mark's silent confession, Billy Mack's candid admission to Joe that "You're the only person I love," David's romantic breakthrough with Natalie, and Jamie's proposal to Aurélia all highlight different facets of love--unrequited, platonic, new, and enduring. Karen confronts Harry about his affair after the school play, their conversation tense and painful. Though their marriage is deeply strained, they remain together, embodying the complexities of love and forgiveness.

The film's epilogue, set a month later at Heathrow Airport, brings the characters together in a final tableau of connection and hope. Billy Mack's Christmas single has sparked a comeback, and he celebrates with Joe. Juliet, Peter, Mark, Jamie, and Aurélia meet, sharing smiles and warmth. Karen and Harry appear distant but united as a family. Sam joyfully reunites with Joanna, and Daniel introduces his new girlfriend Carol and her son. Newlyweds John and Judy head off on their honeymoon, crossing paths with Tony, who awaits Colin's return from the US. Colin arrives with new girlfriends, including Harriet and her sister Carla, who greets Tony with a kiss. Natalie welcomes David back from his flight, their now-public relationship evident amid the press. The film closes with a mosaic of real airport arrivals forming a heart, visually affirming David's opening words: love truly is everywhere.

Throughout Love Actually, no character dies during the film's timeline except for Daniel's wife, whose recent death sets the emotional foundation for his and Sam's story. The confrontations--Karen confronting Harry, Mark's cue card confession, Sarah's balancing act, and David's political challenges--drive the narrative tension. Revelations of secret loves, betrayals, and new romances unfold with emotional depth and humor, culminating in a rich tapestry of love's many forms against the festive London backdrop.

We don't know.

The movie "Love Actually," released in 2003, does not have a post-credit scene. The film concludes with a series of heartwarming moments that wrap up the various storylines of its ensemble cast. After the final credits roll, there are no additional scenes or content that follow. The film ends on a note of hope and love, emphasizing the connections between the characters and the spirit of love during the holiday season.

In Love Actually, the 'To me, you are perfect' cards are used by Mark, played by Andrew Lincoln, to express his unrequited love for Juliet, portrayed by Keira Knightley. Mark, who is best friends with Juliet's husband Peter, secretly films Juliet at their wedding and later confesses his feelings through these cards. This poignant moment occurs during Christmas, highlighting the theme of love's complexities and the pain of unreciprocated feelings. The simplicity and sincerity of the cards, along with Mark's emotional delivery, create a powerful scene that resonates with viewers.

David, the newly elected Prime Minister, played by Hugh Grant, develops a romantic interest in Natalie, his staff member, portrayed by Martine McCutcheon. Initially, David is charming and confident, but he becomes flustered and awkward around Natalie, especially when he discovers her feelings for him. Their relationship is marked by a series of humorous and tender moments, including a memorable scene where David dances to 'Jump' by The Pointer Sisters in the Prime Minister's residence. His determination to pursue Natalie despite the challenges of his political position showcases his vulnerability and desire for genuine connection.

Jamie, portrayed by Colin Firth, is a writer who retreats to a cottage in France after discovering his girlfriend's infidelity. His storyline revolves around his journey of healing and finding love again. While in France, he meets Aurelia, a Portuguese housekeeper played by Lucia Moniz. Their relationship develops through a language barrier, with Jamie learning Portuguese to communicate with her. The emotional depth of their connection is highlighted in scenes where they share intimate moments, culminating in a heartfelt proposal where Jamie, despite the language differences, expresses his love for Aurelia in a beautifully romantic way.

Harry, played by Alan Rickman, is a successful advertising executive who is married to Karen, portrayed by Emma Thompson. Their relationship is tested when Harry becomes infatuated with his attractive secretary, Mia. Karen initially suspects nothing, but her emotional turmoil becomes evident when she discovers Harry's potential betrayal. A pivotal scene occurs during Christmas when Karen receives a gift that she believes is a necklace from Harry, only to find it is a simple Joni Mitchell CD. This moment encapsulates her heartbreak and disappointment, leading to a confrontation that reveals the fragility of their marriage and the complexities of love and trust.

Sam, a young boy played by Thomas Sangster, is deeply infatuated with his classmate Joanna, portrayed by Olivia Olson. His pursuit of her is both innocent and earnest, showcasing the pure nature of first love. Sam's determination to win Joanna's heart leads him to enlist the help of his stepfather, Daniel, played by Liam Neeson. In a touching scene, Sam practices his drumming for the school Christmas concert, where Joanna will perform. His nervousness and excitement are palpable, and he ultimately finds the courage to express his feelings for her, culminating in a sweet moment at the concert where he finally connects with Joanna, highlighting the innocence and intensity of young love.

Love Actually is rated R in the United States, which means it may not be suitable for children due to some adult language, sexual content, and mature themes. Potentially objectionable or upsetting scenes might include:

1. Strong language in several dialogues.
2. References to infidelity and adult relationships.
3. Sexual situations, including nudity and suggestive content.
4. Emotional scenes involving heartbreak or loss.

While the film has themes of love and connection, its content may not align with a family-friendly viewing experience for younger audiences.