Millie Wilson accepts a position teaching elementary school English and relocates with her long-term partner, Tim Brassington, to a rural house on the outskirts of a small town. Tim, an aspiring musician, has grown withdrawn since the recent deaths of his parents. At a farewell party thrown by friends before their move, Millie surprises Tim by proposing marriage. He freezes and does not reply, leaving her embarrassed in front of their guests. A few days later, while hiking in the countryside on a rainy afternoon, Millie and Tim seek shelter and fall through the earth into an underground cavern. They decide to spend the night inside. During the evening Tim stoops to drink from a shallow pool in the cave; Millie refuses the offered water. That night Tim flashes back to the moment he discovered his mother in bed with his father's decaying corpse and recounts the memory in fragments as they try to sleep.

At dawn they climb out of the cavern and notice that both of their legs feel stiff and a little stuck together. They push apart and dismiss the discomfort as an odd aftereffect of the fall. Over the following days Tim begins to suffer episodes in which his body is physically pulled toward Millie; he experiences an intense, involuntary gravitational tug whenever she is near. He grows confused and agitated by these episodes. Tim visits a local doctor who examines him and attributes the sensations to panic attacks, prescribing a muscle-relaxant pill for the muscle spasms. While in the doctor's office, the physician mentions a local missing-couple case: Simon and Keri, who vanished after visiting the same cave area. The doctor does not connect this information to Tim's symptoms.

One evening Millie's colleague Jamie McCabe stops by to welcome them to the neighborhood. Jamie invites the couple inside for dinner and listens as they explain how they fell into the cavern. Jamie tells them that the place had once been used as a New Age church prior to a collapse. After dinner Millie drives Tim to the train station so he can get to a gig, but Tim experiences another involuntary pull and abandons the train, following Millie instead to the school where she is to start teaching. He stalks the hallways until Millie confronts him in a school bathroom stall. The confrontation escalates from frustration to an unplanned sexual encounter. During sex their bodies begin to fuse: their genitals bind together and they cannot separate without pain. In desperation they force themselves apart; the scene ends with them bleeding and shaken. As they stagger out of the bathroom Jamie sees them and registers something amiss.

Later Millie goes to Jamie's house to apologize for the incident at school. Jamie offers Millie a drink of water, which she accepts. Seated at his kitchen table, Millie tells him about the strains in her relationship with Tim. Jamie recounts an account of the origin of eros derived from Aristophanes' myth and urges her not to abandon her "other half." He speaks nostalgically about his past relationship with a man who appears to be dead; his recollections are uneven and oddly personal. Millie becomes uneasy and abruptly leaves when she notices Tim wandering disoriented outside Jamie's house.

Alone, Tim examines photographs the couple took in the cavern and extracts the images' EXIF metadata. He discovers that the missing couple, Simon and Keri, uploaded photos from the same cave shortly before they went missing, and he notices matching ritualistic symbols painted around the cave's entrance and inner walls. He shows Millie the evidence and tries to persuade her that they may be undergoing the same unknown process that consumed Simon and Keri. Millie, still skeptical, allows him to show her the matching symbols but does not accept the conclusion.

That night the pair both awaken to a violent, supernatural compulsion that drags their bodies together. Their limbs convulse, vertebrae and muscles contort, and their torsos twist as if magnetic forces are yanking them toward a single form. Their right arms press together and begin to fuse at the skin, tissue adhering and knitting painfully. In panic Tim remembers the prescribed muscle-relaxant pills, and the two of them swallow several in an attempt to halt the bonding. The drugs slow the process enough that the fusion arrests at the elbow, their forearms melded into a single malformed limb while their shoulders and heads remain separate. They collapse and pass out from the pain and the drugs.

Tim regains consciousness to find himself bound to a chair. Millie is awake and seesed with a hand saw; she is cutting through the fused forearm to separate them. She works at the junction with grim determination and there is blood, bone, and tissue as she severs the connection. Millie frees them but their removed forearms remain badly damaged. She tries to drive them to the hospital for treatment, but realizes she left their car keys at Jamie's house earlier. Tim decides to return to the cave to learn what happened to Simon and Keri, while Millie goes to Jamie's in search of the keys.

At the collapsed New Age site Tim descends into the gloom. He follows faint symbols painted on rocks until he finds a grotesque sight: Simon and Keri are fused together in an incomplete, horrifying combination. Keri's body is half-wrapped around Simon's, their limbs fused into a mismatched, contorted mass. One half of the hybrid is clearly dead: the portion corresponding to Simon has been stabbed through the neck, a deep puncture wound that has bled into the surrounding tissue. The exposed flesh of the fusion creature is slick and congealed; one face still breathes while the other is cold and slack. Tim recoils from the hybrid and flees the cavern, carrying the image with him.

Inside Jamie's house Millie moves through a living room where a television plays an old videotape. The screen shows two men exchanging vows and rings in a wedding ceremony. The tape then cuts to footage of a ritual in which pairs of men submit to a procedure that appears designed to bind them bodily: arms are exposed, incisions are made, and two bodies are forced together. Millie watches the tape of the ritual and sees footage of people having arms deliberately cut and attached. As Millie processes the video Jamie enters the room and reveals that he is himself the product of such a fusion. He explains--calmly, insistently--that those who consent to the procedure become "whole" and happier, that incompletion breeds suffering. He urges Millie to allow the process to finish between her and Tim. When she refuses to comply, Jamie grows violent. He takes a blade and slices Millie's forearm in the same manner she has just seen on the tape, replicating the ritual's incision pattern. Millie bleeds and screams; Jamie tries to restrain her and continues to insist that fusion is the path to fulfillment. Millie escapes his house clutching her wounded arm and staggers back to her car.

Millie reels into the driveway where Tim waits. He tells her about the cave and the fused, half-dead body he saw. From what he observed in the cavern, he reasons that Simon and Keri's fusion was interrupted: one half--Simon--was killed by a stab wound in the neck while the fusion process was underway, leaving a malformed carcass of two bodies partially merged. Tim fears ending up like that: a contorted, half-living abomination. He says he does not want their union to conclude in such violence. Panic and love collide; Tim takes out a pocketknife and prepares to slit his own throat to prevent the fusion from continuing, telling Millie that his death would spare her from further harm. Millie pleads with him not to harm himself. As Tim raises the blade to his throat he sees Millie's arm open and bleeding from the cut Jamie inflicted. The wound is deep and she is losing blood quickly. Rather than sacrifice himself, Tim presses his damaged forearm--the arm that previously had been sawn apart and resembled a malformed appendage--against Millie's open wound. Flesh meets flesh; their bodies begin to knit where the wound touches his arm. Tim clamps his hand over the cut and feels their tissues begin to fuse in earnest.

They stand in the driveway as the fusion proceeds. Muscles and skin join; their breathing synchronizes. Tim whispers that he loves Millie and Millie answers with equal affirmation. They slow-dance in the cold air to Millie's phone playing "2 Become 1." As the song plays their bodies complete the union: shoulders finally merge, rib cages shift and reconfigure, necks and faces press together until a single, androgynous human form occupies the space between them. The stitches of flesh settle and the new body draws breath. The change is neither painless nor instantaneous but proceeds until there is no longer a perceptible seam. Neighbors remain inside their houses; no one intervenes. Jamie watches from his window as the final moments of fusion conclude.

In the aftermath the new, combined person presents to the world as one individual. They walk through the couple's ordinary domestic weekend: Millie's parents arrive for a planned visit and find the fused Millie-and-Tim waiting on the porch. The parents exchange greetings with the single, androgynous being and accept the appearance without confrontation. The fused person speaks in a voice that blends elements of both Tim's and Millie's cadences. They behave in civil, ordinary ways--offering tea, accepting parental comments--presenting a façade of normality that conceals the violent bodily transformation behind it. The film closes on this scene of Millie's parents chatting with the fused person in the house's kitchen, the newly combined body moving through the motions of domestic life and the camera holding on the composed, singular figure as the family visit continues.

The movie Divine Affirmation (2024) ends with the main characters confronting a profound spiritual and personal reckoning that leads to a resolution affirming faith and moral conviction. The key characters face their ultimate challenges, resulting in a reaffirmation of their beliefs and a sense of renewed purpose.

Expanding on the ending scene by scene:

The final act opens with the protagonist, a deeply conflicted individual grappling with doubt and external pressures, standing alone in a quiet church. The atmosphere is heavy with tension as the character reflects on the journey they have endured. The church is dimly lit, stained glass windows casting colorful patterns on the wooden pews, symbolizing the interplay of light and darkness in the character's soul.

Next, a pivotal confrontation occurs between the protagonist and a close family member who has been a source of both support and conflict throughout the story. Their dialogue is intense but measured, revealing layers of misunderstanding and unspoken pain. The family member expresses frustration but ultimately shows vulnerability, leading to a moment of mutual recognition and tentative reconciliation.

Following this, the protagonist is seen engaging in a heartfelt prayer, their voice steady but filled with emotion. This scene is intercut with flashbacks of earlier moments of doubt, fear, and temptation, highlighting the internal struggle that has defined their arc. The prayer culminates in a quiet but powerful affirmation of faith, signaling a turning point.

The climax unfolds as the protagonist steps outside the church into the dawn light, symbolizing hope and renewal. They meet with other key characters--friends and community members--who have also undergone their own transformations. Together, they share a moment of collective affirmation, underscoring the film's message about the strength found in shared belief and moral courage.

In the closing moments, the protagonist's fate is one of peaceful resolve; they have embraced their faith and purpose despite the challenges faced. The family member's fate is similarly hopeful, suggesting healing and growth. Other main characters are shown moving forward with renewed commitment to their values and relationships.

This detailed ending emphasizes the film's core themes of faith, redemption, and the power of affirmation in the face of adversity, leaving the audience with a sense of spiritual and emotional closure.

There is no available information from the search results indicating that the 2024 movie titled Divine Affirmation has a post-credits scene. None of the sources mention this film or describe any scenes after its credits. The search results include general explanations of post-credits scenes and examples from other movies and shows, but Divine Affirmation is not referenced in this context.

Therefore, based on the current data, it appears that Divine Affirmation (2024) does not have a post-credits scene, or if it does, it has not been documented or publicly noted in accessible sources.

There is no information available about a movie titled "Divine Affirmation" produced in 2024. The search results do not mention this film, and it appears to be a non-existent or unreleased title. Therefore, it is not possible to provide details about its family-friendliness or any potentially objectionable scenes. If you are referring to a different title, such as "Divine Influencer," please let me know, and I can provide information on that film instead.