The film opens in a bleak, ramshackle hut. A figure dressed in heavy robes and wearing a mask sits alone and takes a straight razor. He pushes the blade deep into his own abdomen, slices open his belly, and methodically removes his entrails. After he collapses and dies on the dirt floor, a pale woman in a white garment steps out of his shredded body. She gathers the corpse, cradles it, and performs a ritualized act: she brings the dead man to a semblance of sexual arousal and, using what remains of him, impregnates herself. Time advances in a montage of desolate landscape shots; the woman, now visibly with child, stands beside a closed coffin. She gives birth not to an infant but to a fully-grown, grotesquely misshapen man. Without hesitation she abandons him at the edge of a barren wilderness and walks away.

The malformed man wanders the empty terrain, dragging himself across rocks and scrub. A band of ragged nomads spots him and seizes him by what appears to be an umbilical cord hanging from his torso. In a convulsive retching he expels portions of his internal organs. The nomads accept the expelled flesh as offerings and lead him deeper into the rocky hills. They bind and torment him at successive stops along their route, at one point forcing him into a shallow pit lined with dry brush and setting it alight. Flames consume his body and the nomads stand as he burns, leaving him charred and motionless. When the tribe departs, the woman who bore him returns, kneels over his burned form, and by some physical, quasi-sacred act restores him to life; she comforts him and together they resume their trek through the wilderness.

In a different time and place the narrative shifts to a suburban mansion before dawn. Claus von Bülow finds his wife, Sunny von Bülow, collapsed and unresponsive in the bathroom. He kneels by her and discovers she is in a deep, unbroken sleep; he calls for help but does not immediately summon emergency medical personnel. Doctors later determine that Sunny's coma stems from a massive insulin overdose even though she has no diagnosis of diabetes. Hospital staff place her on life support and she remains in a permanent comatose state.

Sunny's adult children--Claus's step-children--hire private investigators and retain an aggressive lawyer to explore the circumstances of the overdose. The detectives comb Claus's belongings and produce a syringe crusted with insulin among his things. They also obtain damning testimony from Sunny's longtime housemaid, who asserts that Claus administered the injection. The children present voyeuristic motives: Claus maintains a long-term affair and is romantically involved with another woman, and the step-children argue that he tried to eliminate Sunny to be with his mistress. Prosecutors file charges, and at trial a jury convicts Claus on two counts of attempted murder for the insulin overdose of his wife.

Throughout the courtroom proceedings Sunny's internal voice intrudes; the film lets the viewer hear her observations and memories as she lies mute in the hospital bed, narrating her impressions of the trial, her marriage, and the people who swarm around her. While the public sees the press conferences and the cross-examinations, Sunny's private recollections reveal a marriage that began as a torrid affair and then degraded into mutual neglect and bitterness.

After the guilty verdict, Claus files an appeal and reaches out to a high-profile law professor at Harvard, Alan Dershowitz. Alan receives Claus's call, reads the appellate record, and agrees to represent him. He explains to colleagues and students that he often accepts pro bono matters and that even when he suspects guilt he believes in a defendant's right to counsel; he also intends to use the fees from Claus to subsidize his defense work for two indigent death-row inmates. He assembles a team composed of law colleagues and eager law students, including a bright but inexperienced young woman who takes notes and chases leads. They immerse themselves in the case files and reexamine the evidence the prosecution used to secure the conviction.

The defense team finds immediate weaknesses in the prosecution's theory. They scrutinize the syringe and discover that the medicated residue crusting its outside is inconsistent with an injection administered into Sunny's body; the pattern of dried insulin suggests the needle was handled and stored outside her bloodstream, implying it may have been planted. The students track down Sunny's medical history and prove she has been a long-time user of prescription and illicit substances; documents and witness statements show she has a history of self-administered narcotics and erratic compliance with treatment. Several former servants and acquaintances describe Sunny as someone who tolerated her husband's extramarital liaisons and who never explicitly sought to end his affairs, undermining the prosecution's motive narrative.

Alan interviews Claus at length and Claus describes the contours of his marriage. He recounts the early, intense passion that led to their wedding, then a steady deterioration: repeated health crises, increasing drug use on Sunny's part, and a mutual decision to divorce that escalates the couple's emotional distance. Claus concedes he is not a tender husband; he admits he never tried to control her medications and that he never hid his relationships with other women. He confesses to dating a new partner soon after Sunny collapses, a development that fuels public suspicion and damages his image in the press. Prosecutors amplify this by publicizing his romantic involvement with another woman and by pointing out that other members of Claus's extended family have died under mysterious circumstances; newspapers run headlines and gossip columns treat those deaths as ominous, although the official records do not identify perpetrators or causes.

Back in the appellate office, the team pursues the most incriminating witness: the housemaid. Alan's investigators uncover inconsistencies between her trial testimony and statements she previously gave. They track audio recordings that the prosecution claims to possess--tapes of doctors supposedly caught on record admitting to improprieties in the case--and they discover those audio files are forged. A courtroom skirmish erupts when opposing counsel attempts to use the doctored recordings to trap Alan into an ethics violation during depositions; Alan refuses to be intimidated and moves aggressively to show the tapes are not genuine.

In parallel, the defense produces forensic analysis that challenges the chain of custody and the syringe's provenance. They show that the needle's crusted exterior would not persist if it had been recently injected into Sunny's skin; it should have been saturated and bloodied rather than crusted. Expert witnesses testify that the residue is consistent with a syringe that had sat in a pocket or been otherwise contaminated after being filled. Alan argues the maid's testimony was coached and at times fabricated under pressure from the step-children's hired investigators, and he produces documents and witness statements supporting that claim.

As the appeal approaches argument before the state Supreme Court, internal debate fractures Alan's team. Most of his students and several colleagues come to believe Claus did not deliberately try to kill his wife; they point to the needle evidence, Sunny's own history of drug use, and the lack of direct eyewitnesses to an injection. A former member of Alan's original appellate staff, Sarah, refuses to sign on to that conclusion; she remains convinced Claus manipulated circumstances and took advantage of Sunny's vulnerability to try to hasten her death. In a tense private exchange in a courthouse hallway, Alan and Sarah argue: Alan contends the legal record contains reasonable doubt and that exculpatory evidence exists, while Sarah insists there are too many suspicious omissions--Claus's delay before calling for medical help, his immediate publicized relationship with another woman, and the pattern of unexplained deaths in his family--to clear him morally.

Alan stands before the state Supreme Court and methodically dismantles the prosecution's case. He exposes the tampering of the supposed doctor recordings and demonstrates the maid's inconsistencies and possible coaching. He introduces forensic testimony about the syringe's residue and highlights the absence of eyewitness confirmation that Claus injected Sunny. The justices pore over exhibits and witness transcripts, and after deliberations the court grants Claus relief: it overturns the conviction and orders a new trial.

While the legal machinery grinds toward re-prosecution, the ancient tale continues to unfold in intercut sequences. After the mother and her son resume walking the wasteland, the nomadic band returns and this time their violence escalates. The nomads attack the pair; they knock the woman to the ground and subject her to a group sexual assault. They beat and stab her, gouge at her flesh, and leave her dying on the rocky slope. The malformed son lies injured and bleeding nearby. The nomads depart, leaving the woman's wounded body scattered among stones. Later that night, cloaked, large-robed figures arrive on the scene; they lift the woman's mutilated remains and carry them away on their shoulders. The robed men journey to a deep gorge where they quarry clay and fashion countless small jars. With ritual precision they lay the mother's body on a stone slab, segment it into pieces, crush her bones with blunt instruments, and press the pulverized remains into the tiny jars. After they finish with the mother they abduct the son. They strangle, bludgeon, or otherwise execute him--his exact last moments are framed as an abduction-turned-murder carried out by the robed figures--and they repeat the jar-making process: they reduce his bones and tissue into powder and deposit the fragments into vessels. The robed men bury the jars within the earth, pressing the lids into the crust.

Back in the modern timeline, prosecutors reopen the case and prepare for re-trial armed with the public outrage that followed the Supreme Court's decision. Alan continues to represent Claus and negotiates with opposing counsel; during a private meeting he extracts from the prosecution's files a set of notes and medical records that were not previously disclosed to the defense. He informs Claus that he has obtained exculpatory material from the opposing team that he believes will aid the new defense. He tells Claus bluntly that while the law now recognizes him as legally cleared of the original conviction, questions about his moral responsibility and the propriety of his conduct while Sunny lay unconscious will persist. Claus listens and offers little in the way of apology or remorse, maintaining his composure as he prepares for the re-trial.

As the second trial proceeds, the defense introduces the new materials and reinforces the arguments the Supreme Court found persuasive: the syringe's residue suggests planting; the maid's testimony collapses under renewed cross-examination; Sunny's own pattern of substance use and medical instability reappears in hospital records and witness testimony. Evidence about Claus's delayed response to Sunny's collapse remains in the record, but jurors weigh it against the reasonable-doubt standard. The prosecutor presents the circumstantial case: Claus's quick involvement with another woman, his failure to notify doctors immediately, and the shadow of other unexplained family deaths. The defense counters each point with scientific analysis, refutation of witness credibility, and the suppressed documents Alan recovered.

On the day the jury returns, they deliver a verdict of not guilty. Claus walks out of the courthouse effectively exonerated. At a convenience store shortly after his release he makes a casual, sharp joke to the clerk about the accusations that nearly destroyed his reputation; he smiles as the clerk fumbles for change, and reporters outside shout questions that he ignores. The camera follows him as he steps into a taxi and the city moves past.

Intercut with Claus's public vindication, the buried jars in the ancient gorge begin to alter the landscape. Rain falls and shoots up flowers; the ground that covers the robed men's graves breaks with sudden, lush growth. A montage shows the burial site transforming: where the robed figures placed pieces of human bone and pulverized flesh the soil swells and green shoots push through, bursting into petals and rows of verdant crops. Photographic images of a towering, shrouded god--appearing in carved relief and regalia--flash across the screen as the landscape's fertility spreads outward.

The film ends by rejoining the mother and her son in motion. They emerge from a forested edge, walking slowly side by side under a canopy of trees. The camera does not linger on any explanation for their return; it tracks their steps as they move into the woods together, the cycle of birth, abandonment, violence, death, and reconstitution implied by their march. As that image dissolves, on-screen text informs viewers that Sunny von Bülow remains in a coma. The final frame holds on the quiet hospital room where her body lies motionless under sheets, and then the credits begin to roll.

At the end of Reversal of Rebirth (2025), the surviving members of the expedition and the Delgado family manage to escape the island after a deadly confrontation with the dinosaurs. Martin Krebs, the pharmaceutical executive, is killed by the Tyrannosaurus rex, while Zora Bennett, Dr. Henry Loomis, Duncan Kincaid, and the Delgado family reach a boat and flee just in time, leaving the island behind with the dinosaur threat still present but contained.

Expanding on the ending scene by scene:

The final act opens with the expedition team--Zora Bennett, Henry Loomis, Duncan Kincaid, and Martin Krebs--alongside the Delgado family stranded on Île Saint-Hubert. The island is a dangerous place, home to three massive prehistoric creatures: the aquatic Mosasaurus, the terrestrial Titanosaurus, and the flying Quetzalcoatlus. The team's mission is to collect biomaterial from these creatures for a medical breakthrough.

As the tension escalates, the dinosaurs begin to attack. The mercenaries Bobby Atwater, Nina, and boat driver LeClerc are killed early in the third act, leaving only the core group and the Delgado family to face the threats.

Reuben Delgado, his daughters Isabella and Teresa, and Teresa's boyfriend Xavier Dobbs are caught in the chaos after their boat is wrecked by the Mosasaurus. Despite frequent dinosaur encounters, the family manages to survive through resourcefulness and teamwork.

The climax centers on a confrontation with the Tyrannosaurus rex, which kills Martin Krebs, the corporate antagonist whose greed drove the mission. Krebs's death marks a turning point, removing the exploitative force behind the expedition.

Meanwhile, Duncan Kincaid successfully lures the Tyrannosaurus rex away from the others, allowing Zora, Henry, and the Delgado family to reach safety. Duncan's survival is a key moment, as he manages to evade the deadly predator and reunite with the group.

The survivors board a boat and escape the island just as the dinosaur threat looms behind them. The film closes with Henry Loomis reflecting on the beauty and significance of the dinosaurs, finding a sense of purpose in their existence despite the dangers they pose.

In summary, the fate of the main characters at the end is:

• Martin Krebs: Killed by the Tyrannosaurus rex.
• Zora Bennett: Survives and escapes the island.
• Henry Loomis: Survives, emotionally connected to the dinosaurs.
• Duncan Kincaid: Survives after successfully distracting the T-Rex.
• Reuben Delgado and family (Isabella, Teresa, Xavier): Survive and escape the island.

The ending leaves the door open for future stories centered on Zora, Henry, and Duncan, emphasizing their complex relationship with the prehistoric creatures and the ethical dilemmas surrounding their exploitation.

The movie titled Reversal of Rebirth produced in 2025 does not have a post-credits scene. Audiences can leave the theater as soon as the movie ends without missing any additional footage or teaser content.

Specifically, the film concludes without any mid-credits or post-credits scenes, although natural jungle sounds play during the final credits, possibly as an atmospheric touch rather than a narrative hint. There is no extra scene teasing future installments or providing bonus content after the credits roll.

The three colossal creatures are the largest remaining prehistoric animals living in isolated equatorial environments. They include a land dinosaur, a sea creature likely a mosasaurus or similar, and an aerial species possibly a pterosaur. These creatures hold the key to a drug that could bring life-saving benefits to humankind.

The expedition team is led by Zora Bennett, a covert operations expert. Other key members include Duncan Kincaid, the team leader; Dr. Henry Loomis, a paleontologist; boat driver LeClerc; mercenary Nina; and security chief Bobby Atwater. They are tasked with retrieving genetic material from the three colossal dinosaurs.

During the mission, the team encounters a civilian family whose boat was capsized by aquatic dinosaurs. Stranded together on an island, this encounter leads to the discovery of a shocking secret hidden from the world for decades.

The genetic material from the three largest dinosaurs is vital for developing a new treatment for heart disease, representing a medical breakthrough that could save human lives.

By 2025, Earth's climate has become largely inhospitable to dinosaurs except in isolated equatorial zones that resemble their original Mesozoic climate. This ecological change confines the remaining dinosaurs to these tropical biospheres, making the expedition to retrieve DNA samples challenging and dangerous.

The movie Reversal of Rebirth (also known as Jurassic World: Rebirth, 2025) is rated PG-13 for intense sequences of violence/action, bloody images, some suggestive references, language, and a drug reference. It contains scenes of humans in danger from mutant dinosaur-like creatures, including stressful sequences of dinosaurs battling and rampaging after people.

Potentially objectionable or upsetting aspects for children or sensitive viewers include:

• Intense violence and action sequences involving predatory creatures attacking humans, which may be frightening or disturbing.
• Bloody images associated with these attacks.
• Some suggestive references and mild language.
• A drug reference.
• The presence of grotesque mutant creatures that may inspire disgust rather than awe.
• Scenes with characters making poor or reckless decisions that contribute to tension and danger.

While the film has moments of dinosaur chaos and action spectacle, it is not designed as a family-friendly or children's movie due to these mature and intense elements. Sensitive viewers or parents should be cautious about younger children watching this film.