Hell: The History of Norwegian Black Metal: Season 1 (2020)

"Hell: The History of Norwegian Black Metal" begins with a vivid portrayal of the early 1990s Norwegian music scene, focusing on the emergence of black metal. The documentary opens with archival footage of Oslo, showcasing the vibrant yet tumultuous atmosphere of the time. Interviews with key figures in the black metal scene, such as musicians and journalists, set the stage for the cultural and musical revolution that is about to unfold.

The narrative introduces the band Mayhem, highlighting their significance in the black metal genre. The film delves into the formation of the band, featuring interviews with founding members like Euronymous and Dead. Euronymous is depicted as a charismatic yet controversial figure, driven by a desire to push musical boundaries and embrace darkness. Dead's struggles with mental health and his fascination with death are explored, culminating in a haunting scene where he takes his own life in 1991. The aftermath of his death deeply impacts the band and the black metal community, leading to a shift in the genre's tone.

Following Dead's suicide, the film details how Euronymous capitalizes on the tragedy, using it to enhance the band's mystique. He is shown collecting Dead's remains and using them for promotional purposes, which raises ethical questions among his peers. This moment marks a turning point, as it illustrates the lengths to which some musicians will go to cultivate an image of authenticity and darkness.

The documentary then shifts focus to the rise of church burnings in Norway, with several churches being set ablaze by individuals associated with the black metal scene. The film provides graphic footage and photographs of the aftermath, emphasizing the shock and outrage these acts provoke in the broader community. Interviews with law enforcement officials reveal the challenges they face in addressing the violence and vandalism linked to the black metal movement.

As the narrative progresses, the film introduces Varg Vikernes, a controversial figure known for his solo project Burzum. Varg's ideology and actions are examined, including his involvement in the church burnings and his eventual murder of Euronymous in 1993. The film captures the tension between Varg and Euronymous, showcasing their rivalry and the ideological differences that ultimately lead to violence. The murder is depicted in a chilling reenactment, emphasizing the brutality of the act and its impact on the black metal scene.

In the wake of Euronymous's death, the documentary explores the legal repercussions for Varg, who is arrested and sentenced to prison. The film includes interviews with Varg during his incarceration, where he discusses his beliefs and the motivations behind his actions. His time in prison becomes a focal point, as it allows him to further develop his musical career while simultaneously becoming a symbol of the black metal movement's darker aspects.

The final segments of the documentary reflect on the legacy of Norwegian black metal, examining how the genre has evolved since the early 1990s. Interviews with contemporary musicians reveal the lasting influence of the events depicted, as well as the ongoing fascination with the mythos surrounding figures like Euronymous and Varg. The film concludes with a somber reflection on the consequences of the violence and extremism that characterized the early days of black metal, leaving viewers with a sense of the genre's complex and often tragic history.

In the ending of "Hell: The History of Norwegian Black Metal," the documentary culminates in a reflection on the impact of the Norwegian black metal scene, particularly focusing on the events surrounding the infamous church burnings and the murder of Øystein "Euronymous" Aarseth. The film concludes with a somber acknowledgment of the legacy left behind by the artists involved, as well as the consequences of their actions, both personally and within the broader music community.

As the final scenes unfold, the narrative revisits key figures from the black metal scene, including Varg Vikernes, who is shown reflecting on his past actions, including the murder of Euronymous. The film captures the stark contrast between the chaotic, violent past and the present, where many of the surviving members grapple with their choices and the repercussions that followed. The documentary ends on a note of introspection, leaving viewers to ponder the fine line between art and destruction, and the lasting scars left by the events of the early 1990s.

The final moments of "Hell: The History of Norwegian Black Metal" unfold with a haunting atmosphere, as the screen transitions to a series of somber images of the Norwegian landscape, shrouded in mist. The camera pans over the remnants of the churches that were burned, their charred remains standing as silent witnesses to the chaos that once engulfed the black metal scene. The narration begins, reflecting on the tumultuous history that has shaped this genre of music.

In a dimly lit room, Varg Vikernes, now older and more reflective, sits in front of a camera. His expression is serious, and there is a weight to his words as he discusses the murder of Euronymous. He speaks of the events that led to that fateful night, revealing the internal conflicts and motivations that drove him to commit such an act. The camera captures the flicker of regret in his eyes, hinting at the complexity of his character--a man who once reveled in the chaos but now seems burdened by the consequences of his actions.

The scene shifts to interviews with other key figures from the black metal scene, who share their thoughts on the legacy of the genre. They discuss the impact of the church burnings and the violence that marred their community. Each interviewee reflects on their personal journey, revealing how the events of the early 1990s have shaped their lives and careers. The emotional weight of their words resonates, as they confront the darker aspects of their past while also acknowledging the music that continues to inspire them.

As the documentary nears its conclusion, the focus returns to the broader implications of the black metal movement. The film juxtaposes the raw energy of the music with the destructive behaviors that accompanied it. The final scenes show footage of modern black metal performances, where the intensity of the music is palpable, yet the atmosphere is markedly different--more celebratory than chaotic. This contrast serves as a poignant reminder of how the genre has evolved, yet still carries the scars of its history.

The screen fades to black, and the final credits roll, leaving viewers with a lingering sense of reflection. The documentary does not provide easy answers but instead invites contemplation on the nature of art, identity, and the consequences of one's choices. The fates of the main characters are left to the audience's interpretation, as they grapple with the legacy of a scene that was as influential as it was destructive. The film closes, echoing the sentiment that while the music may endure, the shadows of the past will always remain.

In "Hell: The History of Norwegian Black Metal," season 1, there is no post-credit scene. The series concludes its episodes without additional content after the credits roll. Each episode wraps up the narrative surrounding the evolution of Norwegian black metal, focusing on the key figures, events, and the cultural impact of the genre, leaving viewers with a comprehensive understanding of the subject matter without any additional scenes or teasers.

The documentary delves into the early 1980s, highlighting the emergence of bands like Mayhem and the influence of punk rock. It captures the raw energy and rebellion that fueled the musicians, showcasing their desire to create something darker and more extreme than what had come before.

The murder of Øystein 'Euronymous' Aarseth by Varg Vikernes is a pivotal moment in the series. It explores the shockwaves this event sent through the community, leading to a mix of fear, notoriety, and a sense of martyrdom surrounding Euronymous, which further polarized the scene.

The series examines the infamous church burnings carried out by members of the black metal scene, particularly focusing on Varg Vikernes. It portrays the motivations behind these acts as a form of rebellion against Christianity and societal norms, capturing the chaotic and destructive spirit of the time.

Initially, Varg and Euronymous share a mutual respect and collaboration, but as tensions rise over artistic differences and personal ideologies, their relationship deteriorates. The series captures the emotional turmoil and betrayal that ultimately leads to their tragic confrontation.

The 'Black Circle' refers to a group of musicians and fans who were deeply involved in the black metal scene, characterized by their extreme ideologies and actions. The series highlights how this circle fostered a sense of belonging and identity, while also leading to destructive behaviors and conflicts within the community.

"Hell: The History of Norwegian Black Metal" is not considered family-friendly due to its exploration of dark themes associated with the black metal music scene. The series delves into topics such as violence, suicide, and the controversial actions of certain individuals within the genre.

Potentially objectionable or upsetting aspects include:

1. Graphic Imagery: The show features imagery related to self-harm and death, which may be distressing.
2. Violent Acts: Discussions and depictions of violence, including arson and murder, are central to the narrative.
3. Substance Abuse: There are references to drug and alcohol use, which may be inappropriate for younger viewers.
4. Dark Themes: The exploration of nihilism, depression, and existential crises can be heavy and unsettling.
5. Religious Symbolism: The series includes discussions of anti-Christian sentiments and the use of provocative imagery that may be offensive to some.

These elements contribute to a mature tone that may not be suitable for children or sensitive viewers.