The film opens with a series of daring assaults carried out by a militant cell calling itself the French 75. They strike banks and armored transports with precision and brutality, using stolen explosives and hit-and-run tactics to fund and publicize their anti-establishment cause. During one of these robberies in a gleaming urban financial district, the operation collapses into chaos when Captain Steven J. Lockjaw, a hard-faced, relentless lawman, arrives on the scene. In the melee Lockjaw catches Perfidia Beverly Hills, one of the cell's most visible operatives. He detains her at the bank and, asserting his authority, forces her into a sexual relationship while she is in his custody. After the birth of Perfidia's daughter, Charlene, the couple's relationship fractures; Perfidia refuses to settle into ordinary domestic life and abandons both the infant and Charlene's father, a man known in the cell as "Ghetto" Pat Calhoun, to continue the revolution.

As Perfidia returns to radical work, Lockjaw intensifies his campaign against the French 75. He captures Perfidia at a later date and confronts her with the legal jeopardy she faces. To avoid a lengthy prison sentence, Perfidia negotiates with Lockjaw and betrays her former comrades, giving up names and locations. The information she supplies allows Lockjaw to dismantle the movement: police raids and ambushes leave the majority of French 75 members dead or captured. Under the cover of this purge, Pat--now using the name Bob Ferguson--takes the infant Charlene and flees to a sprawling, heavily policed sanctuary city called Baktan Cross. There he adopts a new identity for himself and for the girl, renaming her Willa Ferguson, and they try to disappear into obscurity. Perfidia, meanwhile, escapes Lockjaw's reach by slipping across the border into Mexico; Lockjaw cannot find her there.

Sixteen years pass. Bob Ferguson survives but he does so in a ruinous state: he drinks heavily, abuses drugs, and drifts through the city in a haze of regret. Willa, now a teenager raised on the edge of the sanctuary's decay, lives with a strained, sullen intimacy with her father. The two share a cramped apartment and a fraught emotional shorthand; Willa seeks structure and purpose beyond Bob's unreliable presence, and Bob oscillates between protectiveness and self-destruction.

Back on the national stage, Lockjaw--who has cultivated a reputation as both a lawman and a brutal fixer--seeks advancement with an organization called the Christmas Adventurers, a white supremacist movement offering him a platform and power. Rumors surface inside the group that Lockjaw has had an interracial affair in the past, and members question whether his personal life will damage the organization's image. To silence any potential scandal and to assert dominance, Lockjaw turns his attention toward Willa when evidence suggesting she is his biological child begins to circulate. He sets out to locate her in order to control the narrative and to exploit her status for his ambitions.

News of the threat spreads fast among those who once fought with the French 75 or who aided its members. Deandra, a former associate from the revolutionary days who has survived the purge, learns that Lockjaw's men are closing in on Willa. She intercepts the girl moments before Lockjaw's goons can reach Willa in a public corridor, pulling her into the crowded backstreets and shepherding her away. Deandra plans to move Willa to a safe house and ultimately to a convent run by a community of revolutionary-minded nuns who shelter fugitives and activists.

Bob, who receives an emergency message to meet at a covert rendezvous point to get instructions on the relocation, panics when he cannot remember the passcodes required at the dead-drop. He fumbles with a sequence of numbers and phrases that would allow him to retrieve the transfer details. In desperation, he turns to Sergio, a local sensei and a quietly militant immigrant-rights organizer who has been tutoring Willa in martial arts and who often provides aid to undocumented people. Sergio helps Bob recall the codes by jogging his memory and by giving him practical help: he slips Bob a burner phone and plans an escape route so Bob can move quickly.

Deandra drives Willa to the convent, a stone-walled former monastery tucked into a hillside outside the city where cloistered nuns run a discreet network that protects people targeted by the state. The sisters give Willa a shift of plain clothing and place her in a cell-like dormitory where she can be processed and hidden. Sister Rosa, the convent's administrator, takes Willa's fingerprints and medical information while Deandra briefs the nuns on the threat posed by Lockjaw's men.

Lockjaw and his operatives, however, do not lose the trail. He traces Willa to the area around the convent and barrels onto the property with a squad of armed men. Lockjaw confronts the nuns and compels them to produce Willa; when they resist he uses legal pressure and intimidation to force the issue. Once he has Willa in his custody, Lockjaw orders a DNA test to settle the question that has obsessed him: is Willa Charlene--the child Perfidia bore for Pat Calhoun--his own daughter? He has blood drawn in a chem lab he trusts and instructs technicians to process it immediately. The test confirms his suspicion: the results indicate that he is Willa's biological father.

Lockjaw reacts to the confirmation by moving to control Willa's fate. He assigns a well-known bounty hunter, Avanti Q, the task of disposing of the girl in a way that will remove any embarrassing complication from Lockjaw's political ambitions. Avanti Q tracks Willa to the convent's perimeter and confronts her under orders to kill or vanish her. When Avanti Q reaches the asylum, he finds himself unable to strike a child. Rather than follow Lockjaw's instructions to murder a minor, Avanti turns on Lockjaw's gunmen who are present as muscle and protection. He guns down several of those men in a short, brutal firefight that erupts in the convent's courtyard, shooting with precision. As Avanti exchanges shots, he takes lethal return fire from Lockjaw's other lieutenants and collapses on the stone steps, mortally wounded. He dies at the convent, his body left in the nuns' courtyard, having refused to execute a child and having slain some of Lockjaw's enforcers in the process.

The firefight alerts nearby law enforcement and Lockjaw's network. Meanwhile, Bob, who has been detained temporarily by local authorities on suspicion of having ties to the French 75--an old case reopened by Lockjaw's investigations--finds himself held in a processing center. Sergio, knowing the stakes and fearing that Bob will be separated from Willa permanently, organizes a small breakout. He distracts a guard by staging a confrontation in the corridor while Bob slips free from handcuffs with improvised tools. They hot-wire a patrol vehicle parked outside the intake area; Sergio instructs Bob on which wires to strip and where to bridge contacts so the engine will turn over. With the car engine growling, Sergio and Bob steal out and speed toward the convent.

On the roadside not far from the convent, an ambush unfolds. A man known as Smith, one of Lockjaw's ruthless confidants and a bounty operative in his own right, intercepts Lockjaw as he drives away. Smith confronts Lockjaw and accuses him of having endangered the organization by relating to an outsider. In the heated exchange Smith draws his pistol and fires a single, devastating round into Lockjaw's face, hitting him square in the skull. Smith leaves Lockjaw bleeding and motionless in the ditch by the side of the road, assumes he is dead, and turns his attention back to finding Willa himself.

Smith speeds toward the convent with a small crew. He reaches the compound and attempts to breach the perimeter, ignoring the nuns' protests. Willa, still terrified but trained in hand-to-hand defense by Sergio and the sensei's lessons, moves to defend herself. She lures Smith into a narrow lane behind the convent where rubble and slick oil patches create treacherous driving conditions. As Smith charges at her in his vehicle, Willa uses a hidden cable to tang a pile of debris across the road. Smith's car collides with the obstruction, loses control, and slams into a concrete barrier. Smith staggers from the wreckage but Willa moves in with precise, brutal force. She kills Smith with a series of controlled strikes and a final throat-cutting motion, ending his life near the smashed fender of his car.

At the crash site Bob and Sergio arrive. They find Willa standing over Smith's body, breathing hard, her hands stained. Bob drops to his knees and embraces his daughter for the first time in years; he holds her as she trembles. Willa tells him about the DNA test and about Lockjaw's involvement, and they make a plan to move before any more reprisals come. They load into the stolen vehicle and pull away from the convent, leaving behind the scuff marks and shell casings that mark the battle.

Although Smith presumed Lockjaw dead after the facial wound, Lockjaw survives the gunshot. The bullet shreds one side of his face and leaves him disfigured, but he pulls himself from the roadside and returns to the Christmas Adventurers, ragged and enraged. At a closed-door meeting of that organization--assembled to vote on Lockjaw's ascension within their ranks--the revelations about his intimate past with Perfidia and the existence of Willa surface under whispered pressure. The group's leaders, worried about optics and purity, view Lockjaw's paternity and his contact with non-white revolutionaries as a liability. In a swift, brutal internal execution designed to preserve the movement's appearance and to silence the scandal, members of the Christmas Adventurers gas Lockjaw in a sealed room. They confine him, introduce a toxic gas, and watch him suffocate as they decide his fate; the group kills him to protect the organization's standing.

Meanwhile the fallout from the convent fight spreads. News elements report the shootout and the involvement of the French 75's surviving network, while the nuns try to bury what they can and to protect the identities of everyone involved. Perfidia--who has been living in Mexico all this time--hears fragments of the story through hacked feeds and word of mouth. She remains beyond Lockjaw's reach, safe in her exile and haunted by the knowledge that the child she bore has been dragged back into the violent orbit she used to inhabit. Deandra, who survives the convent confrontation and who coordinated Willa's initial escape, slips back underground to continue her quiet work of protecting those targeted by state violence.

Bob and Willa return to Baktan Cross after the killings. They go back to their small apartment where Bob attempts to present a veneer of normality for Willa's sake. Willa, however, has changed: the events at the convent, the revelation of her parentage, and the violence she has enacted leave her resolute and politicized. She appears calmer and more purposeful than the sullen teenager who once drifted through the sanctuary. Within weeks she travels to Oakland to join a public protest staged by activists and former revolutionaries, marching in the streets with signs and chants that echo the French 75's rhetoric though without the same methods. Bob watches from the curb as Willa moves through the crowd with commitment, and while he does not endorse the movement she is joining he accepts her choice. The film closes with Willa entering the demonstration in Oakland, her figure swallowed into the mass of marchers as Bob stands behind a low wall, a battered and bruised father who has survived the collapse of one life and who watches his daughter step into another. The camera holds on Bob's resigned face as the protest swells and the credits begin.

I couldn't find specific information about the ending of the movie "The Other" produced in 2025. The search results do not provide details about the plot or conclusion of this film. If you have additional information or context about the movie, I might be able to help further.

However, if you are referring to a different film or would like information on another topic, please let me know.

If "The Other" (2025) becomes more widely discussed, here is how I would approach describing its ending:

1. Introduction to the Ending: Normally, to describe the ending of a movie, I would start by setting the scene, explaining how the final events unfold based on the plot developed throughout the film.

2. Key Events Leading Up to the Ending: Describe any pivotal moments that lead up to the conclusion, highlighting character developments or plot twists.

3. The Climax: Detail the climactic scene or scenes, focusing on action, dialogue, and emotional impact.

4. Resolution and Conclusion: Explain how the story concludes, including any final revelations, character resolutions, or thematic messages.

5. Closing Thoughts: Summarize the final moments, emphasizing significant elements like character arcs or the lasting impact of the story.

Without specific details about "The Other" (2025), it's challenging to provide these descriptions. If more information becomes available, it would be possible to delve into the narrative elements of the film.

There is no available information indicating that the movie titled Other produced in 2025 has a post-credit scene. None of the search results mention Other (2025) or provide details about any post-credits content for this film. The search results discuss post-credit scenes for other 2025 movies but do not reference Other specifically.

Therefore, based on current data, it appears that Other (2025) does not have a post-credit scene, or if it does, it has not been publicly documented or highlighted in available sources.

Kathelia is a mute orphan with a dark past that haunts the foster family of Robin and Daniel. Her unsettling behavior and the eerie events that unfold after her adoption suggest that her past involves supernatural or malevolent forces impacting the family dynamic.

Kathelia's muteness is a significant plot element that adds to the mystery and tension in the story. It isolates her communication, making her dark past and the supernatural occurrences more enigmatic and disturbing for Robin, Daniel, and others around her.

After Kathelia joins the family, a mysterious and evil force begins to take hold, causing eerie and disturbing events that warp the family's reality. These forces manifest through Kathelia's behavior and the haunting atmosphere surrounding the family's home.

Robin and Daniel, as the foster parents, are central characters who must confront the supernatural threat linked to Kathelia. Their struggle involves protecting their family and fighting for survival against the dark forces that emerge after adopting Kathelia.

Fiona and Lizzie are supporting characters in the film. While specific plot details about their roles are limited, they are part of the cast that interacts with the main family, potentially influencing or being affected by the supernatural events surrounding Kathelia and her foster parents.

The movie Other (2025) is not family friendly. It contains severe violence and gore, severe frightening and intense scenes, moderate profanity, and mild sexual content and nudity.

Potentially objectionable or upsetting aspects for children or sensitive viewers include:

• Severe violence and gore, which may involve graphic and disturbing scenes.
• Severe frightening and intense moments that could be very unsettling.
• Moderate use of profanity.
• Mild sexual content and nudity.
• Some mild references to alcohol, drugs, or smoking.

Given these elements, the film is likely inappropriate for children and sensitive audiences. It is more suitable for mature viewers comfortable with horror and intense thriller content.

In the 2025 supernatural horror film The Other, the dog does not die. According to the information from DoesTheDogDie.com, which tracks animal deaths in movies, there is no indication that a dog dies in this film.

The movie centers on a couple, Robin and Daniel, who foster a mute orphan named Kathelia with a dark past. The story focuses on the supernatural and psychological horror elements surrounding the family, but there is no mention or report of a dog dying in the plot or viewer trigger reports.

Therefore, viewers concerned about the death of a dog in The Other (2025) can be assured that no such event occurs in the film.