A cold, gray morning settles over Amityville, New York, in 1976. Inside the infamous house on Ocean Avenue, Ed Warren and Lorraine Warren, renowned paranormal investigators, prepare for a séance. The air is heavy with dread; Lorraine's hands tremble as she sits at the table, eyes closed, reaching across the veil. Ed stands by her side, his concern etched deep, watching as Lorraine's breathing slows and her body stiffens. Shadows flicker on the walls. Lorraine's consciousness slips away from the present, dragged into the bloody past.

Suddenly, she is no longer herself. She is Ronald DeFeo Jr., moving through the house with a shotgun, reliving the horror of the murders that left six members of the DeFeo family dead. Lorraine's vision is visceral--she hears the screams, feels the recoil, sees the blood spatter. She stumbles from room to room, unable to stop the carnage. Then, the house itself seems to shift. The walls bleed shadow. Lorraine's perspective is yanked away, and she stands paralyzed before a figure--tall, gaunt, dressed in a nun's habit, but its face is a grotesque mask of evil. The demonic nun stares into Lorraine's soul, and in a flash, Lorraine is shown a vision: Ed impaled on a great wooden spike, his eyes wide with shock as he whispers, "I'm sorry, Lorraine." Lorraine screams, thrashing in the chair, and Ed grabs her, pulling her back to reality. She gasps, clutching him, haunted by the vision of his violent death. The demon's name echoes in her mind, unspoken and unknown.

The scene shifts across the Atlantic to Enfield, a working-class suburb of London, in 1977. Eleven-year-old Janet Hodgson sits on a brick wall outside her school, nervously sharing a cigarette with her friend Camilla. The girls giggle, but the moment is broken when a teacher catches them. Janet's life is ordinary, filled with the small rebellions of adolescence. She returns home to 284 Green Street, a cramped council house where her mother, Peggy Hodgson, struggles to raise four children alone: Margaret, the eldest; Johnny; Billy, who stutters; and Janet, the quiet dreamer.

The house is worn but filled with love. Yet, as night falls, something changes. Janet wakes to the sound of creaking floorboards and the scrape of furniture. She sleepwalks, her feet padding softly down the hallway, drawn to an unseen presence. The next morning, the family dismisses her stories as nightmares--until the disturbances escalate. Furniture drags itself across the floor. The children's toys move on their own. Doors slam. Billy's tent in the hallway collapses in the middle of the night, and the children huddle together, terrified.

One evening, as the family gathers in the living room, a deep, rasping voice erupts from Janet's throat: "This is my house. Get out." The words are not her own. Peggy, desperate and frightened, turns to her neighbors for help, and soon the police are called. An officer witnesses a chair slide across the floor by itself. The story spreads, and soon the Hodgson haunting becomes the talk of Enfield, drawing the attention of the press and paranormal investigators.

Maurice Grosse, a kindly researcher, and Anita Gregory, a skeptical academic, arrive to document the phenomena. They set up cameras and recording equipment. During an interview, Janet sits nervously in an armchair. Suddenly, her face contorts, and she begins to speak in the guttural voice of an old man. "My name is Bill Wilkins. I'm seventy-two years old. I died in that chair." The room chills as the voice continues, demanding the family leave. Margaret clings to her mother, eyes wide with terror.

Meanwhile, across the ocean, Ed and Lorraine Warren try to return to normal life, but Lorraine is plagued by visions of the demonic nun and Ed's impending death. One evening, as Lorraine sits with their daughter Judy, she sees the nun's shadow in the hallway. She follows it into Ed's study, where a painting of the nun looms on the wall. The room grows icy. The painting's eyes seem to move. Suddenly, the nun steps out of the darkness, rushing toward Lorraine. She sees the vision again--Ed impaled, whispering his apology. Lorraine screams, scribbling furiously in her Bible, trying to banish the image. Judy's voice pulls her back, but the fear lingers.

A priest visits the Warrens, bringing with him audio tapes from the Enfield case. He plays the recording of Janet's interview. Two voices--Janet's and Bill Wilkins's--speak simultaneously, an impossibility for a child. The priest pleads for their help. Lorraine, shaken, confesses her fear to Ed: "I saw your death. I can't lose you." Ed takes her hand, reassuring her: "Maybe you saw it so you could stop it." Reluctantly, Lorraine agrees to travel to England.

Arriving in Enfield, Ed and Lorraine are greeted by a weary Peggy Hodgson. She leads them through the battered house, showing them the girls' bedroom, now covered in dozens of crucifixes. The air is thick with unease. The room is locked with a chain, but the crosses slowly begin to turn upside down. Lorraine meets Janet outside, sitting alone on the swingset. Janet's eyes are haunted. "People think I'm making it up," she whispers. Lorraine sits beside her, offering comfort. "Sometimes, one person can make a difference," she says softly. Janet's voice trembles: "The voice says it wants to hurt you."

That night, the Warrens, Maurice, Anita, and a news crew gather in the living room. They attempt to communicate with Bill Wilkins. Janet sits in the armchair, her back to the adults. Ed holds his cross before her. Janet's face contorts, and the old man's voice emerges: "Leave me be!" The room trembles. Glass shatters. The session ends in chaos, and skepticism grows among the investigators. Anita is convinced Janet is faking. Even Ed begins to doubt.

The Warrens stay overnight. As the house sleeps, Billy wanders the halls, drawn by a strange, spinning zoetrope toy. Its painted figure, the Crooked Man, begins to move, stepping out of the toy and growing to monstrous size. Its limbs twist and contort as it recites in a singsong, demonic voice: "There was a crooked man, and he walked a crooked mile…" Billy runs, heart pounding, as the Crooked Man chases him through the house. He bursts into the living room, where Janet stands, possessed, her mouth moving in time with the rhyme. She lets out a scream so powerful it shatters the windows, before collapsing, foaming at the mouth.

Days pass. The haunting intensifies. Janet is thrown across the room by unseen forces, levitated above her bed, and locked inside the girls' bedroom as furniture hurls itself against the door. The family flees to a neighbor's house in terror. The media swarms, and the Church hesitates to intervene, wary of a hoax.

The tension breaks when Anita and Maurice review their surveillance footage and catch Janet bending spoons and wrecking the kitchen. The Church withdraws its support. The Warrens prepare to leave, but Ed remains uneasy. "Something's not right," he insists. Lorraine, too, feels the puzzle is incomplete. She pores over her visions, searching for a clue.

Alone in the kitchen, Janet confesses to Ed that she was forced to fake the activity. "It told me to do it. It said it would hurt my family if I didn't." Ed's eyes widen. The demon orchestrated the hoax to isolate the family, to make them vulnerable and discredit their pleas for help.

Lorraine's mind races. She remembers the Amityville vision, the demonic nun, and the name she saw written over and over in her Bible and around her home: "Valak." The pieces snap together. Bill Wilkins is not the true antagonist--he is a pawn, manipulated by a far greater evil. Valak, the demon, is the mastermind behind the haunting.

A violent storm erupts, battering the house with wind and rain. Janet, possessed, is drawn to her bedroom window. The wood frame splinters as she climbs onto the ledge, teetering above the ground, her eyes blank. Ed, realizing the danger, sprints through the rain, smashing through the locked door. He reaches Janet just as lightning strikes, illuminating the room in stark relief. Janet is seconds from falling onto a jagged wooden spike below--the very death Lorraine foresaw for Ed.

Lorraine, outside, is seized by a moment of clarity. She remembers the demon's name. She bursts into the house, her voice ringing with authority: "I know your name! You are Valak, the Defiler, the Profane, the Marquis of Snakes!" The room trembles as Valak manifests, its face a mask of fury. Lorraine stands her ground, crucifix in hand. "In the name of God, I banish you back to Hell!" she cries.

Valak screams, its form twisting and writhing as the power of its name strips it of control. Shadows swirl, and the demon is sucked back into the darkness, howling in defeat. The storm subsides. Ed catches Janet as she slips, pulling her to safety. Lorraine rushes to Ed, tears streaming down her face, the vision of his death averted by her intervention.

The house is silent. The haunting is over.

In the aftermath, the Hodgson family gathers in the living room, exhausted but free. Janet hugs Ed and Lorraine, gratitude shining in her eyes. "Thank you," she whispers. The Warrens reassure them: "You're safe now."

Back in America, Ed places the Crooked Man zoetrope on a shelf in their artifact room, beside the Annabelle doll and April's music box from their previous case. The room is a museum of evil, but also a testament to the battles they have survived together.

Night falls. Ed and Lorraine share a quiet moment in their living room. Ed puts on a record--Elvis Presley's "Can't Help Falling in Love." He extends his hand to Lorraine. She smiles, tears glistening, and they dance slowly, holding each other close, the weight of darkness lifted, if only for a moment.

The camera lingers on the dancing couple, then pans to the artifacts--silent reminders that evil never truly rests, but that love and faith can hold it at bay. The screen fades to black, and the story ends, grounded in the chilling reality of the Enfield Poltergeist, with the Warrens once again victorious, but forever changed.

In the ending of The Conjuring 2, Ed and Lorraine Warren confront the demonic entity haunting the Hodgson family in Enfield, London. After a tense battle, they manage to exorcise the spirit, saving young Janet Hodgson. The film concludes with Ed and Lorraine reaffirming their love for each other, and they return home, reflecting on their experiences.

As the climax of The Conjuring 2 unfolds, the tension escalates in the Hodgson household. The Warrens, having gathered evidence and witnessed the haunting firsthand, prepare for a final confrontation with the malevolent spirit that has tormented Janet Hodgson. The entity, known as Valak, has taken a particularly strong hold on Janet, who is now fully possessed.

Scene by scene, the narrative progresses as follows:

The Warrens, having been deeply affected by the events in Enfield, decide to perform a final exorcism to free Janet from the clutches of Valak. They set up their equipment in the Hodgson home, creating a makeshift sanctuary to combat the dark forces. Lorraine, feeling the weight of the situation, is particularly concerned for Janet, who has become a vessel for the demon.

As the exorcism begins, the atmosphere is thick with dread. Ed and Lorraine chant prayers and invoke the power of God, while Janet, in a state of torment, writhes on the floor, her voice distorted and filled with malice. The entity taunts them, revealing its true nature and intent to destroy the Warrens. The tension in the room is palpable, with the walls seemingly closing in as the spirit lashes out.

In a pivotal moment, Lorraine experiences a vision of Ed being killed by Valak, which intensifies her resolve to save both her husband and Janet. She realizes that the only way to defeat the demon is to confront it directly. With Ed's support, Lorraine channels her strength and faith, focusing on the love they share as a couple. This emotional connection becomes a powerful weapon against the darkness.

As the exorcism reaches its peak, Lorraine confronts Valak, declaring that it has no power over them. The demon retaliates, causing chaos in the room, but Ed remains steadfast, reciting prayers and affirming their bond. In a climactic moment, Lorraine uses her faith to weaken Valak, allowing Ed to finally expel the demon from Janet's body. The room erupts in a blinding light, and with a final scream, Valak is vanquished.

After the exorcism, Janet collapses, free from the demon's grasp. The family, relieved and grateful, embraces her, while Ed and Lorraine share a moment of quiet reflection. They realize the depth of their love and the strength they draw from each other, having faced the darkness together.

The film concludes with the Warrens returning home, their bond stronger than ever. They reflect on the harrowing experience, knowing that their work is far from over, but feeling a renewed sense of purpose. The final scene hints at their ongoing commitment to helping those in need, as they prepare for their next case, united in love and faith.

In summary, Ed and Lorraine Warren emerge from the ordeal with a deeper understanding of their relationship and the power of love in the face of evil. Janet Hodgson is freed from Valak, and the Hodgson family is left to heal from their traumatic experience, while the Warrens continue their mission to combat the supernatural.

The Conjuring 2 does not have a post-credit scene. The film concludes with the resolution of the haunting at the Hodgson home in Enfield, where Ed and Lorraine Warren successfully help the family confront the malevolent spirit. After the main story wraps up, the film ends with a sense of closure, focusing on the Warrens' bond and their commitment to each other and their work. There are no additional scenes or teasers following the credits.

The Enfield Poltergeist case serves as the central plot of The Conjuring 2, where Ed and Lorraine Warren are called to investigate the haunting of the Hodgson family in Enfield, London. The case is significant as it showcases the Warrens' expertise in dealing with supernatural phenomena and highlights Lorraine's psychic abilities, which are crucial in understanding the malevolent spirit tormenting the family.

Lorraine Warren experiences a haunting vision of a demonic nun, which symbolizes her fears and foreshadows the evil they will confront. This vision deeply unsettles her, causing emotional turmoil and anxiety, as she feels a personal connection to the entity. It drives her to uncover the truth behind the demon, ultimately leading to a confrontation that tests her faith and resolve.

Janet Hodgson is one of the central figures in the Enfield haunting. As a young girl, she becomes the primary target of the poltergeist's torment, experiencing physical attacks and disturbing phenomena. Her character embodies the innocence and vulnerability of the family, and her struggles evoke sympathy from the audience. Janet's interactions with Ed and Lorraine reveal her desperation for help and her gradual transformation as she confronts the supernatural forces.

Ed Warren's character is portrayed as a devoted husband and a courageous paranormal investigator. Throughout the film, he grapples with the dangers of their work, especially as he witnesses Lorraine's distress over the demonic presence. His determination to protect his wife and the Hodgson family showcases his bravery, while his emotional depth is revealed through his conversations with Lorraine about their faith and the risks they face, ultimately solidifying his role as a protector.

The demon in The Conjuring 2 is connected to the nun, who is revealed to be a manifestation of the demon Valak. This connection is crucial as it explains the source of the haunting in the Hodgson home. The nun serves as a terrifying figure that embodies the evil spirit's power, and her presence is tied to the Warrens' investigation, leading to a climactic confrontation where they must confront both the demon and their own fears.

The Conjuring 2 is not considered family-friendly due to its intense horror elements and themes. Here are some potentially objectionable or upsetting aspects that may affect children or sensitive viewers:

1. Supernatural Entities: The film features various frightening supernatural beings, including a malevolent spirit that can be visually disturbing.

2. Jump Scares: There are numerous jump scares throughout the film that can startle viewers, contributing to a tense atmosphere.

3. Violent Imagery: Some scenes depict violence or threats of violence, which may be unsettling for younger audiences.

4. Possession Themes: The film explores themes of demonic possession, which can be frightening and distressing.

5. Emotional Distress: Characters experience significant emotional turmoil, including fear, despair, and trauma, which may resonate deeply with sensitive viewers.

6. Dark Atmosphere: The overall tone of the film is dark and foreboding, with scenes set in dimly lit environments that enhance the horror elements.

7. Paranormal Investigations: The portrayal of paranormal investigations may be unsettling, especially for those who are sensitive to themes of the unknown or the afterlife.

These elements contribute to the film's rating and its suitability for younger audiences.