Iris opens her front door in a flurry, panic written across her face, and a bedraggled Max stands on the threshold. Iris pulls Max into the house and yanks back a bedroom curtain to reveal Isaac strapped by a set of metal cuffs to the bedframe. Max recoils at the sight, and Iris begins to explain; the camera then cuts back roughly thirty-three hours to show how they arrived at that moment.

Iris and Isaac start the weekend in a cheerful mood as they set out for a lakeside rental in the small town of High Falls. While driving, they stop at a roadside strawberry stand. Isaac flirts with the vendor while Iris watches; the flirtation makes Iris uncomfortable but the couple buys strawberries nonetheless. When Isaac takes the wheel again, he momentarily misjudges a turn and collides with the strawberry cart, sending crates spilling. They leave loaded with an abundance of fruit.

They arrive at the rental home beside a placid lake. The house shows traces of the owners' presence--personal items, a locked bedroom, and a box of intimate accoutrements. Isaac and Iris strip down and jump into the water for a swim, laughing until Steve, a nearby neighbor, calls from his porch and admonishes them not to have sex in the lake. Later that evening Isaac prepares a simple dinner; after they eat, he and Iris slow-dance outside beneath string lights. While exploring the house's bedrooms they come across leather restraints and other bondage gear stowed away in a dresser. They experiment with the items, and the two have sex. At the end of their encounter, Iris secures a pair of cuffs to Isaac's wrist and attaches the other end to the bedpost.

In the afterglow, as Iris floats on tenderness and declarations of love, Isaac tells her plainly that he is not interested in a relationship and admits that he has been sleeping with other women. Iris freezes, then becomes angry; she refuses to unfasten the cuffs, leaves him bound and walks out of the room. She goes to the car, sits inside, and calls her mother. After a brief conversation, she returns to the house intending to resolve things face to face, but Isaac has fallen asleep. That night she listens to a dated self-help dating guru through earbuds and resolves, come morning, to get an answer from Isaac. She sets a twelve-hour ultimatum: by the end of the day he will either choose her or admit he does not want to be in the relationship.

At dawn Iris tries to prepare breakfast. The kitchen cupboards are sparsely stocked, so she goes next door to the neighbor's house to ask Steve for an egg. He excuses his earlier bluntness and offers a sheepish apology. Back in the rental, Iris serves Isaac a bizarre plate--oddly arranged food that she hopes will charm him into conversation. She attempts to speak earnestly to Isaac about feelings and future plans but he rebuffs her, refusing to engage. When he needs to urinate, Isaac says he will use the bathroom, and Iris insists he do it in a bowl by the bed while she holds him steady; she physically holds the base of his penis as he relieves himself into the container. The scene intensifies their tension rather than resolving it.

Later Iris tries to lighten the mood by performing a dance from high school; that small, silly ritual produces a modest connection and they talk for a little while. The rapprochement collapses when Isaac erupts, calling Iris crazy and accusing her of being the sort of person who could stab him; he demands to be released from his restraints. Iris, stubborn and hurt, refuses and calls her best friend Max for help.

Max arrives with her boyfriend Kenny. Max reacts with shock upon seeing Isaac forcibly gagged and handcuffed to the bed. Kenny is unsettled as well; the three sit in the living room and debate their options. Kenny points out the legal ramifications: keeping Isaac confined could constitute kidnapping. Max and Kenny argue about the wisdom of staying. Isaac, still bound and resentful, refuses to come to dinner and says he will not eat if he suspects Iris may have poisoned him. To defuse the situation and avoid calling the police, Max reaches out to a relative who claims occult knowledge. That cousin provides a recipe for a so-called witch's brew that purportedly erases specific memories.

The three agree to try the concoction. Because Isaac would not drink something given only by the women, they use Kenny to approach him and attempt to coax him into ingesting the potion. Kenny plays the role of a casual suitor who could hand Isaac a glass without arousing suspicion. Isaac drinks a portion of the brew; afterwards Iris and Max step outside into the yard, discard their clothes, and perform an improvised ritual in the moonlight--chanting, circling, and dancing naked as they attempt to "seal" the potion's effects.

A brief flashback interrupts the ritual: on an earlier date Iris appears shaken and distraught; Isaac comforts her and offers a kiss, and later she returns home to find a romantic setup he constructed--candles and a recorded performance of "Islands in the Stream." In that memory she sings along and then, abruptly, tells him that she hates him. The flashback ends as the ritual does, and the present returns to the house.

The following morning Isaac wakes seemingly untroubled and oblivious to the previous night's fights. He strolls into the kitchen and greets Iris, Max, and Kenny with a breezy air that suggests his memory of the events after sex has been erased. Iris, tentative, agrees to release him and removes the cuffs from the bedpost. Isaac makes a perfunctory breakfast suggestion then excuses himself, saying he needs an ingredient from the car. He steps out to the driveway, gets into the vehicle, and drives away. Once he is a safe distance from the house he accelerates; he is not confused or lost--he has overheard Iris and Max conspiring the night before and has been pretending that the brew worked in order to find an opportunity to escape without being accused of kidnapping them.

Isaac flees down wet roads as a storm moves in. Sheets of rain hammer his windshield and the surface becomes slick. He loses control when his car hydroplanes on the slick asphalt and careens off the road into a stand of trees. Emergency responders and police find the wrecked vehicle lodged against a tree trunk but there is no driver at the scene; Isaac stumbles away from the wreckage and disappears into the surrounding woods.

Sheriff's deputies contact Iris and tell her that her car has been located smashed against a tree but that the driver was not found at the site. Iris runs out into the rain, frantic. Max and Kenny pile into a vehicle and follow leads, circling the valley. On the way they pass Steve on his porch; he sees them and informs them that people often go into the nearby woods after accidents or to hide. He points toward a trail that descends into the valley and suggests they look there. Iris bolts into the forest, slipping on muddy leaves as she treks downhill.

She finds Isaac lying in a low grassy hollow. He is shivering, soaked through, and has a gash or two from the crash; his leg is twisted and he cannot stand. He tells Iris that the car hydroplaned and that he tried to walk out to get help after the collision but fell and became too injured to move. They sit close together under a broken branch while rain taps the leaves above them. They speak plainly to each other: Isaac admits that he does not want the kind of relationship Iris seeks and acknowledges his pattern of being unwilling to commit, while Iris confesses that she attempted to force his choice with the cuffs and the brew. Both name the ways they have hurt one another.

As they talk, Isaac reaches a sense of resignation and tells Iris that they should not be together; Iris, exhausted and wet, concurs. Moments later the wail of sirens grows louder. An ambulance arrives and EMTs carry a stretcher down into the valley. They place Isaac on the stretcher, immobilize his leg, and load him into the ambulance. Iris watches as the medical personnel secure him, and she signs paperwork to give the EMTs permission to treat him. The ambulance departs, headlights cutting through the rain, and as it passes a wooden town sign on the road the name "High Falls" comes into view.

The narrative returns briefly to the opening timeframe: back at the rental house earlier in the weekend Iris had in a separate moment yanked open the bedroom door to reveal Isaac cuffed to the bed, and Max had reacted in shock. That image resolves into the memory of the events that led to Isaac's departure. No characters die during the sequence of events; police and paramedics handle the consequences of the crash and Isaac is transported for hospital care, while Iris, Max, Kenny, and Steve are left to account for the prior actions that led to the confrontation. The story closes with Isaac being loaded into the ambulance and taken away, and Iris standing at the roadside beneath the falling rain as the vehicle disappears down the road away from High Falls.

The movie Oh, Hi! (2025) ends with Iris finding Isaac injured in the woods after he crashes the car while fleeing. They have an honest conversation, apologize to each other, and make amends. Isaac is taken away by ambulance with a broken ankle, and Iris is left emotional, likely facing jail. A post-credits scene shows Kenny singing to Isaac, who remains chained to a bed.

The ending unfolds in a detailed sequence of events:

After a tense period where Iris has Isaac chained to a bed and threatens him, Isaac overhears a plot by Iris and her friend Max to erase his memory through a witch ritual. Isaac pretends to cooperate but uses the opportunity to escape, taking an ingredient from the car.

Isaac flees but crashes the car, breaking his ankle. Iris receives a call from the sheriff and learns from a neighbor that a boy was heard calling her name near the woods by the creek. Max and Kenny, Max's boyfriend, go to check the wrecked car while Iris searches for Isaac.

Iris finds Isaac injured in the woods. They engage in a heartfelt conversation where Isaac admits he should have been more honest, and both apologize. This moment of reconciliation is emotionally charged, with Iris on the verge of tears as the ambulance arrives to take Isaac away. This likely marks the end of their relationship and possibly Iris's impending jail time due to earlier events.

The post-credits scene shows Kenny singing to Isaac, who remains chained to the bed, indicating Isaac is still captive in some way despite the earlier escape attempt.

In summary, the main characters' fates at the end are:

• Isaac: Injured but alive, taken away by ambulance, still chained post-credits.
• Iris: Emotional, likely facing jail, having made peace with Isaac.
• Max and Kenny: Present at the wrecked car, with Kenny shown caring for Isaac in the post-credits.

The ending is a mix of dark comedy and tense drama, highlighting fractured relationships, consequences of deception, and a complex dynamic of captivity and care.

Yes, in the 2025 movie Oh, Hi!, no characters die. The film centers on a tense and darkly comedic situation where Iris keeps Isaac chained to a bed during a romantic getaway gone wrong, but despite the threatening and violent undertones, including discussions about possibly injuring or killing Isaac, no actual deaths occur. The story focuses on the psychological and emotional dynamics between the characters rather than fatal outcomes. The tension includes Isaac being frightened by Iris threatening to stab him (though she claims it's a joke), and physical altercations that result in injuries like a black eye and bloody nose, but no one dies. The film ends without anyone dead or arrested, resolving the conflict without fatal consequences.

Yes, the movie Oh, Hi! (2025) has a post-credits scene. In this scene, Kenny is shown singing to Isaac with a guitar while Isaac is still chained to a bed. This moment occurs after the main story concludes with Isaac injured and being taken away in an ambulance, following a complex series of events involving Iris, Max, and a witch ritual intended to erase Isaac's memory. The post-credits scene adds a humorous and somewhat surreal coda to Isaac's predicament, highlighting Kenny's unexpected role in the story.

Iris keeps Isaac chained to the bed because she wants to convince him that they would make a great couple, despite Isaac's insistence that he is not interested in a relationship. She gives him 12 hours to make her case, threatening him with a knife when he demands to be released, showing her desperation and emotional instability in trying to force a connection between them.

Max, Iris's best friend, and her boyfriend Kenny become involved after Iris panics about the consequences of keeping Isaac captive. Max suggests extreme measures like giving Isaac a head injury or even killing him, though she is not thinking clearly. Kenny acts as a more sympathetic figure, bonding with Isaac and trying to prevent harm, even giving Isaac tea and later singing to him while he is still chained.

Max obtains a witch recipe and ritual from her cousin, which she and Iris perform naked by a fire, hoping to erase Isaac's memory completely. The ritual seems to work initially, as Iris wakes up believing Isaac has forgotten their plot, but Isaac overhears their plan and escapes with an ingredient from the car, leading to a car crash and his injury.

After Isaac crashes the car and is injured with a broken ankle, Iris finds him in the woods. They have an honest conversation where Isaac admits he should have been more upfront, and both apologize to each other. This moment of reconciliation is emotional, with Iris about to cry as Isaac is taken away by ambulance, suggesting it may be the last time they truly connect.

Isaac is portrayed as arrogant and privileged, clinging to justifications for his dishonesty. He is frightened and vulnerable when chained but also shows moments of bonding, especially with Kenny. His relationship with Iris is complicated by his refusal to commit and his sense of entitlement, which contributes to the tension and dark comedic tone of the film.

The movie Oh, Hi! (2025) is not family friendly and is rated R. It contains explicit sexual content including nudity, foul language, and themes of violence and psychological tension. There is also a subplot involving witchcraft and some dark, unsettling moments that blend comedy with horror elements. The film explores complex and mature themes about modern relationships, including dishonesty, emotional manipulation, and sexual dynamics, which may be upsetting or inappropriate for children or sensitive viewers.

Potentially objectionable or upsetting aspects include:

• Explicit sexual scenes and nudity
• Strong language and coarse dialogue
• Psychological tension and dark, horror-tinged sequences
• An unnerving encounter with an angry neighbor
• Themes of emotional manipulation and relationship dysfunction
• A subplot involving witchcraft and questionable spirituality
• Some disturbing or intense moments that may feel unsettling

Overall, Oh, Hi! is a dark romantic comedy with mature content and is best suited for adult audiences comfortable with edgy, provocative material.