Bedazzled (2000)

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In the ending of "Bedazzled," Elliot Richards, after realizing that the wishes granted by the Devil do not lead to true happiness, ultimately rejects the Devil's offer. He chooses to embrace his true self and expresses his love for his co-worker, Alison. The Devil, frustrated by Elliot's decision, disappears, and Elliot finds himself in a new, fulfilling relationship with Alison.

Now, let's delve into the ending in a more detailed, chronological narrative.

As the film approaches its climax, Elliot Richards, played by Brendan Fraser, has gone through a series of transformative wishes granted by the Devil, portrayed by Elizabeth Hurley. Each wish, while initially appearing to fulfill his desires, ultimately leads to disappointment and unhappiness. Elliot's journey through these wishes has been marked by a growing realization that superficial changes do not equate to genuine fulfillment.

In the final act, Elliot is faced with one last opportunity to make a wish. He stands in a dimly lit room, the atmosphere thick with tension as he contemplates what he truly wants. The Devil, with her alluring charm, tempts him once more, but Elliot's experiences have taught him valuable lessons about love, identity, and the nature of happiness. He reflects on his previous wishes, recalling the pain and isolation they brought him, and he begins to understand that true happiness cannot be granted by external changes.

In a moment of clarity, Elliot boldly declares that he wishes to be himself. This decision is pivotal; it signifies his acceptance of his flaws and the realization that he does not need to change who he is to be worthy of love. The Devil, taken aback by his choice, tries to persuade him otherwise, but Elliot stands firm in his resolve. He understands that the love he feels for Alison, played by Frances O'Connor, is genuine and cannot be manufactured through magical means.

As Elliot makes this choice, the Devil's demeanor shifts from seductive to frustrated. She realizes that she has lost her grip on him, and in a fit of anger, she vanishes, leaving Elliot alone in the room. The atmosphere shifts from one of temptation to liberation, as Elliot is finally free from the Devil's influence.

The scene transitions to a bright, sunny day outside the office where Elliot works. He walks through the bustling streets, a newfound confidence radiating from him. He approaches Alison, who is engaged in a conversation with a colleague. Elliot's heart races as he gathers the courage to express his feelings. He tells her that he loves her, and this time, he does so as his authentic self, without any magical enhancements or false pretenses.

Alison, initially surprised, sees the sincerity in Elliot's eyes. The connection between them deepens as they share a moment of genuine understanding. The film culminates in a heartwarming scene where Alison reciprocates Elliot's feelings, and they embrace, signifying the beginning of a real relationship built on honesty and mutual respect.

In the final moments, the camera pulls back, showing Elliot and Alison walking together, hand in hand, as the sun shines brightly above them. The film closes on a note of hope and redemption, emphasizing that true happiness comes from being true to oneself and embracing love in its most authentic form.

In summary, Elliot Richards finds his true self and love with Alison, while the Devil is left powerless, having lost her hold over him. The ending encapsulates the film's central themes of self-acceptance and the importance of genuine connections.

In the movie "Bedazzled" (2000), there is no post-credit scene. The film concludes with the final moments of the story, where Elliot Richards, played by Brendan Fraser, has a heartfelt conversation with the character Alison, portrayed by Frances O'Connor. After a series of comedic and poignant attempts to win her love through deals with the Devil, Elliot ultimately learns valuable lessons about love, self-acceptance, and the importance of being true to oneself. The film wraps up with a sense of closure, focusing on Elliot's growth and newfound understanding, leaving no additional scenes or content after the credits.

Elliot, played by Brendan Fraser, makes seven wishes to the Devil, portrayed by Elizabeth Hurley. His wishes include: 1) To be rich and powerful, which leads to him being a successful CEO but ultimately lonely. 2) To be a handsome and charming man, which results in him being a shallow playboy who fails to connect with others. 3) To be a great athlete, where he becomes a basketball star but loses his identity. 4) To be a ladies' man, which leads to a disastrous romantic encounter. 5) To be a successful stand-up comedian, where he faces humiliation instead of laughter. 6) To be a man who is loved by everyone, which turns out to be a curse. 7) Finally, he wishes to be a man who is truly happy, leading him to realize the importance of genuine love.

Elliot's relationship with Alison, played by Frances O'Connor, is central to the story. Initially, Elliot is infatuated with Alison, who is unaware of his feelings. Throughout his wishes, he attempts to win her over in various forms, but each wish distorts their relationship. In his first wish, he is a handsome man, but he fails to connect with her on a deeper level. As he continues to wish, he learns that superficial traits do not lead to genuine love. Ultimately, in his final wish, he realizes that true happiness comes from being himself and valuing Alison for who she is, rather than trying to impress her with false personas.

The Devil, played by Elizabeth Hurley, serves as both a tempter and a guide in Elliot's journey. She presents him with the opportunity to make wishes, each time revealing the consequences of his desires. Her playful yet manipulative nature highlights the pitfalls of greed and superficiality. As Elliot navigates through his wishes, the Devil's character shifts from a seductive figure to a more complex entity, showing moments of genuine interest in Elliot's growth. Ultimately, she embodies the lesson that true fulfillment cannot be achieved through shortcuts or material gains.

The 'wish' system in 'Bedazzled' serves as a narrative device that explores the consequences of desire and the nature of happiness. Each wish Elliot makes is a reflection of his deepest insecurities and aspirations, but they all backfire in unexpected ways. This system emphasizes the idea that what one thinks they want may not lead to true satisfaction. The wishes also serve to illustrate Elliot's character development, as he learns from each experience and ultimately seeks a more authentic life rather than one defined by external validation.

By the end of 'Bedazzled', Elliot undergoes significant character development. Initially portrayed as a timid and insecure man, his experiences with the Devil and the consequences of his wishes force him to confront his true self. He learns that superficial changes do not equate to happiness or love. In the final act, Elliot embraces his authentic self, realizing that genuine connections and self-acceptance are far more valuable than the illusions of wealth or charm. This transformation culminates in his decision to pursue a real relationship with Alison based on honesty and vulnerability.

"Bedazzled," produced in 2000, is a comedy that features themes and scenes that may not be suitable for all family audiences. Here are some potentially objectionable or upsetting aspects:

1. Sexual Content: The film includes several scenes that involve sexual innuendos and suggestive situations, particularly in the context of the protagonist's wishes to win over a woman.

2. Drug References: There are moments that reference drug use, which may not be appropriate for younger viewers.

3. Mature Themes: The film explores themes of desire, temptation, and the consequences of making deals with the devil, which may be complex for children to understand.

4. Language: There are instances of mild profanity and crude humor that could be considered inappropriate for a younger audience.

5. Dark Humor: Some scenes involve darker comedic elements that may be unsettling for sensitive viewers, particularly those that deal with the consequences of the protagonist's wishes.

6. Supernatural Elements: The presence of the devil character and the concept of making a deal with him may be frightening or confusing for younger children.

Overall, while "Bedazzled" is a comedy, its content may not be suitable for all family members, especially younger children or those sensitive to mature themes.