After the Hunt (2025) unfolds primarily within the intense, claustrophobic world of academia at Yale University, where Alma Olsson (Julia Roberts), a respected psychology professor, navigates a complex web of personal and professional turmoil. The film opens with Alma deeply invested in her career, hoping to secure a permanent teaching position. She shares a close friendship and collegial rivalry with Hank Gibson (Andrew Garfield), another professor competing for the same role. Their relationship, however, is soon tested by a serious accusation that threatens to unravel their lives and the academic community around them.

The catalyst for the story is Margaret "Maggie" Resnick (Ayo Edebiri), Alma's favored student and protégée, who accuses Hank of sexual assault. Maggie, a bright and ambitious philosophy student, comes from a wealthy background, with billionaire parents who are donors to the university. This adds layers of complexity to the accusation, as Maggie's social standing and identity as a Black woman intersect with the predominantly white, male-dominated academic environment. Maggie's accusation sends shockwaves through the university, forcing Alma to confront her loyalties and her own hidden past.

Alma finds herself caught between supporting Maggie and maintaining her friendship with Hank. Hank vehemently denies the allegations, claiming that Maggie's accusation stems from a discovery he made about her plagiarizing her dissertation. This revelation complicates the narrative, casting doubt and tension over the characters' motivations. Alma, meanwhile, struggles with mysterious stomach pains and a secret illness, which she hides by furtively taking pills. Her internal conflict intensifies as she grapples with the ethical and emotional ramifications of the case, all while her own dark history threatens to surface.

As the university community becomes polarized, Alma's relationship with Maggie becomes fraught. Maggie demands Alma's support, but Alma hesitates, torn by fear and uncertainty. The tension escalates when Alma's own past is revealed to be intertwined with the case, adding a personal dimension to the unfolding drama. Alma's psychiatrist husband, Frederik Olsson (Michael Stuhlbarg), provides a glimpse into her psychological state, underscoring the emotional weight she carries.

The film's narrative is punctuated by intense confrontations and charged silences, characteristic of director Luca Guadagnino's style. Alma confronts Hank, who maintains his innocence and accuses Maggie of ulterior motives. Alma's friend and university student liaison, Dr. Kim Sayers (Chloë Sevigny), offers support but also embodies the institutional pressures and complexities of handling such accusations within academia.

Throughout the film, Alma's internal and external battles culminate in a tense climax where she must make a definitive choice. The accusation against Hank becomes a public spectacle, forcing Alma to reconcile her professional responsibilities with her personal convictions. The story explores themes of consent, power dynamics, privilege, and the generational divide within the academic world.

The film closes on a somber note, with Alma coming to terms with the consequences of the case and her own past. Maggie's future remains uncertain, but her courage in speaking out marks a pivotal moment. Hank faces the repercussions of the accusation, though the film leaves some ambiguity regarding his guilt or innocence, emphasizing the complexity of such situations. Alma's journey ends with a nuanced reflection on truth, justice, and the cost of silence.

After the Hunt is a psychological thriller that delves deeply into the moral ambiguities and emotional turmoil surrounding sexual assault allegations in a prestigious academic setting. The film's layered characters and intricate plot reveal the devastating impact of such accusations on individuals and communities, while also exposing the hidden scars carried by those involved. The narrative's careful unfolding, combined with powerful performances, creates a gripping and thought-provoking exploration of difficult social issues.

At the end of After the Hunt (2025), Alma Olsson, the college professor, confronts the fallout of the sexual abuse accusation against her colleague Hank Gibson and the resurfacing of her own secret past. The film closes with Alma facing the consequences of these revelations, while the fates of Hank and Maggie, the accuser, remain intertwined with the unresolved tensions of consent and trust within the academic environment.

Now, a detailed, scene-by-scene narration of the ending:

The final act opens with Alma in her office, visibly strained but composed, as the university community reels from the accusation against Hank. Alma's internal conflict is palpable; she is torn between loyalty to Hank, her longtime friend and colleague, and her responsibility to Maggie, her young protégée who has accused Hank of crossing a line. The camera lingers on Alma's face, capturing the subtle shifts in her expression--regret, fear, and determination.

Next, Alma meets privately with Maggie. The scene is tense and quiet, set in a dimly lit campus café. Maggie, resolute yet vulnerable, recounts her experience with Hank, emphasizing the complexity of consent and power dynamics. Alma listens intently, her own past trauma hinted at through fleeting flashbacks--moments of silence and shadowed memories that suggest a secret she has long buried. This conversation marks a turning point for Alma, as she begins to acknowledge the parallels between Maggie's accusation and her own history.

Meanwhile, Hank is shown in a stark, isolated office, grappling with the accusation. His demeanor is defensive but not unrepentant; he insists on his innocence while also revealing cracks in his facade. The film does not provide a clear resolution to Hank's guilt or innocence, instead focusing on the ambiguity and the emotional toll on all parties involved.

Alma's husband, Frederik, a psychiatrist, appears in a brief but significant scene where he offers Alma support, urging her to confront her past openly. This moment underscores the theme of healing and the difficulty of facing uncomfortable truths.

The climax unfolds during a university hearing, where Alma is called to testify. The scene is charged with emotion and moral complexity. Alma speaks carefully, balancing her professional integrity with personal pain. Her testimony does not exonerate or condemn Hank outright but instead highlights the nuanced realities of consent, memory, and power.

In the final scene, Alma walks alone through the campus at dusk. The atmosphere is somber yet hopeful. She pauses, looking at the students around her--some unaware, some burdened by their own struggles. Alma's expression is one of quiet resolve, suggesting that while the immediate conflict remains unresolved, she is beginning a path toward personal and communal reckoning.

As for the fates of the main characters:

• Alma Olsson ends the film confronting her past and the present scandal, poised to face the consequences but also to seek healing.

• Henrik "Hank" Gibson remains under suspicion, his future uncertain, embodying the unresolved tensions around accountability.

• Margaret "Maggie" Price stands firm in her accusation, representing the voice of younger generations challenging established power structures.

• Frederik Olsson supports Alma's journey but remains a secondary figure in the resolution.

The ending deliberately avoids neat closure, emphasizing the complexity of the issues at stake and the ongoing nature of the characters' struggles.

The movie "After the Hunt" (2025) does not have any publicly confirmed information about a post-credits scene. Available sources, including official summaries and trailers, focus on the main plot involving a college professor dealing with a serious accusation against a colleague but do not mention any after-credits content or scenes designed to tease future installments or provide additional story elements.

Unlike some other 2025 films that have confirmed post-credits scenes, such as "Companion," no details or reports indicate that "After the Hunt" includes such a scene. Therefore, it is safe to conclude that there is no post-credits scene in "After the Hunt."

Henrik Gibson, Alma's colleague and close friend, is accused of sexual assault by a student, which triggers the central conflict of the film.

Alma Olsson, the college professor, is forced to confront a dark secret from her own past as the accusation against her colleague unfolds, complicating her personal and professional life.

Margaret 'Maggie' Price is a young philosophy student and Alma's protégée who accuses Henrik Gibson of crossing the line, setting off the campus scandal.

Frederik Olsson, Alma's psychiatrist husband, is part of the personal dimension of Alma's life, and his relationship with her adds depth to her emotional and psychological state during the crisis.

Kim, a friend of Alma and the university's student liaison, plays a role in navigating the campus dynamics and the scandal, influencing how the accusations and their fallout are managed.

The movie After the Hunt (2025) is rated R, primarily for language and some sexual content, indicating it is not family friendly for children. Potentially objectionable or upsetting aspects include strong language, sexual content, and themes involving a serious accusation of assault and a dark secret from the protagonist's past. These elements may be distressing for sensitive viewers or children. The film is a psychological thriller and drama dealing with mature and intense subject matter related to personal and professional crises in an academic setting. No explicit plot spoilers are revealed here, but the tone and content are clearly intended for mature audiences.

Alma Olsson, the college professor at the center of After the Hunt (2025), harbors a dark secret from her past that is gradually revealed as the story unfolds. This secret is closely tied to the film's central conflict involving a sexual abuse accusation against one of her colleagues, Henrik "Hank" Gibson. Alma's secret is hinted to be deeply personal and potentially dangerous, framed visually by the director through motifs of secrecy such as peepholes and keyholes, symbolizing how Alma is literally and figuratively trapped by her hidden past.

The secret is discovered by Maggie, Alma's star graduate student, who finds an envelope containing information about Alma's past while snooping in Alma's private space. This discovery suggests that Alma's past involves something she desperately wants to keep hidden, and it casts doubt on the trustworthiness of Maggie as well. The exact nature of Alma's secret is not explicitly detailed in the available summaries, but it is implied to be significant enough to threaten her personal and professional life as the accusation against Hank unfolds.

In summary, Alma's secret is a pivotal plot element that intertwines with the themes of accusation, trust, and power dynamics within the academic setting, but the precise details remain deliberately ambiguous in the sources available.