A yellow school bus rumbles down a suburban road as the film opens. Inside, Amber Wyatt sits with a sketchbook in her lap, furiously filling pages with grotesque figures; across from her, Bowman Lynch teases her until he reaches for the book and flips it open. He stumbles back when he sees a drawing of a creature bisecting a boy -- the image terrifies him and he flees the bus in a panic. Amber remains guarded and withdrawn. At school, the counselor Dr. Land meets with Amber and then with her father, Taylor Wyatt. Amber has been using drawing to channel the fury and sorrow she feels over the death of her wife and the children's mother, Ally. Dr. Land gives Amber a new sketchbook and urges her to keep sketching so she can process her grief.

At home Taylor, a widower trying to sell the family house with help from his sister Liz, promises Amber he will not look through her new book. He breaks that promise when he accidentally spills coffee on the pages and tries to dry and flatten them; a breeze from a fan flips the pages and he sees Amber's nightmarish illustrations. Later, during an open house, Taylor's distracted behavior and occasional odd statements make potential buyers uneasy, and Liz confronts him about how he is handling Ally's death and the children. That evening Amber returns to find her father has read the sketchbook; she is furious until he sits with her and she explains the bestiary she has been inventing: a blue, googly-eyed creature she calls the Blood Eater that vomits glitters of blood; a blind, hulking orange behemoth called the Tattler accompanied by a siren-like sunflower; sharp-beaked avian predators called Stabidons; small chalk-drawn thieves with many eyes named Eyeders that steal people's possessions; and a darker self-portrait she titles Evil Amber, an angry doppelgänger designed to go after Bowman. Amber also shows Taylor gentler drawings -- heart-shaped helpers and a butterfly based on Ally's tattoo -- and asks him not to judge.

The younger sibling, Jack, explores the woods near their house. He slips, cuts his hand on the fall, and drops his phone into a nearby pond. When he reaches into the water to retrieve it, both the phone and the scrape appear restored; the screen is whole and the wound has sealed as if healed. Jack keeps experimenting with the pond's restorative properties in secret. That night he returns to the pond carrying a box containing Ally's ashes with the intention of doing something reckless -- he wants to see if the water can bring things back -- and Amber follows him. During their argument at the water's edge the sketchbook flies from Amber's hands and plunges into the pond. She fishes it out and sees that large swathes of her drawings have vanished from the pages. Before they head home, both hear a distant, loud roar and see yellow smears on the window, like droppings, as if something hit the glass.

The following morning the bus halts when the driver, Ms. Thompson, spots an overturned car and long, blue smears along the road. The children step down from the bus and the group -- Amber, Jack, Bowman, Demarcus and Carson among them -- gapes as a two-limbed, googly-eyed blue beast climbs onto the bus roof and begins to instantaneously regurgitate glittering fluid. The creature was one of Amber's drawings, now alive. Ms. Thompson panics and tries to drive away but loses control and crashes into a cornfield, hitting a tree; she is knocked unconscious. Demarcus pulls his phone from his pocket and plays a slow jazz track that calms the blue animal, lulling it toward sleep. Bowman bolts away at the first sign of danger, but the remaining kids slip off the bus. The mood shifts abruptly when the track changes to heavy metal and the creature wakes, chasing the children into the surrounding trees.

At the Wyatt house Taylor notices other oddities: a ceramic plate the family broke the night before is whole on the counter; Liz, helping him with showings, is unnerved by these supernatural repairs. While Liz conducts a showing, Taylor enters an upstairs bedroom where something rustles in the closet; a small chalk-eyed Eyeder scuttles out and he crushes it under his shoe. The call he receives shortly afterward -- that his children never made it to school -- sends him and Liz into the woods with local police to search. On that search they encounter a tentacled, catlike drawing with an animated maw -- a monster modeled after a doodle on the cover of Amber's sketchbook -- and they flee. Later they see flocks of Stabidons assaulting electrical towers, leaving arcs of electricity and downed lines, forcing the group to take cover.

Amber, Jack and the remaining classmates regroup in the woods and locate Bowman hiding under a bush. The trio's path crosses with the Tattler: the blind orange giant pads through the trees with a sunflower-siren on its shoulder. The children work together to force the smaller sunflower-siren into the pond, where it dissolves into inky silt. The Tattler pursues them back toward the Wyatt property but the kids leap a submerged bridge and escape. Returning to the house they find it ransacked; Eyeders have been inside enough to strip drawers and steal trinkets. Taylor and Liz return home to see the destruction and find water hoses strewn and mud on the floors, but the children are not initially in sight.

The kids recognize a pattern: when Amber's drawings have contact with the pond, whatever medium she used to create them dictates how to defeat them -- water is effective against chalk, fire harms crayon-based creations, sharp objects can injure ink beasts. They assemble improvised weaponry and defensive measures based on that logic: water guns and a garden hose, a showerhead retrofit, torches and makeshift flamethrowers, sharpened pencils and scavenged office supplies that might animate as allies when submerged. A swarm of Eyeders assaults the house; the small, eager chalk-thieves flood the rooms and swarm the yard. Amber, Jack and Bowman use hose nozzles, a pressure washer and the showerhead to blast the Eyeders with water; the chalk critters dissolve into puddles under the spray. Taylor and Liz arrive, having only walked into the aftermath. They have a serious talk about grief and parenting, Liz telling Taylor he must be more present, and Taylor admitting he has not known how to help the children.

The kids sprint to the pond to aim for a final confrontation. Jack has been carrying his mother's ashes in the wooden urn despite Taylor's warnings; the urn develops a crack and ashes begin to seep out unbeknownst to the adults. At the water's edge they find Evil Amber in the act of drawing new threats. This Evil Amber is not merely a static sketch; she sits cross-legged, using Sharpies to outline beasts on loose paper and flinging them into the pond, animating an armada of ink-created horrors. Bowman lunges to attack Evil Amber in a reckless attempt to stop her, only to be overwhelmed as the ink-embodied doppelgänger sends out tendrils. Amber recognizes that Evil Amber is an embodiment of her own anger and rage, and Evil Amber prepares to hunt her creator.

Jack locates several of Amber's earlier drawings that the Eyeders had gathered, including armored versions of the siblings with fantastical weapons. He picks one and the pond transforms the sketched sword into a solid, Minecraft-like blade in his hand. Bowman, improvising, fashions a crude blaster from a stolen marker and a spray nozzle; when he tosses his makeshift weapon into the pond, it becomes a real shooting device aligned with the medium he used. The children embark on coordinated attacks: Jack swings his glowing drawn sword, Amber sketches tentacles across her forearms and submerges them to make them part of her body, and Bowman fires his marker-gun. Jack ignites a cobbled-together flamethrower -- part butane lighter, part aerosol can -- and incinerates a squadron of crayon-sketched Stabidons that dive toward them, burning the birds mid-flight; their charred forms collapse into ash. The Tattler, which had been trumpeting threats back in the trees, lurches into the pond after Amber manages to trick it; as it slumps into the water the Tattler's orange hide dissolves and disintegrates into colored slurry.

Evil Amber escalates the fight, unleashing a cluster of ink-formed creatures that batter the children. Bowman charges forward and, using the weapon conjured from an inked schematic, fires a concentrated blast that hits Evil Amber full in the chest. The Sharpie-generated antagonist recoils and the ink of her body splashes outward; Bowman keeps firing until the Ink-Amb er loses cohesion and collapses into a puddle of black, watery ink on the grass. When the blast finally halts, Evil Amber is no more -- she is destroyed by Bowman's weapon, which reduces her form to inky sludge.

As the battle winds down Amber draws several of her heart-shaped helpers -- smaller, benevolent sketches -- and tosses them into the pond. The animated allies emerge and rush through town, hunting down the remaining hostile drawings. One of those heart creatures pursues an Eyeder that had been skittering behind a tree later in an ordinary return-to-school morning; the heart-creature opens its tiny mouth and eats the chalk-thief, swallowing it whole. Elsewhere, multiple heart-creatures and the weapons the children have animated dismantle the Blood Eater: several of Amber's good sketches latch onto the blue beast, tear into its googly eyes and bust its gelatinous form; it falls apart and its glittery vomit dissolves into harmless residue. The Eyeders are washed away by the children's water, stomped upon by Taylor and by neighbors when they see them, and many are consumed by the benevolent drawings. The catlike tentacle creature that terrorized Taylor and Liz during the search is subdued by a combination of the kids' drawn allies and a spray of hosewater; it dissolves slowly into sludge. The ruined electrical towers relax when the Stabidons are immolated by Jack's flamethrower and the fire-based weapons the children manifest; charred feathers and scraps of marker-paper float to the ground.

With the immediate threat neutralized, Taylor finds Jack at the pond holding the cracked urn. He returns the urn to his son and tells him he understands why Jack wanted to try to bring Ally back, but that they must grieve together and speak honestly about their feelings instead of acting alone. Jack admits the urn had a hole and that smoke of ashes had already spilled into the water; he breaks into tears. Taylor pulls Jack into a hug just as Amber joins them, dripping, tentacles retracting back into marker lines on her wrists. The three embrace at the water's edge, having fought through the externalized manifestations of Amber's trauma and Jack's desperate hope.

Later, as life settles into a new routine, the Wyatt household shows signs of cautious healing. Taylor continues the process of selling the house with Liz's help while taking more responsibility for emotional honesty with his children. Amber still draws, but with more of her gentler creatures present among the pages. Jack returns to gaming with a battered but functioning phone, and the siblings have resumed a stronger sibling bond. Bowman attempts one final, awkward moment of normalcy when he tries to ask Amber if she wants to be his girlfriend; Amber declines, and Bowman retreats with a flustered smile.

In the final scene the family leads the children to the bus stop for school. The yard shows leftover traces of the battles -- small damp patches where chalk monsters dissolved, singed leaves where crayon birds fell -- but no immediate danger. A small Eyeder emerges slowly from behind a tree, rummaging as it searches for stolen objects; its multiple eyeballs blink in the morning light. Before it can slip away, one of Amber's heart-creatures appears and opens its mouth wide; it swallows the Eyeder whole, leaving no trace behind. The camera holds on the family walking away toward the waiting bus, Amber clutching her sketchbook to her chest, Jack beside her, Taylor and Liz watching as they board, and the quiet pond in the distance reflecting a still, ordinary sky. The town is left with the knowledge that some of Amber's drawings remain alive, but the family is reunited, having faced the monsters born of grief and returned to their lives.

The ending of Sketch (2025) shows the family coming together to confront the chaos unleashed by Amber's monstrous drawings brought to life by the magical pond. Jack, Amber, and their father Taylor unite their love and creativity to stop the monsters by creating a powerful force of affection that dispels the threats. The film closes on a hopeful note, emphasizing healing and emotional connection after grief.

In the final sequence of Sketch, the story unfolds with Jack bringing their mother's ashes to the magical pond, hoping to restore what was lost. Taylor, the widowed father, stops him, leading to a poignant moment where they confront their grief together. Amber's sketchbook, which had fallen into the pond earlier, had unleashed her violent, monstrous drawings into the town, causing havoc.

As the monsters rampage, the family realizes that Amber's drawings are not just destructive but also a way she processes her pain. Jack and Taylor come to understand that Amber's art is a vital emotional outlet, and that they themselves have been avoiding facing their grief. This realization shifts their perspective.

The siblings and their father then collaborate, using their combined love and imagination to create a "hurricane of adoration"--a swirling, powerful force of positive emotion that counters and ultimately neutralizes the monsters. This act symbolizes the balance of emotions, where both dark and light feelings coexist and are necessary for healing.

The film ends with the monsters vanishing, the town safe, and the family emotionally closer. Taylor, Jack, and Amber each find a way to move forward, having acknowledged their grief and supported one another. Amber's artistic expression is validated, Jack's protective nature is affirmed, and Taylor's role as a father is strengthened.

This ending highlights the film's core message about the emotional ecosystem within a family dealing with loss: grief can manifest in many ways, but love and understanding can restore harmony. The fate of the main characters is hopeful--each is on a path toward healing and connection after their shared trauma.

In the 2025 movie Sketch, there are no explicit mentions in the available sources of any characters dying. The plot centers on a young girl, Amber Wyatt, whose sketchbook falls into a magical pond, causing her monstrous drawings to come to life and wreak havoc on the town. The story follows Amber, her brother Jack, and their father Taylor as they try to contain the chaos and prevent permanent damage. While the town faces a crisis due to these creatures, no specific character deaths or their circumstances are detailed in the summaries or reviews available.

Therefore, based on current information, no characters are confirmed to die in Sketch (2025).

The movie Sketch (2025) does not have a post-credits scene. After the main film ends, the credits feature a timer countdown and various animations, but no additional story content or scenes appear after the credits. Instead, during the credits, actors Tony Hale and D'Arcy Carden appear to promote the Sketch Monster Maker app, which allows viewers to create animated monsters from their own drawings via a QR code shown on screen.

There is an Easter egg in the film's ending sequence itself, involving the emotional ecosystem concept behind the monsters and the children's collaboration to stop them, but this is part of the main narrative, not a post-credits scene. Some viewers have noted that the credits include promotional material rather than extra story content.

In summary, you can leave the theater or stop watching after the credits roll, as there is no post-credits scene in Sketch (2025).

Amber's sketchbook accidentally falls into a strange magical pond behind their house, which causes her drawings--violent, monstrous creatures--to come to life and wreak havoc in the town.

Some creatures include spiders with arachnid eyeballs called 'eyeders' that steal people's belongings, a giant blue monster with snake legs and googly eyes named Dave, and a dark hooded being that can draw more creatures, increasing the chaos.

Jack trips in the woods, breaks his phone, and drops it into the pond. After retrieving it, he notices the phone is magically repaired and his hand's scrapes have vanished, leading him to test the pond's powers further.

Taylor Wyatt is a widowed father preparing to sell the family home. He initially dismisses Jack's warnings about the pond's powers but later races to find his children and navigate the town's crisis to reunite the family and stop the unleashed monsters.

Amber and Jack work together to track down the creatures that have come to life from her sketchbook in order to stop the damage they are causing to the town and prevent further disaster.

The movie Sketch (2025) is generally considered family-friendly but best suited for mature older children, roughly age 12 and up, and may require parental discretion for younger or sensitive viewers.

Potentially objectionable or upsetting aspects include:

• Mild scares and jump scares involving rampaging monsters that come to life from a young girl's violent drawings. These creatures cause some chaotic and tense moments but the scares are described as mild and not intense horror.
• Themes of grief and loss, as the main characters are children processing the death of their mother. Emotional struggles and expressions of anger and sadness are present but handled in a positive, healthy way.
• Some violent imagery in the form of the girl's gruesome drawings of monsters, which may be unsettling for very young or sensitive children.
• Magical fantasy elements involving a mysterious pond that brings drawings to life, which includes some suspenseful and action scenes with monsters attacking.
• A small amount of foul language is noted, though it is not a major focus.

Overall, Sketch promotes positive messages about family, friendship, and healthy emotional expression, with a tone described as wholesome, positive, and occasionally funny. It is not a horror movie but contains fantasy action and emotional depth that may be intense for very young children or highly sensitive viewers.