Eddie Barrish begins the story unemployed and desperate, scrambling to support his young daughter, Sarah. He walks city streets at dusk looking for an unlocked vehicle he can empty of valuables, targeting cars left with doors ajar or windows down. On one evening he finds a high-end Dolus SUV standing alone in a quiet residential lane; its door is unlocked. Eddie slips inside, intent on grabbing anything of value, and as he rifles through the glovebox the electric locks slam shut. He jerks at the handles, bangs on the glass and tears at the seams of the upholstery, and in the struggle he slices his forearm badly while trying to force an escape.

After frantic attempts to break a way out fail, he notices the SUV's center screen light up and accepts a call he had previously ignored. The voice on the display identifies himself as William, the vehicle's owner, and William is watching Eddie through multiple interior cameras. William says he has had the Dolus modified after six prior break-ins and demonstrates the customization by activating taser electrodes embedded in the SUV's seats; a violent shock throws Eddie against the interior and William explains, calmly, that he has engineered the car as a trap. Eddie opens fire at the glass with his pistol, but the windshield is ballistic and the shot glances off, tearing into his thigh; the impact staggers him. The SUV's heavy tinting and soundproofing prevent outside people from noticing the man trapped inside. Under William's remote control the vehicle's climate and audio systems become implements of torment: he delivers electrical shocks, blasts a shrill yodeling tune and manipulates temperature to freeze or roast Eddie, who is without food or water.

When Eddie blacks out from pain and exhaust, William's voice continues to issue conditions and insults; later Eddie comes to on the seat and finds his wounds bandaged and cleaned. William reveals himself as a wealthy physician who lives in a nearby condominium, and he watches Eddie with detached curiosity. The next day William intensifies his psychological assault: he alternates between chilling drafts that cut through Eddie's clothes and punishing heat, interspersing shocks while he lectures about retribution. William references his own daughter, Emma, and describes the loss that drives him; he says she was killed during a robbery and that he now feels compelled to mete out his version of justice. Eddie swears and pleads and, exhausted, he apologizes for his language. William's tone softens slightly; he calls out from the balcony of his condo to scold and then to bargain. He says he has terminal cancer, that he has been counting down time, and he offers Eddie a conditional release if Eddie can prove that this Dolus intrusion is his first offense. To test him, William cranks the temperature so high that Eddie collapses from thirst and hunger.

Starved and defeated, Eddie provides William with personal information: name, address, history. William stops the heat and points out a bottle of water in the storage cubby, and Eddie, grasping at anything, sits on the floor and scratches off the last of his lottery tickets he has hidden in his pocket. To Eddie's astonishment the card reveals a winning sum sufficient to change his precarious situation. He tells William, fumbles through an earnest apology, and William, in what seems a rare gesture of mercy, slides a single cookie from the glove compartment to Eddie through a narrow opening. While manipulating the glovebox, Eddie notices that the camera feed does not show the area below the compartment and realizes the dash conceals wiring and access points to the car's electrical system. He begins, with his foot and fingers, to probe for loose connectors and circuits under the glovebox that the cameras cannot see.

As the hours unfold, hunger and dehydration push Eddie into delirium. In private, he resorts to drinking his own urine to stay alive. Late at night he believes he has succeeded in starting the engine and triggering an escape, but William reveals that every motion and maneuver the SUV makes is under his remote control; he is simultaneously monitoring Eddie and the vehicle. Without warning William sends the Dolus roaring through city streets with Eddie trapped in the driver's seat, hands bound by the car's own restraints. During one reckless high-speed passage William forces the SUVs path through a scene where two muggers are assaulting a pedestrian. The SUV rams the attackers and then, under William's direction, runs over them in full public view; the two men are crushed and killed beneath the heavy vehicle as Eddie cries out. The remote-controlled rampage continues until William slams the brakes and the sudden stop catapults Eddie forward, knocking him unconscious.

Eddie awakens some hours later to a fresh escalation: William tells him he has used the personal information Eddie surrendered to track down Sarah. Eddie panics as William brings up live footage showing his daughter walking home from school. Through the car's external feeds Eddie watches William steer the SUV so that it swerves toward Sarah's path on the sidewalk. Terrified and enraged, Eddie grabs his loaded pistol and threatens to turn it on himself unless William stops harming his child. He pulls the trigger, but the gun clicks empty; William had anticipated such a move and left Eddie's firearm unloaded earlier. Sarah is spared the impact by inches when William stops the vehicle and retreats from the attempt. In anger and desperation Eddie smashes the cameras that line the dashboard and obliterates the central display, using his hands and a blunt object to smash lenses and cut wiring; before the live feed dies he records and sends Sarah a message through the disabled unit, a goodbye and an apologetic plea she momentarily receives.

William arrives in person at the SUV's curbside to carry out what he calls Eddie's final punishment. He forces Eddie to cuff himself with a pair of restraints and then reloads the pistol in full view. Before they leave the city, William allows Eddie to smoke what he calls a "last" joint, lighting it and letting Eddie inhale in a grim show of control. With Eddie bound, William drives the vehicle away from populated streets toward a remote stretch of road, declaring his plan to kill Eddie and dump the body where it will not be found. During the drive William reveals more of his motivation: Emma, his daughter, died during a robbery, and in his grief he has converted the Dolus into a mechanism to punish thieves by forcing them to confront their crimes while he observes. William's voice is steady as he explains that he has orchestrated similar entrapments and that Eddie is now to be disposed of.

At a moment when William focuses on the route ahead, Eddie works with the limited freedom he has. He maneuvers his foot under the glovebox again and manages to pull a connector loose, severing the SUV's electrical system in part. The lights flicker and the central locking system begins to malfunction; the car's remote-response fails his owner's commands. The Dolus veers as its driveline loses proper electronic control; William struggles with the steering as the SUV goes off the edge of the road. The vehicle tumbles down an embankment and rolls over, metal screeching and glass shattering. During the violent tumbling the reloaded pistol, which William had kept prepared, discharges from the sudden jolt and the bullet finds its way into William's body, striking him and leaving him mortally wounded. The shot is not fired deliberately by Eddie; it is an unintended consequence of the crash dynamics and the unsecured firearm. William, grievously hit, begins to lose consciousness.

Eddie frees himself from the smashed seat and the twisted restraints. He climbs across broken glass and flaming upholstery to reach William, who is pinned by the wreckage and bleeding heavily. Eddie lunges at him and slugs him, hands moving to pry open buckles and straps as William coughs and tries to form words. A phone on the dashed system rings with Sarah calling; Eddie answers as flames begin to lick the crumpled interior. He promises his daughter he will come get her, pleading with William to use whatever control remains to release the locks and open the doors. William, dying, reaches for the console but his movements slow; he looks at Eddie and, with a last rasp, is unable to actuate the release before his breathing ceases and he dies in the smoke-filled cabin.

Eddie smashes through the damaged rear windshield and climbs out onto scorched earth. A passing driver, alerted by the crash and the smoldering car, stops and pulls Eddie into safety. The emergency responders arrive as Eddie sits on the roadside, bloodied, hand to his head, talking about his daughter and the chaos that just transpired. After the immediate rescue, Eddie goes back to the auto shop where he had been trying to get his van fixed; he takes out the winning lottery ticket and uses the money to resolve his transportation problem. At the shop, mechanics tell him the van cannot be repaired in time to get Sarah to school that day. Faced with that delay, Eddie purchases a child's bicycle and pedals to Sarah's school by himself. He arrives on the playground where she is walking out with other parents and children, and he reunites with her--handing her the bicycle and lifting her into a tight embrace. The sequence closes with Eddie and Sarah together, moving away from the school on the bike, their immediate crisis over after the chain of events that began with a single unlocked luxury SUV and escalated into a deadly contest between a grieving father and a desperate thief.

At the end of Carjackers (2025), Nora kills Elias, the ruthless hitman hired to stop their crew, avenging her fallen teammates. After a tense confrontation, Nora escapes with the stolen money, leaving Elias dead behind her, while Jalil, a pianist and Nora's brief romantic interest, witnesses the violent scene and departs, severing ties with her.

The ending unfolds in a series of intense, emotionally charged scenes:

Nora, the driving force of the Carjackers crew, has been under increasing pressure as Elias, the hitman hired by the hotel director, relentlessly pursues them. Elias uses brutal tactics to track down the crew, and the stakes escalate when he captures Jalil, a pianist at the hotel who had become emotionally involved with Nora. Elias holds Jalil at gunpoint, using him as leverage to force Nora to surrender the stolen money.

Nora agrees to meet Elias at a secluded location where she has hidden the money. Despite Elias's threats, Nora has no intention of handing over the loot. When Elias demands the cash, Nora suddenly attacks him with a knife, stabbing him repeatedly in a frenzied assault. Elias is gravely injured and collapses.

Jalil, who has been held captive and forced to witness this confrontation, sees Nora's violent outburst. Overwhelmed and fearful, he decides to leave, understanding that his involvement with Nora has put him and his young daughter in danger. He walks away from the scene, effectively ending his connection to Nora.

With Elias incapacitated and left behind, Nora takes the money and disappears into the night. The film closes with her alone, burdened by the loss of her team members and the violent path she has taken. The fate of the other main characters--Zoé, Steve, and Prestance--is implied to be grim, as Nora's killing of Elias is described as avenging their deaths, suggesting they were killed earlier in the conflict.

Nora's escape hints at a future on the run, as she must lie low to avoid law enforcement and the powerful enemies she has made, including Peter's father, a man of influence who is likely to seek revenge. The ending leaves Nora's future uncertain but resolute, carrying the weight of survival and loss.

This final sequence highlights the brutal consequences of the Carjackers' criminal life and the personal sacrifices made by Nora, who emerges as the sole survivor of the crew's ultimate heist and the violent fallout that followed.

The movie Carjackers (2025) does not have a post-credit scene. The available detailed plot summaries and reviews do not mention any additional scenes after the credits, focusing instead on the main story's conclusion where Nora avenges her crew by killing Elias and Peter, then faces the emotional fallout with her lover Jalil leaving her. There is no indication of a post-credit or mid-credit scene in the sources related to Carjackers.

The story ends with Nora alone, having taken revenge and possibly contemplating her future with the stolen money, but no extra scenes are described beyond the final confrontation and resolution.

The main antagonist is Elias, a fearsome hitman hired by the manager of a luxury hotel to track down and punish the Carjackers gang. He is motivated by a desire to protect the interests of the wealthy clients and hotel management, and is particularly driven by a victim who is a rapist diamond merchant seeking revenge against the gang.

Nora is the driving force behind the Carjackers operation. She is a valet driver and the gang's lead driver during their heists, skillfully piloting the getaway car. She also takes on a leadership role in planning and executing the robberies, which are carried out during their lunch breaks to avoid suspicion.

Nora develops a romantic relationship with Jalil, a pianist hired by the hotel. She is reluctant to get attached due to the dangerous nature of her criminal life. Elias uses Jalil as leverage against Nora, bringing him at gunpoint to force her to surrender the stolen money. This relationship adds emotional complexity and tension to the story.

In the climax, Nora confronts Elias after he uses Jalil to coerce her. Instead of handing over the money, Nora attacks Elias with a knife, gravely injuring and ultimately killing him. This act avenges the deaths of her team members and marks a turning point for her character.

The Carjackers team consists of Nora, Zoé, Steve, and Prestance, who work as valets, bartenders, hostesses, and baggage handlers in luxury hotels. They form a close-knit, almost family-like gang that targets wealthy clients by robbing their cars during short lunch breaks. Each member has a specific role, such as scouting targets, driving, and disabling vehicles, making their heists highly organized and efficient.

The 2025 movie Carjackers is not family-friendly and may not be suitable for children or sensitive viewers. It is an action-packed heist thriller involving criminal activities such as carjacking, with tense and potentially violent situations.

Potentially objectionable or upsetting aspects include:

• Scenes involving carjacking and robbery, which may include threats or confrontations.
• Presence of a ruthless hitman hired to track down the protagonists, implying violence and danger.
• Intense action sequences that may be frightening or stressful for sensitive viewers.
• The film's tone includes crime, suspense, and some gritty elements typical of heist thrillers.

There is no detailed parental guide specifically for this 2025 film, but based on its genre and plot involving criminal heists and a hitman, it likely contains moderate violence and intense scenes that could be upsetting for children or sensitive people.

No explicit sexual content or severe profanity is specifically noted in the available information, but the film's overall mature themes and action violence suggest it is best suited for adult audiences.