The film opens in a packed Stockholm courtroom where Alina Thompson sits in the defendant's chair, handcuffed and guarded, as prosecutors present their case accusing her of attempting to murder her father, Alexander "Zala" Zalachenko. The charge centers on the night Zala dies: he was under the protection of a clandestine security organization known only as The Section, and a prosecution narrative tries to link Alina to an attack that left him dead. The state's aim is not merely to secure a conviction; lead counsel pushes to have Alina declared mentally unfit and recommitted to the psychiatric institution headed by Dr. Peter Teleborian. Prosecutors produce psychiatric records, character testimony, and official reports to argue that Alina is dangerous and must be placed back under the care of Teleborian's facility.

Outside the courtroom, Alina's allies move urgently to counter the prosecution's strategy. Her hacker friend who goes by the handle Plague burrows into the digital life of Dr. Teleborian, gaining remote access to the psychiatrist's laptop and unearthing files that shift the direction of the trial. Plague copies a cache of emails, internal documents, and a forensic trail showing that Teleborian authored a psychiatric evaluation of Alina before he ever met her in person. Plague also discovers a hidden index of illicit material on Teleborian's hard drive: folders that contain thousands of files of sexually exploitative images involving minors. The hacker compiles timestamps, file lists and metadata and transmits that evidence to Michael Blom, the investigative journalist who has been covering Alina's case.

At the next day's proceedings Michael stands before the court as a witness. He presents the digital records Plague obtained: he reads Teleborian's pre-dated psychiatric evaluation aloud and shows the prosecution and judge the file logs proving Teleborian wrote his conclusions before meeting Alina. He hands over a forensic report that details the file structure of the illicit material on Teleborian's machine and supplies the court with copies. Simultaneously, law enforcement moves on leads Michael and Plague supplied. A coordinated police operation raids the offices and safe houses connected to The Section. Officers storm a suburban townhouse and detain a high-ranking Section operative; they seize documents that tie Section activities to Zala's death and to attempts to manipulate official files.

Within hours of Michael's testimony and the raid, detectives obtain a warrant to search Teleborian's premises. Investigators catalog more than nine thousand files of child sexual abuse material on Teleborian's personal devices. Detectives arrest Dr. Teleborian on charges of possession and distribution of illicit imagery and for submitting fraudulent psychiatric reports to the court. The court reconvenes amid the upheaval: judges, prosecutors and defense counsel pore over the new evidence. The prosecution's application to recommit Alina depends heavily on Teleborian's credibility and on an unbroken chain of psychiatric justification; with Teleborian under arrest and his evaluations exposed as prewritten fabrications, the judge rules that the evidence no longer supports keeping Alina in custody. The judge orders her immediate release; Alina, who has sat through the ordeal in impassive silence until now, rises, wrists unclasped, and leaves the courtroom under police escort to a waiting car.

After her release Alina begins surveying the fallout and the estate left by her father. Lawyers inform her that Zala bequeathed a warehouse on the outskirts of the city to her. The structure sits in an industrial district, a low, brick building ringed by chain-link fencing and piles of scrap. She goes to inspect the property alone, entering through a loading dock that sticks open. Alina walks through dim corridors lined with pallets and old machinery, lifting tarps and peering into shadowed rooms. A faint scrape echoes behind her; she freezes, listening.

In the main storage bay she encounters Niedermann, the hulking fugitive who has been on the run through much of the preceding events. He stands amid crates, a massive, silent figure who had eluded capture and who carries with him a reputation for brutality. Niedermann lunges toward Alina, moving faster than his size suggests. She darts between columns and overturns a metal shelf to buy herself space. Niedermann follows, his footfalls heavy on the concrete. Alina evades him by slipping through a narrow passage between stacked crates, reaching back for a tool she has brought in her pack--a pneumatic nail gun. She fires nails into a wooden pallet and uses the gun to drive large nails through the soles of Niedermann's heavy boots into the floor when she catches him stumbling into a confined corner. The force of the nails pins his feet in place; he roars and twists, trying to pull free, but the nails hold him fast to the dock's timber planks.

Alina does not remain to finish the confrontation. She takes a cellphone and dials a number she knows well--members of a motorcycle club who have been nursing a grudge against Niedermann because he killed one of their riders during an earlier violent encounter. That earlier homicide had occurred months before, outside a bar in a neighboring district: Niedermann had attacked a group of bikers and, in that skirmish, killed a member of the club by repeatedly striking him in the head with a wrench. Word of that death spread through the club, and they vowed retribution. Alina explains over the line where she is and where Niedermann is trapped, telling the caller only enough to ensure they will come. She then switches to a second call and alerts the police to the warehouse and to the imminent arrival of an armed motorcycle gang; she gives the address and requests immediate assistance.

The bikers arrive in a convoy of roaring engines minutes later, surrounding the warehouse and slamming their machines to a stop. A group of six to eight riders storms the loading bay entrance and descend on Niedermann. They pull him free of the nails with brute force: one biker kicks at the pinned boots until the boards splinter and the nails bend, another grips Niedermann's shoulders while a third raises a chain and delivers repeated blows. They beat him with fists, pipes and motorcycle helmets; Niedermann, still enormous, tries to fend them off but takes the blows and falls. The gang members then drag him out into the open yard. There they escalate their attack--two riders hold him down while another produces a lighter and douses him with an accelerant they carry. They set Niedermann on fire. Flames seize his clothing and lap up his body; he screams as the bikers stand back. The fire consumes him rapidly and, amid the chaos, he convulses and goes still. The gang disperses from the scene when one rider shouts the sound of approaching sirens; they speed away on their bikes, leaving Niedermann's charred body smoking on the cracked asphalt.

Police arrive moments after the flames subside. Officers cordon the warehouse yard, photograph the scene, and call forensic teams. Detectives process the body and later examine surveillance and witness accounts to identify the bikers involved. Using license plate numbers taken from nearby traffic cameras and tips Michael and Plague had accumulated in earlier investigations, police track down the motorcycle club members. Officers arrest six riders in coordinated early-morning raids at different addresses across the city; detectives book them on charges of homicide and arson. Investigators read interviews and forensic reports and compile the record that will form part of the criminal case against the bikers for the violent killing of Niedermann.

Back at her small apartment, Alina receives a late-night visit from Michael Blom. He crosses the threshold with a manila folder of documents and two hot coffees in paper cups. He settles at her kitchen table and tells her the news in quiet, measured sentences: the police confirmed Niedermann's death by the motorcycle gang after forensic analysis; the bikers have been arrested; Dr. Teleborian is in custody and faces severe charges for the illicit materials on his devices and for suborning the psychiatric process; members of The Section were detained in the raids and the files seized during those operations implicated the organization in the decisions that led to Zala's killing. Michael lays out the court's ruling that morning: the judge has ordered Alina released from custody and denied the prosecution's bid to recommit her. He places the manila folder on the table and opens it, revealing copies of the evidence he presented at trial and the police reports that corroborate the arrests. He points to timestamps on the digital files showing the sequence of electronic communications that led to the arrests, and he shows her the scanned warrant applications that authorized the raids.

Alina listens as Michael moves through the documents. She asks about loose ends. He tells her the investigation into The Section's chain of command continues; the operative arrested in the townhouse will be questioned, and authorities aim to use his testimony to identify other members. Michael says investigators are still piecing together who ordered Zala killed; preliminary evidence shows that when Zala threatened to expose secrets that could compromise The Section, decision-makers within the organization voted to eliminate him to prevent disclosure. The court records that Michael hands Alina include interrogation notes and a chronology that charts how the Section moved to silence Zala: phone calls, clandestine meetings, procurement records for weapons and surveillance equipment, and a final entry documenting the operation the night Zala died. That operation, the file indicates, culminates in Section agents shooting Zala during an attempted transfer from one safe house to another.

Alina opens a window and leans against the sill as Michael finishes. He folds up the folder, gathers the cups and stands. Before he leaves he says that he will continue to report on the unraveling of The Section and that he will keep checking in with her. Alina thanks him; they exchange no grand promises, only the agreement to stay in touch. He walks to the door, pauses, and then steps out into the hallway. The camera follows him down the stairwell as he disappears into the night.

In the film's closing scenes Alina returns to the warehouse during daylight with an attorney to inventory the remaining property. Investigators have sealed off the exact yard where Niedermann's body burned, but the storage bays still contain crates of her father's old goods and documentation that she intends to catalogue. She walks down the aisles and touches the dust-coated pallets with gloved hands, then pauses at the doorway and looks out toward the fenced perimeter. Across the lot a police cruiser sits parked and an evidence technician lifts a final photograph. Alina turns away and walks back into the dim interior, closing the warehouse door behind her. The final frame holds on her as she sorts through a stack of papers on a folding table, pen in hand, making notes as the investigation and the legal processes continue beyond the film's end. The credits begin to roll after the shot lingers on her steady, focused movements, and the record of arrests, court rulings and the death of Niedermann remains established in the files now under seal and review. The last visible action is Alina sitting at the table, writing an inventory of the warehouse contents, a concrete step in settling the material aftermath of the events that have just transpired.

At the end of The Girl Who Survived: The Alina Thompson Story (2025), Alina narrowly escapes becoming a victim of the serial killer William Bradford thanks to her father Carl's timely intervention. Bradford's obsession with Alina ends in failure, and Alina survives where many others did not.

The ending unfolds as follows:

Alina, a 15-year-old aspiring model, has been unknowingly stalked and photographed by William Bradford, a serial killer who uses his charm and photography sessions to lure young women. After a casting call where Alina meets Bradford, he becomes fixated on her as his next target. One day, Bradford lures Alina into a deserted alley, intending to harm her. At this critical moment, Carl, Alina's protective father, arrives unexpectedly and intervenes, preventing Bradford from attacking her. This intervention saves Alina's life.

Following this, Alina later learns from the police that Bradford had been stalking her for nearly two years and that her encounter with him was part of a larger, sinister pattern involving other victims. She is shown photographs recovered from Bradford's home, including many of herself and other women who were likely victims. This revelation confirms the danger she was in and the narrowness of her escape.

The film closes with Alina safe, her parents supportive and protective, and Bradford's crimes exposed. The fate of the main characters at the end is:

• Alina Thompson: Survives the ordeal, grows stronger from the experience, and her story serves as a warning and tribute to other victims.
• Carl Thompson (Alina's father): His protective instincts and timely action save Alina's life.
• Nancy Thompson (Alina's mother): Becomes supportive of Alina's modeling ambitions and protective of her.
• William Bradford: His obsession ends in failure; he is exposed as a serial killer, with his crimes revealed to the police.

This ending highlights the themes of parental protection, survival against evil, and the importance of awareness and vigilance.

Expanded, scene-by-scene narration of the ending:

The climax begins with Alina attending a photo shoot arranged by William Bradford, who has been charming and stalking her under the guise of a legitimate modeling opportunity. Bradford's demeanor is calm but sinister, and he leads Alina away from the public eye into a deserted alley, intending to harm her as he did with other young women.

As Bradford closes in, the tension builds. Alina senses danger but is momentarily frozen by fear. Suddenly, Carl, her father, appears on the scene. He had been suspicious and had been following his instincts to protect his daughter. Carl confronts Bradford, demanding he leave Alina alone. Bradford tries to maintain his composure but is forced to retreat.

Carl immediately takes Alina away from the scene, ensuring her safety. The relief on Alina's face is palpable; she realizes how close she came to a terrible fate.

In the following scenes, police visit the Thompson household with photographs recovered from Bradford's home. Alina is shocked to see numerous images of herself, confirming that Bradford had been stalking her for nearly two years without her knowledge. The police explain that Bradford is linked to multiple murders and kidnappings, and many of the women in the photos are presumed victims.

Alina processes this revelation with a mix of fear and gratitude. She understands that her father's intervention was the key to her survival. The film shows her parents, Carl and Nancy, becoming more supportive and protective, recognizing the dangers Alina faced.

The final scenes depict Alina moving forward with her life, her story serving as a tribute to the victims who were not as fortunate. The film closes on a note of survival and awareness, emphasizing the importance of vigilance and parental protection.

William Bradford's fate is sealed as a captured and exposed serial killer, his crimes brought to light by the police investigation and Alina's courage in coming forward.

This detailed ending underscores the film's focus on the real dangers lurking behind seemingly innocent opportunities, the power of parental love and protection, and the resilience of a young girl who survived against all odds.

The movie The Girl Who Survived: The Alina Thompson Story (2025) does not have any publicly documented post-credit scene. Available sources, including trailers, detailed previews, and official movie descriptions, do not mention or show any post-credit content following the film's conclusion.

The film focuses on the true story of 15-year-old Alina Thompson, an aspiring model in 1980s Los Angeles who unknowingly becomes entangled with a serial killer. The narrative and promotional materials emphasize the thriller and emotional drama elements without indicating additional scenes after the credits.

Therefore, based on current information, there is no post-credit scene to describe for this movie.

William Bradford is an up-and-coming photographer who meets 15-year-old Alina Thompson at an amateur photo casting call. Unbeknownst to Alina, he is a serial killer who uses his charm to lure aspiring young women into secluded photo shoots that end in violence. He becomes obsessed with Alina and targets her as his next victim, making him the primary antagonist in the story.

Alina sneaks away from her parents to attend an amateur photo casting call where she meets William Bradford. This encounter is the beginning of her entanglement with the serial killer, as Bradford uses the casting call to find and prey on young women.

Tracy is a crying girl Alina notices in the mall who later disappears. Alina learns about Tracy's disappearance through a Missing Persons flyer, which raises alarm bells and highlights the danger lurking around Alina, as Tracy is likely one of Bradford's victims.

Initially, Alina's parents are unsupportive and protective, especially her father Carl, who warns her to stay away from boys and carries mace for protection. They disapprove of her sneaking off to the casting call but later soften their stance when they hear about a $500 prize that could go toward her college fund. Carl's protective instincts play a crucial role in helping Alina survive.

Nathalie accompanies Alina to the modeling call, and Nick is Alina's 17-year-old boyfriend. Nathalie and Alina experience the casting call together, where Alina feels overwhelmed by photographers, and racial dynamics are subtly shown as Alina's Black friends are pushed aside. Nick represents a normal teenage relationship contrasting with the danger Alina faces from Bradford.

The movie The Girl Who Survived: The Alina Thompson Story (2025) is rated TV-14, indicating it is generally suitable for viewers aged 14 and older but may contain material parents might find inappropriate for younger children. It is a crime drama thriller based on true events involving a teenage girl who encounters a dangerous serial killer posing as a photographer.

Potentially objectionable or upsetting aspects for children or sensitive viewers include:

• Themes of danger and predation, as the story involves a serial killer targeting young women.
• Scenes depicting threatening or tense situations, including the protagonist's close calls with harm.
• Some emotional distress, such as family conflict and fear experienced by the main character.
• Mild language and mature thematic content consistent with a TV-14 rating.

The film does not appear to contain explicit violence or graphic content but deals with serious and intense subject matter that could be upsetting to sensitive viewers or younger children. Parents should consider the thriller and crime elements and the emotional weight of the story before allowing children to watch.