Nick and Noah wake up together in the cramped apartment they share near the riverfront, folding laundry and exchanging private jokes before Noah leaves for his morning classes. Their lives are ordinary in small ways: grocery runs, evening dinners, phone calls to worried parents who disapprove of their relationship. Both sets of parents stage interventions in restaurants, call lawyers, and enlist old friends to persuade them to separate, but Nick and Noah refuse to let other people dictate who they are. Noah enrolls in night classes at Holloway College and moves into a two-bedroom walkup with a roommate, Briar Hale, a bubbly, quick-talking woman who keeps an endless rotation of houseplants and a constant smile. Nick takes a job at his father Thomas Morgan's law firm, Morgan & Avery, and throws himself into billable hours, research memos, and the hidden struggle to resist the impulsive tendencies that once ruled him: streetfights, illegal drag races, and brief, messy relationships.

At the office, an attractive junior associate named Sofía Delgado introduces herself during a deposition preparation. Sofía has short black hair, dresses in sharp blazers, and laughs at Nick's dry jokes. She offers to review a case brief with him after hours. Thomas watches them share coffee and sometimes makes offhand comments about ambition and who Nick might become. When Thomas suggests that Nick represent a key corporate client, Nick accepts because he wants to prove he can keep steady work and not go back to his old life. His father and the firm are counting on him, and Nick is determined to be reliable for Noah and for the future they talk about in the quiet kitchen at three in the morning. Noah worries when Nick works late and when lines blur between his home life and the firm. Still, they reassure each other repeatedly that they are a team.

Two months after Nick starts at Morgan & Avery, his cellphone rings in the middle of a deposition and he steps outside. The voice on the line calls him by a nickname he had not heard in years. Lion -- tall, loud, with a scar cutting across his eyebrow -- tells Nick that the pack needs him. The man who calls himself Lion is not a literal lion but the informal leader of the group Nick grew up with: a network of friends who race, fight, and enforce their own rules in the city's margins. Nick left that life to be with Noah and to work in the office, but Lion frames the request as a debt. A relic of the past -- a wooden box containing a set of old medallions tied to pack rituals -- has been stolen from their clubhouse, and Lion insists he needs Nick's hands, his old instincts, and the credibility he still commands with younger members. Lion pressures Nick by telling him that if Nick truly wants to be part of the pack's future and protect the people who still look up to him, he has to return. Nick says no. He takes an extra train home and sits with Noah and tells him that the line between safety and the street is thin for some people, that Lion means more than a name on a contact list. Noah asks Nick to be careful. Nick promises and does not call Lion back for ten days.

Meanwhile, Briar carries a secret behind her easy grin. She works nights at a cafe and deletes messages on an old burner phone, conversations with someone named Rowan who signed his texts with a folded feather emoji. Briar tells Noah about late shifts and about a cousin in another city, careful never to mention Rowan. In the apartment she plants an unconscious intimacy with Noah: leaving post-it notes about grocery lists, warming his clothes in the dryer, and asking questions about his essays. Briar's affection grows into something that looks like friendship, and then like a cautious tenderness. Noah trusts her and confides small fears: that his parents will never accept him, that he loves Nick but worries about the strain between domestic life and Nick's old circles. Briar listens, and while she listens she takes notes and reports to Rowan on a regular schedule.

The world of illegal racing that Nick once dominated reasserts itself in the form of a midnight meet on an abandoned airstrip. Lion sends a brief text: "One race. One test. Come if you want." Nick debates in his head, then borrows an old Mustang from a friend and drives out of the city under sodium-orange lights. He arrives at the airstrip to find dozens of cars and a crowd of people who cheer when they see him. The first race is a simple, brutal sprint around cones. Nick's reflexes return; he maneuvers through a late apex and pulls ahead. After the race, a fistfight breaks out between two rival crews. Marco Villanueva, a wide-shouldered enforcer for the rival crew known as the Rooks, shoves a friend of Nick's. Words escalate, then fists. Nick pushes Marco away; Marco swings a pipe. Nick blocks, grabs the pipe, and in a scramble the shaft snaps across Marco's temple. Marco falls, blood blossoming on the asphalt. He chokes out a curse and dies in a heap before the ambulance sirens arrive. People scatter. Nick staggers back, pressed in on all sides by old loyalties and the sudden, unmistakable weight of taking a life. He calls Noah from a restroom and says only, "There was a fight. I didn't mean--" Noah begs him to come home. Nick sits in his car while the racing crowd disperses and realizes his promise to Noah is already fraying.

Lion does not apologize for what happens at the airstrip. He tells Nick that the Rooks killed one of their own last winter, that this feud will not die on its own, and that Nick's return could calm things or inflame them depending on how he acts. Nick promises to help Lion find the box and to keep things from spiraling. He spends days in the old clubhouse, running errands, pressing his hands to tools he has not used in years, and listening to people who still think of him as a leader. Sofía appears at the courthouse one afternoon and asks Nick to meet for lunch. She tells him, carefully and professionally, that a major client of the firm -- a construction conglomerate that has dealings near the old airstrip -- is concerned about the violence there. Sofía suggests that Morgan & Avery could place legal pressure on the owners of the airstrip to close it down. Nick agrees to bring his real-world knowledge to the firm's strategy meetings, thinking this will pull him away from bloodshed by using paperwork rather than fists.

Rowan, the man on Briar's burner phone, is older and thinner than Lion, with gray at his temples and a cultured voice that never seems to match the cruelty of his actions. He leads a faction called the Wardens, men and women who call themselves guardians of the city's margins but who extort protection money and kidnap anyone they suspect of crossing them. Rowan's plan is targeted and personal: he learns that Nick is trying to walk away and decides to force Nick's hand. Rowan orders his lieutenants to take someone Nick loves as leverage. Briar is complicit initially because she is promised a place at the Wardens' table and because Rowan keeps saying her debts would be erased. She feels the pressure and helps set a trap, telling Rowan that Noah leaves campus alone on Tuesday nights. Noah does take that route, crossing the bridge to meet a classmate; he does not notice the dark van until it brakes in front of him and hooded figures jump out.

They take Noah in a flash and shove him into a basement under a defunct warehouse off Dock Street. Briar watches from the car as Noah is driven away and tells herself that she can still walk away from the Wardens after this. Inside the basement, Noah bangs on a rusted metal door and calls Nick's name until his throat is raw. He calls his parents, who can only tell him they are calling lawyers. Noah tries to keep his head, reciting class lectures to himself and counting tiles on the ceiling. He refuses to tell Rowan anything about Nick's new life because he loves Nick and because he has nothing to give except where Nick works. Rowan tells his lieutenants to make that point by filming a short message: Noah must tell Nick to come to the old mill on the East Side alone if he wants to see him again.

Nick receives the video as he sits in his father's law firm preparing a plan to close the airstrip. The image of Noah tied to a chair, eyes frantic, scrapes through his chest. Lion waits across from him, silent this time. Nick grabs his jacket, leaves the office without explanation, and drives to the old mill with a gun he has not used in years and with a plan that is less strategy and more raw determination. He calls Sofía on the way, and she tells him to contact the police. He refuses. He tells her, instead, that he will get Noah back and that she cannot stop him. Sofía warns him that the Wardens are dangerous and that this is not a street fight he can win alone, but Nick hangs up and presses the accelerator.

At the mill, fog curls low over the river. Nick approaches through broken windows and finds five Wardens waiting. He slips between their lines and the first skirmish is up close and brutal: elbows, knees, a jaw hit, a knife flash. Nick disarms one of them and throws a punch that collapses the man into a stack of rusted drums. When he bursts into the inner room he finds Noah on the floor, bruised but alive. Rowan stands at the back of the room, smirking, and Briar leans against a column, eyes red, hands trembling. Rowan draws a pistol and tells Nick to drop his weapon. Nick does, slowly, because Noah cries out and he cannot risk a shot. Rowan says that things can be different if Nick returns to the Wardens' side, and he steps closer. Briar steps forward too, suddenly, and lowers her head as if to hide the tears. Rowan misreads her hesitation as loyalty and laughs. He walks around Nick and pats Noah on the head like a prize.

Without warning, a firefight erupts outside. The Rooks have followed Nick's scent to the mill, or perhaps an informant tipped them off; in any case, gunfire sprays into the building and jagged light stabs through the boarded windows. In the chaos, one of Rowan's lieutenants shoves Noah to the floor and fires a warning shot toward Nick. A stray bullet catches Briar in the shoulder. She collapses and the wound blooms dark. Rowan screams at his men to retreat; he shoves a half-conscious Noah toward a back exit and runs as well. Nick, furious, throws himself at Rowan. They grapple across a conveyor belt and Rowan pulls a knife. He slashes Nick's arm with a quick, practiced motion. Nick fights back and drives Rowan's head into a steel beam, breaking his skull. Rowan's body slumps against the concrete; his breathing stutters and stops. Nick pins his chest and watches sweat and dust mix on his face until Rowan goes still. The Rooks crash through the main door and begin fighting with Rowan's remaining men. In the exchange, a Rook named Dev strands a fleeing lieutenant and stabs him with a screwdriver. Other injuries pile up: broken ribs, a fractured wrist, someone's ear split open.

Briar coughs and sits up, pressing her hand to her wound. Noah crawls to her and ties his shirt around her shoulder to stop the bleeding. Briar whispers apologies and then confesses, in a voice that trembles like dry leaves. She tells Noah that Rowan promised to clear debts, that she was not meant to hurt anyone, that she started by passing along schedules and places and that she meant to leave before anyone got hurt. Noah listens with a blank look; he tells her not to make excuses and that he needs her now to stay alive. Nick stands in the doorway with a knife still clutched in his hand and looks at Briar and then at Noah, his breath loud in the concrete. He tells Lion to call an ambulance. Lion does not move; he is outside, holding a hand over a chest wound dealt by a Rook, and his voice catches as he tells Nick that he should go with Noah. Nick carries Briar out past the twisted metal and the bodies and the flashing blue lights of police cars, and he keeps his hands steady as Briar goes limp in his arms. At the hospital, doctors work on Briar in the emergency room; she loses a significant amount of blood and has internal damage from a bullet that pierced her abdomen. They operate for hours.

Marco's body at the airstrip returns to trouble the narrative. The Rooks had been tracking Marco's death and concluded that Nick intentionally killed him. They set their course for retribution that night, and the Rooks' appearance at the mill is part of a coordinated retaliation. After the mill fight, police begin rounding up suspects, but evidence is messy: shell casings from different guns, witness testimonies conflicted by fear, and a dead Rowan that complicates who is culpable for the basement abduction. Morgan & Avery face press interest because the firm's clients own property tied to the airstrip; Sofía is called before internal investigators because she met privately with Nick and has knowledge that could tie the firm to the street war. Sofía, who is in fact an investigator for an inter-agency task force looking into organized crime, shows Nick a warrant and asks him to provide a statement. He refuses to implicate anyone from the pack and instead offers what he knows about the airstrip dealings. Sofía pushes--she says she can get leniency for Nick if he cooperates with the investigation into racketeering and kidnapping. Nick refuses cooperation on principle and out of fear: telling the cops will put Noah at risk if the Wardens have allies in the force. He tells Sofía that his first priority is Noah's safety and that he will not become a snitch for the sake of a firm he thinks has never fully belonged to him.

At the hospital, Briar comes out of surgery and Nick waits for hours in a hallway chair with his head in his hands. Noah sits beside him when a nurse pushes a cup of coffee; he holds Nick's trembling hand. Briar survives the operation but is in critical condition; she slips in and out of consciousness and speaks catchphrases like "I'm sorry" or "Tell them I'm sorry" in the small hours of the morning. In a private moment, Briar asks Noah to forgive her. Noah sits on the edge of her bed and wipes her brow and tells her, softly, that forgiveness is something he will work through but that first he needs to know why. Briar explains everything in small fragments: Rowan's threats, the burner phone, the men who came in black coats. Noah does not shout. He asks Briar whether any of the Wardens went after him because of Nick. Briar nods. "They thought they could get to you," she says. She coughs and says it will be hard to live with what she did. Noah lies that he believes in her ability to change the moment she can make it right.

The next phase of violence occurs when a Warden lieutenant named Cass, who has been whispering to Lion that Nick cannot be trusted, confronts Lion in the clubhouse. Cass believes that Lion's reliance on Nick has brought heat down on them; when Lion refuses to hand over the box to Cass for safekeeping, Cass stabs him in the chest during a midnight meeting. The knives are small, quick, and precise. Lion slumps onto the table, blood rising like a dark tide on his white shirt. Nick arrives minutes after to find Cass standing over Lion's body, a vacant look on his face. Cass tells Nick that he had to do what was necessary, that the pack must be secure, and that Lion's weakness in calling Nick back endangered them. Nick does not hesitate. He lunges and rips Cass's arm back, forcing the knife out of his hand and driving him through a window. Cass falls, impales himself on a broken iron rod on the way down, and bleeds out on the concrete below. Nick watches the life leave Cass's eyes and pockets the knife. He calls an ambulance for Lion and a different person for Cass. Lion dies in the ambulance on the way to the hospital; the medics work on him all the way, but the wound is too deep and the hemorrhage too severe. Lion's last words, whispered to Nick, are to protect Noah.

The police tie several of these incidents together. They arrest members of both the Rooks and the Wardens. Dev, the Rook who stabbed the lieutenant at the mill, is taken in after he turns himself in to get medical attention for his own wound; he confesses under interrogation to shooting at the mill and to killing Marco at the airstrip, saying that the fight rolled out of control. Cass's fall is recorded by a neighbor's surveillance camera; the footage shows him leaning out of a second-story window and tumbling, but the coroner determines his death by impalement and considers whether the fall was pushed or a suicide. Rowan's death is ruled a homicide by blunt force trauma. Briar's statement, once she stabilizes, gives the police the details that lead to Rowan's cell phone being linked to a Warden lieutenant who arranged the abduction. The city's district attorney opens a racketeering case against a ring of men who control extortion in the East Side, and Morgan & Avery hires a crisis manager to handle the press.

Sofía returns to Nick with a plea that echoes in a conference room. She says that if he testifies truthfully about who was at the airstrip and what he saw at the mill, the DA will consider leniency for Marco's death and for damages tied to the construction client. Nick looks at the faces of the people who work at his father's firm: some expect him to take the deal; others already whisper about his possible heroism at the mill. He thinks of Noah being shoved into the van, of Briar pressed against his chest at the emergency room, of Lion's last breath. He realizes that the world does not grant easy exits for people who have stood in both light and shadow. He signs a statement omitting the people he thinks are untouchable, giving the police enough to pursue the Rooks and Wardens but not so much that his friends will be arrested en masse. Sofía is furious and calls him irresponsible. Nick counters that he is protecting Noah and the few people he still considers family. Sofía narrows her eyes and tells him that his calculations will be judged by a court as well as by men with knives.

Briar regains consciousness slowly. She has a small scar on her belly and no long-term internal damage, but she cannot walk for a month. Nurses teach her to sit up. She tells Noah she is going to move away and start over, that she will pay back the people she owes because she finally understands debt in a way that used to be a phrase on a page. Noah refuses to let her go without a goodbye; he helps teach her how to limp down the hall. In that moment their relationship is different: Noah is tender and Briar is contrite. She thanks Nick too, in a private hallway, and he tells her he needs her to be accountable. She nods and says she will contact Rowan's other victims. Briar does not die; she survives and will live with the consequences of her actions.

The city braids together the final legal and violent moves in a week of hearings and raids. The police execute warrants based largely on Dev's confession and on Nick's selective testimony. They seize a cache of weapons at the Rooks' warehouse and find ash boxes containing membership lists for the Wardens. The DA files charges, and Morgan & Avery's client decides to settle with the city rather than face trials and bad press. Thomas Morgan, Nick's father, watches his son in a courthouse hallway after a hearing and is proud in a stiff, awkward way; he tells Nick he sees a man who has grown up. They exchange an embrace that is brief and formal.

On a rainy afternoon, an attempt is made on Nick's life. A man waits outside the courthouse as Nick exits, and as Nick rounds the corner the man lunges with a gun. Nick reacts by grabbing the man's wrist and twisting; he knocks the gun aside, and it goes off once into the pavement. People scream and run. Security tackles the assailant and the gun clatters under a car. The assailant is not a Rook or a Warden but a disconnected sympathizer who believes Nick sold out the group and that revenge is a purging necessity. The shooter dies in transport after a single shot he himself fires into his head as police try to question him about a list he carried. Investigators find pamphlets blaming Nick for the recent sweep. Nick realizes with cold clarity that violence begets a contagion and that the only way to protect Noah is to remove himself from the center of it.

Noah, who has been at Nick's side through the court proceedings and the hospital nights, tells Nick one evening in their kitchen that he will not leave him. They sit at the small table and talk through the logistics: Noah can finish his degree if he takes a lighter course load; Nick could reduce his hours at the firm. Sofía stays at Morgan & Avery and begins dating an associate; she remains sharp with Nick but also more distant. Nick tells his father he wants to step down from any cases that put him in harm's way. Thomas is reluctant but supports him finally, if grudgingly. Nick then goes to the old clubhouse to tell the pack he will no longer be able to help after this: no racing, no midnight races, no settling feuds. He stands at the center of the circle and meets old friends' faces -- some relieved, some disappointed. He says he owes his life to Noah and that whatever came before must stay before. The pack murmurs; Lion's seat is empty, Lion buried; Cass dead below. People fold back into their separate trajectories.

The film's final days focus on repair rather than spectacle. Briar moves into a sober housing program and enrolls in community college. Rowan's remaining associates plead guilty to multiple counts, largely due to confessions and the physical evidence gathered at the mill and in their warehouses. The Rooks' leadership fractures after Dev's confession and the seizure of their arms cache; several of their members are sentenced to prison for Marco's murder and for the assault at the mill. The city closes the airstrip under a new municipal ordinance that Sofía helped draft; the decree disbands the racing gatherings that had incubated violence.

Nick and Noah rebuild a domestic life in a quieter apartment on the west side. Nick apologizes to Noah for the time he returned to violence and for the secrets he held. Noah forgives him in small, hard ways: by making him coffee in the mornings, by sitting with him during therapy sessions, by attending a hearing where Nick testifies in mitigation to show the court how people can change. Nick resolutely turns down Sofía's lunch invitation when she offers to celebrate the firm's settlement; he says he needs to be home. Sofía watches him walk away from the restaurant with a softness that suggests respect rather than resentment.

The final scene takes place in the couple's living room on a late summer night. They have finished a small dinner and Noah sits on the couch reading a textbook while Nick folds the laundry. The television hums with a news story about the Racketeering Task Force and the court's rulings. Nick stands and walks to the window, looking out at the cityscape where the airstrip once burned neon lights into the night. He tells Noah he is done with the streets. Noah smiles and asks if he believes it. Nick kneels, and instead of making a grand vow, he takes Noah's hand and says, "I'm here." They sit, fingers intertwined, and the camera lingers on their hands. In the distance a siren fades and the city noise continues, but inside the apartment the household sounds -- the hum of the refrigerator, the turning of pages, a small laugh -- take over. The film ends with Nick and Noah on their couch, alive and together, a life rebuilt on the other side of violence and loss, Briar alive and working her way toward restitution, Lion buried with a small circle of mourners, Rowan and Cass dead, and the city moving forward with prosecutions completed and the racers dispersed.

The movie Culpa Tuya (2024) ends with Nick and Noah's relationship breaking down amid betrayals and misunderstandings. Nick decides to move to London for a new job and asks Noah for a week to decide their future. At a gala event, family tensions explode when Anabel confronts William and reveals a paternity secret that Maggie is William's daughter, with Noah's help. Feeling betrayed, Nick blames Noah and ends their relationship, publicly kissing Sofia. After a pep talk from his friend Lion, Nick wants to reconcile but finds Noah has already slept with someone else in a moment of weakness. The film closes on Noah visiting her father's grave, forgiving him, while Nick silently drives away. Their future remains uncertain, setting up the next installment in the trilogy.

Expanded Ending Description:

The climax unfolds at an elegant annual gala, where tensions among the characters come to a head. Anabel, a pivotal figure and Noah's ally, boldly confronts William and his powerful father. The confrontation is charged and raw. Anabel reveals how she struggled fiercely for custody of her child but was outmatched by William's legal team. Then, in a shocking moment, she produces a paternity test proving that Maggie, a girl Nick cares for, is actually William's daughter. This revelation sends ripples through the gathered crowd, shattering trust and alliances.

Nick, who has been grappling with his own doubts about his relationship with Noah, learns that Noah played a key part in helping Anabel uncover and bring this truth to light. Feeling deeply betrayed and heartbroken, Nick confronts Noah. He accuses her of tearing his family apart, and in a moment fueled by hurt and anger, he ends their relationship. Without hesitation and with evident spite, Nick then kisses Sofia right in front of Noah, adding insult to injury.

Following this emotional upheaval, Nick's close friend Lion gives him a pep talk. He encourages Nick to reconsider his rash decisions. Nick reflects and realizes he acted poorly and wants to make amends. However, by the time Nick is ready to reach out, Noah has already sought solace elsewhere. She has slept with Michael during a vulnerable moment, overwhelmed by grief and loneliness. This act leaves Noah feeling ashamed and regretful.

In a poignant, wordless encounter outside Noah's apartment, Nick senses what has transpired. He says nothing, simply turns away, and drives off, symbolizing the growing distance between them. The final scenes shift tone, becoming quieter and more introspective. Noah visits her father's grave, a moment heavy with emotion. Here, she finally finds a measure of peace, forgiving her father for the trauma of her past, perhaps hinting at her readiness to heal and move forward.

The movie closes on this ambiguous note, with Nick preparing to leave for London, and Noah standing before her father's grave, both physically and emotionally distant. Their future together is left uncertain--a crossroads where love has been tested by betrayals, grief, and complicated family legacies. Whether they can repair their fractured relationship remains a question for the planned sequel Culpa Nuestra.

There is no specific mention of a post-credit scene in the movie "Your Fault" produced in 2024. The ending of the film focuses on the emotional turmoil and separation of the main characters, Nick and Noah, following a series of misunderstandings and betrayals. The conclusion leaves viewers with a sense of uncertainty about the future of their relationship, setting the stage for a potential sequel titled "Our Fault."

The final scenes depict Noah visiting her father's grave, where she finds a heartfelt note from Nick, suggesting that despite their breakup, there might be hope for reconciliation. This emotional moment is a poignant conclusion to the film, leaving audiences to ponder the characters' futures. However, there is no indication of additional content after the credits roll.

The tension arises mainly because Nick and Noah are step-siblings whose parents strongly oppose their relationship. Additionally, Nick's internship introduces a new coworker, Sofia, who catches his attention, creating further strain. Noah also moves in with a new roommate, Briar, who has a mysterious and dark secret, adding complexity to Noah's life. These factors, combined with Nick's past life calling him back through his friend Lion, test their trust and bond throughout the film.

Briar is Noah's new roommate at college, described as enigmatic and fun but hiding a dark secret behind her smile. She becomes a significant character as Noah navigates college life, and her presence adds mystery and tension to the plot, influencing Noah's personal struggles and the dynamics of trust in the story.

Sofia is Nick's confident and attractive coworker at his father's law firm internship. She quickly catches the attention of those around her, including Nick, which creates tension and conflict in Nick and Noah's relationship. Sofia's involvement challenges Nick's commitment and adds complexity to his personal and professional life.

Lion is Nick's friend who jokingly warns him that 'You can't trust anyone these days,' which plants seeds of doubt in Nick's mind. Later, Lion calls Nick back to his past life, pulling him into situations that threaten his current relationship and stability. Lion's influence acts as a catalyst for Nick's internal conflict and the unfolding drama.

Nick and Noah's parents are strongly against their relationship because they are step-siblings. Their disapproval creates external pressure and attempts to break the couple apart, contributing to the tension and challenges the couple faces. This parental opposition is a recurring obstacle that impacts the decisions and emotional struggles of both Nick and Noah throughout the film.

The 2024 film Culpa Tuya is a romantic drama centered on a controversial and mature theme involving a romantic relationship between teenage step-siblings, which is inherently a sensitive and potentially objectionable premise for some audiences, especially children.

Regarding family-friendliness and content warnings:

• The movie contains romantic drama with unstable, intense emotional conflicts and exaggerated arguments, which might be distressing for sensitive viewers or children due to the volatile nature of character interactions.
• There are scenes involving psychotic or vindictive behavior from an ex-partner, adding a layer of potentially upsetting tension.
• The film includes a garden party scene with family confrontations and revelations about complicated family secrets, which may involve emotional distress or confusion for younger viewers.
• The overall tone is said to be serious and deals with adult themes rather than lighthearted romance, making it less suitable for younger or sensitive audiences.

Given these elements, Culpa Tuya is not family-friendly and may contain themes of forbidden romance, emotional volatility, psychological tension, and family conflict that could be upsetting to children or sensitive individuals. The film is better suited for mature audiences familiar with intense romantic dramas and complex emotional narratives.

There is no indication that a dog dies in the 2024 movie Culpa Tuya. The available plot summaries and reviews focus on the relationship drama, family conflicts, and challenges faced by the main characters Nick and Noah, without mentioning any dog or pet-related storyline or death.

References to "Does the dog die?" websites pertain to other films, not Culpa Tuya. Therefore, based on the current information, no dog death occurs in Culpa Tuya (2024).