Violet Gates begins the film as a Chicago-based psychotherapist trying to rebuild her life after the death of her abusive husband, Blake. She leaves her eight-year-old son, Toby, in the care of her younger sister, Jen, and takes an elevator to Palate, an upscale restaurant situated at the top of a downtown tower, for a first date arranged through a dating app. Inside Palate she notices the sleek bar and live piano; the bartender is Cara and the pianist is Phil. A new waiter, Matt, appears to seat her. At nearby tables a man named Richard sits across from a woman on a blind date, and another diner, Connor, occupies a seat close enough to observe Violet. Violet soon begins to receive short-range text messages known in the city as "Digi-Drops" from an anonymous sender. At first the drops are innocuous memes, but the tone hardens into taunting and then into direct intimidation.

Henry Campbell, the man Violet has been messaging, arrives. Henry is a freelance photographer who does contract work for the city; he often documents municipal projects and, Violet will later learn, has taken pictures that implicate officials in embezzlement. Henry and Violet are seated together; Matt brings a bottle of wine. The Digi-Drops continue and, as Henry tries to trace the source, the sender implies that whoever is sending them sits somewhere within the restaurant's proximity. Henry checks the phone logs and the room, and Violet tries to shrug off the harassment, but the messages escalate to a demand: check your home security cameras. When Violet obeys, she watches live footage of her own house and sees a masked intruder moving through her living room. The anonymous sender commands Violet not to alert anyone and warns that if she leaves or calls for help, the intruder will kill Toby. The sender states that the restaurant has been bugged and that every move Violet makes is being monitored.

Following the sender's directive, Violet reaches into Henry's messenger bag, locates a compact security camera, and removes its SD card, destroying the card in the bathroom as instructed. While manipulating the camera, Violet notices several photos on Henry's memory cards that look like documentation rather than personal work. Henry grows curious and asks what she is doing with his equipment; Violet lies and says she is nervous. Henry's curiosity turns to suspicion when he realizes Violet has handled his camera, but she tries to placate him. She answers the sender's demands and, under pressure, tells Henry she needs him to stay. She presses her lips to his and confesses to him that her late marriage to Blake was abusive, that she is afraid and still recovering. Henry softens, accepts the kiss, and agrees to remain at the table.

The anonymous sender's commands intensify. The next instruction directs Violet to retrieve a vial of clear liquid from the restaurant bathroom and to poison Henry. The sender gives the impression that the vial is somewhere accessible within the building. Violet leaves the table and walks toward the restroom, clutching her purse and the phone in her hand as the drops continue to appear. In the bathroom she finds a small vial tucked behind a paper towel dispenser--she opens it and notes the sterile odor. Suspicious of those around her, Violet privately confronts Connor, whose behavior has been awkward all evening, but she cannot produce proof of any wrongdoing or connection to the drops. She returns to the table with the vial in her bag.

Violet tries to find another way to resolve the situation without killing Henry. She slips a written warning into a napkin and gives it to Phil, the pianist, hoping he will leave the immediate area and contact someone. Phil takes the note, gets up, and moves toward the exit. As he pushes through the front doors and into the lobby, he clutches his chest, staggers, and collapses on the marble floor. Guests rush to his aid and call for emergency services, but Phil is already dead; an autopsy later will determine that he ingested a fast-acting toxin. Violet watches the scene in horror; she cannot tell whether Phil's collapse is the result of her actions or someone else's machination, and the Digi-Drops sender takes immediate advantage of her panic, mocking her and demanding she kill Henry now. The sender insults Violet for failing to follow orders properly and insists that hesitation will cost lives.

Under duress, Violet orders shots from Cara at the bar and slips poison into Henry's glass. Her hands shake as she returns to the table. Henry reaches for his drink; she tries to stop him, panicking and creating a scene that draws attention. Henry excuses himself to wash up from the spill and leaves the table. Cara, who has been watching Violet throughout the night, checks on her and casually mentions that Richard, the man who has been on a nearby blind date, has been observing Violet's table for hours and seemed particularly interested. Taking that cue and desperate for any lead, Violet approaches Richard with newly poured shots and a forced smile. She gives Richard a drink and sits across from him, pressing for information, when Richard drops his mask.

Richard admits, with a cold calmness, that he has been the anonymous sender. He reveals that he works on the mayor's payroll and has been following Henry because Henry recently photographed evidence of graft and embezzlement in the mayor's office. According to Richard, Henry plans to testify and his photographs will expose the mayor; Richard's job is to stop Henry. He details a plan to kill Henry at Palate and to frame Violet for the murder, thereby neutralizing Henry and silencing any witness. As he speaks, he toys with his glass and laughs at Violet's fear, enjoying her discomfort.

Violet realizes the coercive chain of events had been orchestrated: the masked figure in her living room, the surveillance of her apartment, the messages forcing her hand. As Richard gloats, Henry returns to the table and, unaware of the full scope of the plot, drinks the shot presented to him. Richard moves to gloat directly, taunting Violet about her inability to control the situation. At that instant Violet flips the script: she declares that she has already taken the opportunity to poison Richard's dessert. Richard, surprised, lunges for a pistol he has concealed; he fires a shot at Violet. Henry sees Richard raise the gun and, without thinking, shoves Violet aside. The bullet strikes Henry in the chest.

Chaos erupts. Henry collapses to the table, blood blooming through his shirt. People scream and scramble away from the table. During the chaos Richard fires several wild shots; one round tears through the big window of the restaurant, creating a jagged breach. As patrons and staff scatter, Richard lunges toward the window. Cara, rushing to help, gets in his path. Richard slashes at Cara with a knife and stabs her; she falls in a heap, bleeding on the restaurant floor. Richard yells into his phone and in a clipped voice orders a contact to carry out a second phase: kill Violet's sister Jen and Violet's son Toby as revenge for messing up his assassination plan. He believes that by orchestrating multiple killings he can ensure Violet takes the fall and Henry will no longer be an active witness. In the mayhem Richard makes another errant shot that puts a path of destruction across the upper floor and toward the fragile glass.

As Richard advances, Violet scrambles to reach the shattered area. She grabs a hockey puck left behind near the service station--Palate is located above a corporate neighborhood where pucks occasionally appear in decorative displays--and hurls it at a jagged section of the breached window. The puck strikes an unstable pane, which shatters further. The force of the broken glass and the sudden rush of air from the city wind create a violent suction that pulls Richard toward the opening. He claws at the smooth surface, then loses his grip and is sucked out; he plummets past the building's high façade and hits the street far below, dead on impact. As Richard is pulled through the window Violet, who had been leaning toward the break, nearly loses her balance and goes after him, but Henry, bleeding and weak, drags himself across the splintered floor and grabs her wrist. He hauls her back from the abyss and holds her as emergency alarms begin to blare.

With Richard dead, the phone that had been feeding orders is still connected to an outside accomplice. The call Richard made before he fell has already put one of his hired men in motion: a henchman makes his way to Violet's house. Violet, shaken and thinking of her son and sister, jumps into Henry's car despite his injury. She drives recklessly through downtown streets to get to her near-neighbor home, tires screeching in turns. Inside the house Jen has woken and is packing Tob y to move them out when someone bursts through the front door. The masked intruder from the security footage--now unmasked by proximity as one of Richard's hired killers--enters and a scuffle ensues in the foyer. Jen grabs for a nearby lamp and swings it to stall the intruder. She pushes Toby upstairs and shouts for him to hide. The henchman pursues them up the stairwell. As Jen and Toby run along the landing toward the bedrooms, the man fires his weapon, and a bullet strikes Jen in the shoulder. She cries out and collapses against the banister, clutching the wound while blood beads through her shirt.

Violet arrives at the house, opens the front door, and finds the scene of violence. She spots the intruder as he moves to corner Jen and Toby on the upper landing. Violet charges at him with a kitchen knife she grabs from a counter and stabs him in the midsection. The man staggers back and, enraged, counters with a violent push that sends Violet crumpling to the floor. The henchman regains his balance and pins Violet, forcing her toward the hallway wall. He attempts to fire, ordering her to drop whatever weapon she holds. In the struggle, Toby, terrified but resolute, notices the henchman's dropped gun and crawls toward it. He manages to drag the handgun closer and, with small, determined hands, he picks it up and points it at the henchman. Violet, noticing the opportunity, takes the gun from Toby, aims, and fires. The shot finds its mark; the henchman collapses to the floor, dead. Toby screams and drops the weapon; Violet covers his small frame with her body, cradling him as Jen moans from the landing with a bleeding shoulder.

Paramedics arrive and rush Henry, Jen, and Violet to the hospital. Henry is treated for a single gunshot wound to the chest; the bullet is removed and he is stabilized but faces a long recovery. Jen is treated for the shoulder wound and receives stitches; physicians confirm the injury is survivable and will not cause permanent paralysis. Violet undergoes examination for cuts and bruises from the confrontation and is monitored for shock. Toby is given emotional support and a superficial bruise bandaged. Cara, who was stabbed during the restaurant attack, is transported from Palate and receives emergency surgery for abdominal wounds; hospital reports indicate she survives the initial injury but remains in critical condition for a time. Phil is pronounced dead at the restaurant; authorities later determine that the poison he ingested was administered prior to his collapse but the investigation cannot immediately identify who put the toxin into his system.

Detectives and federal investigators begin combing through evidence. Henry's photography, which had captured clear evidence of the mayor's financial malfeasance, becomes central to unfolding events. Although Henry had been shot, he had already backed up his materials and turned them over to a reporter and to a federal investigator before the attack. Authorities trace Richard's connection to the mayor's office; phone records and financial transfers reveal Richard's employment ties and payments from a shell company linked to the mayor's campaign. The mayor faces a public inquiry as news outlets publish the embezzlement photographs Henry took. Richard's role in the assassination plot becomes the subject of the criminal investigation; his death complicates the prosecution's case, but his communications and the henchman's operations create a trail leading back to city officials.

Violet sits in Henry's hospital room while he sleeps under bandages and monitors. She keeps watch over him and quietly confesses aloud to the experience she endured: the panic forced decisions she never imagined making. Henry, waking, reassures her in fragmented sentences that his testimony and the photos will move forward and that the mayor will be exposed. His convalescence is slow; he requires physical therapy but he is lucid and begins to plan legal testimony. Jen, resting in a side bed with her shoulder immobilized, texts Violet an impish image through a Digi-Drop: she teases Violet and Henry with a harmless meme--Jen's version of a prank to lighten the mood. The three share a faint, exhausted smile.

Weeks later the investigations produce public consequences. Law enforcement officials announce formal inquiries into the mayor's office, citing the photographs Henry supplied and evidence uncovered as a result of the shootings and the restaurant assault. The mayor is placed under federal investigation; aides and accounting documents are subpoenaed. Henry's role in exposing the financial crimes is acknowledged by investigators and he is interviewed on record; his testimony becomes a crucial component of the mounting case. Violet cooperates fully with police and prosecutors, providing statements about the Digi-Drops, Richard's attempted framing, and the sequence of events at Palate. The hospital releases statements about the three survivors' conditions: Henry is expected to recover from the chest wound, Jen is discharged after treatment and physical therapy for her shoulder, and Cara leaves the hospital after recovering from the stab wound. Phil's death is listed as a homicide by poisoning with the perpetrator still under investigation.

In the film's closing sequence, Violet prepares for a second, less public date with Henry now that the immediate threat has been neutralized and the mayor's exposure is underway. Henry asks Violet for another chance; the two plan a quiet evening together, this time in a setting with fewer cameras and more privacy. Before they go, Violet receives a cheeky Digi-Drop from Jen that mimics the messages that had once terrorized her; this time the tone is playful and the content harmless, a private joke among them. The film ends with Violet, Henry, Jen, and Toby gathered in a small hospital family room, holding hands and making plans for a tentative future as legal processes continue and the city begins to reckon with the revelations uncovered by Henry's photographs. The camera lingers on Violet's calm face as she breathes in and closes her eyes, then reopens them to look at Henry and Toby, the three of them moving forward together while law enforcement pursues charges stemming from Richard's assassination plot and the broader corruption uncovered at the mayor's office.

At the end of The Containment (2025), the young girl, consumed by a terrifying entity, is confronted by a devout nun who attempts to exorcise the evil. However, the nun uncovers a deeper, more insidious force beyond the demon itself--something that no prayer can save them from. The story closes with the family still trapped in the escalating darkness, the true nature of the threat unresolved, and the fates of the main characters marked by ongoing struggle and despair.

Expanding on the ending scene by scene:

The climax begins with the devout nun entering the family's home, where the young girl is fully overtaken by the malevolent entity. The atmosphere is thick with tension and supernatural dread as the nun prepares to perform an exorcism. The girl's mother watches desperately, having exhausted all medical and expert help to save her daughter.

As the nun begins her ritual, the entity's grip tightens, revealing itself to be more powerful and resistant than expected. The girl's behavior becomes increasingly violent and erratic, and the boundaries between reality and the supernatural blur--shadows move unnaturally, and the house seems to close in on them.

Midway through the ritual, the nun experiences disturbing visions and revelations. She realizes that the demon is not the ultimate evil here; instead, a darker, more insidious force lurks beneath the surface--an evil that transcends traditional demonic possession and cannot be expelled by prayer or ritual.

The nun's resolve falters as she confronts this horrifying truth. The mother, witnessing this, is overwhelmed by despair but clings to hope for her daughter's salvation.

In the final moments, the entity's hold on the girl remains unbroken. The family's home, once a place of refuge, becomes a claustrophobic prison of escalating darkness. The young girl's fate is left ambiguous--she remains trapped within the entity's grasp, her soul contested but not reclaimed.

The nun, shaken and defeated, withdraws, acknowledging the limits of her faith and power. The mother is left alone with her daughter's possession, symbolizing the ongoing battle against an evil that defies understanding or containment.

The main characters' fates at the end are:

• The young girl remains possessed, her soul still captive to the terrifying entity.
• The mother is left in despair but continues to fight for her daughter's salvation.
• The devout nun retreats, having confronted a force beyond her ability to combat.
• The family's home and lives are engulfed in an unexplainable darkness, with no clear resolution.

This ending scene-by-scene narrative highlights the film's focus on the limits of human and spiritual power against an overwhelming, unknowable evil, and the tragic persistence of the family's suffering.

The movie titled The Containment produced in 2025 does not appear in the provided search results, and there is no direct information about whether it has a post-credits scene or what that scene might be. The search results mention post-credits scenes for other 2025 movies such as Companion and Thunderbolts, but The Containment is not referenced.

Therefore, based on the available data, there is no confirmed information about a post-credits scene for The Containment (2025). If you have access to the movie or official sources, checking the end of the credits directly would be the best way to confirm.

The dark entity is a mysterious and terrifying force that consumes the young girl, tightening its grip on her soul as she fights to reclaim it. It is not expelled by traditional medicine, doctors, or exorcists, indicating a supernatural and deeply malevolent presence.

The key characters include the young girl who is possessed, her mother who seeks help from doctors and exorcists, a supposed expert in exorcisms who fails to expel the demon, and a devout nun who becomes involved later. The nun's involvement introduces a more terrifying doubt beyond the possession itself.

When the nun steps in to confront the evil possessing the girl, she uncovers a more horrifying truth that suggests the greatest threat may not be the demon itself but something far more insidious, a threat that no prayer can save them from.

The Cobbler family is central to the narrative, struggling to rebuild their lives after a devastating loss while facing an escalating and unexplainable darkness invading their home. Their suburban house becomes a claustrophobic nightmare where reality and supernatural terror collide.

Gia Hunter delivers a raw and intense performance, while Charlotte Hunter portrays the mother with heart-wrenching desperation and love. These performances contribute significantly to the emotional depth and tension of the story.

The 2025 movie The Containment is not family friendly and is best suited for mature audiences due to its horror and supernatural themes. It contains potentially upsetting scenes involving possession, demonic elements, and intense emotional distress related to grief and loss within a family setting. The film features haunting visuals, supernatural terror, and a claustrophobic atmosphere that may be disturbing for children or sensitive viewers. Specific aspects that might be objectionable include:

• Scenes of demonic possession and supernatural horror involving a young girl.
• Emotional intensity around family trauma and loss.
• Dark, tense, and frightening sequences with a strong suspenseful and unsettling mood.
• Possible references to religious or occult themes such as demons and exorcism.

No explicit plot spoilers are revealed here, but the overall tone and content suggest it is unsuitable for children or those sensitive to horror and supernatural distress.