The film opens in Chennai with a small but menacing confrontation: Minister Singaraayar's henchmen appear at the home of Vasudevan's parents and warn them that their son will pay for complaining about the minister's son. At that moment Vasudevan, who goes by Vasu and aspires to become a film director, is away in Coorg. After finishing his business there, Vasu drives back toward Chennai; while returning he travels on a stretch of road where a group of men working for the minister set up an ambush. Those goons force another vehicle into Vasu's car, causing a violent collision that leaves his car mangled. Passersby pull him from the wreckage; he survives but suffers a severe head injury. Emergency responders take him to hospital, surgeons attend him, and he receives timely medical care that prevents death, but the trauma produces an intermittent memory disorder. In the days that follow Vasu experiences lapses and repetitive confusion about recent events; he asks questions about injustices and incidents that irritate people around him and lead to heated exchanges.

Unwilling to remain where confrontations repeatedly erupt, Vasu decides to leave town. He travels to Egmore railway station in Chennai and, waiting on the platform, he strikes up a conversation with Balajambunathan, commonly called Bobby, who runs a small coffee shop and has a flat in Bengaluru. Bobby listens to Vasu's disjointed account of how he ended up on the platform and offers him shelter. Vasu accepts, moves into Bobby's apartment in Bengaluru, and begins living a quieter life in the city.

At Bobby's flat Vasu meets Subbulakshmi, an auditor whose personality is direct and unafraid; she speaks bluntly and behaves with an audacity that catches Vasu's attention. Vasu experiences an immediate attraction and, after a sequence of meetings and chance encounters, he gathers the courage to confess his feelings and propose marriage. Subbulakshmi refuses. Bobby counsels Vasu to involve his family and ask his parents to help win Subbulakshmi over. Following that advice, Vasu returns to his hometown to show his mother a photograph of Subbulakshmi and to request her support. Vasu's mother reacts angrily and refuses to approve the match.

Confounded by the rejection, Vasu speaks to his close circle of friends--Aravind, Sindhu, and Chals--about the woman he has fallen for. Those friends exchange looks and then tell Vasu that his account is incomplete: Subbulakshmi is not merely a stranger but the woman he married before his accident. They walk him through a history that Vasu has no recollection of, beginning with the relationship between his father Rajendran and Subbulakshmi's father Ramakrishnan. Ramakrishnan, they explain, was suffering from a brain tumor; as a favor and out of old friendship, Rajendran persuades his son to marry Ramakrishnan's daughter in order to provide care and comfort during the elder man's illness. Reluctantly, Vasu consents and marries Subbulakshmi.

The friends recount the details of the marriage. From early on Subbulakshmi behaves in ways that clash with Vasu's expectations; their temperaments and opinions differ sharply. Tensions arise at several specific points: once Vasu and Subbulakshmi meet on a bus and the encounter degrades into an argument that leaves both irritated; on another occasion Vasu accidentally collides with Ramakrishnan, and Subbulakshmi reacts in a manner that amplifies Vasu's embarrassment and anger. The relationship frays further when Vasu's friend Tamizh elopes with his fiancée Keerthi and asks Subbulakshmi to look after her while he deals with family consequences. Keerthi, aided by Subbulakshmi's counsel, decides to return to her parents; Vasu interprets that act as a betrayal of Tamizh and blames Subbulakshmi for encouraging Keerthi to abandon the elopement, which increases his resentment.

Their marriage continues to alternate between fragile truces and resentment until the decisive incident that drives them apart. Vasu and Subbulakshmi go to a cinema to watch a film but leave halfway because of an argument. Vasu secures an autorickshaw to take Subbulakshmi back home. While riding to her house, Subbulakshmi witnesses a brutal killing: Murali, the son of Vasu's former maid Jothi, is attacked and murdered in a public space. The friends who later tell the story emphasize that the killing appears violent and shocking to Subbulakshmi, yet when Vasu reads the newspaper the next day he sees that reporters describe Murali's death as an accident. Vasu urges Subbulakshmi to go to the police and report what she saw; she declines at that moment, saying she does not want involvement and giving Vasu the impression she does not trust him or share his moral urgency. That refusal deepens their rift and Vasu interprets the combination of past slights and this final failure to cooperate as a reason to seek separation; he tells Subbulakshmi that his acceptance of the marriage had been primarily to fulfill his father Rajendran's wish rather than out of genuine love.

Back in the present, Vasu's friends press him with further information. A wedding photographer arrives at his parents' house with a photo album and hands it over; inside the album are pictures from his wedding showing Subbulakshmi as his wife. Seeing the photographs shocks Vasu into realizing that two full years of his life are missing from memory because of the head trauma sustained in the car crash. The friends explain that, after the marriage, events developed in a way Vasu cannot recall: Subbulakshmi, wracked by guilt for her earlier refusal to go to the police and for her perceived selfishness, later decides to report Murali's murder. She files a formal complaint and opens a case that points toward the perpetrators--individuals connected to Minister Singaraayar, including his son. Subbulakshmi's actions provoke retaliation. Singaraayar and his men begin threatening her and her family; they mobilize violent pressure against anyone who pursues the case.

Vasu, newly aware that he has been married to Subbulakshmi and unaware of much else, confronts her to propose reconciliation. Subbulakshmi refuses to reunite. She tells him she fears that, when his memory returns, he will learn details that will make him hate her. She explains she had kept certain matters from him because of the constant danger coming from Singaraayar's camp. Vasu prepares to leave Bengaluru again, intending to distance himself, but Subbulakshmi's friend Sahana stops him and intercedes. Sahana recounts the path Subbulakshmi followed after they separated: consumed by remorse for not having trusted Vasu and by a desire to do the right thing, Subbulakshmi had chosen to inform the police about Murali's murder and pursue the case against those responsible. Sahana reveals that this step led directly to the threats from the minister's circle and that, despite the danger, Subbulakshmi persisted in seeking justice.

The court case reaches trial. Prosecutors present witness statements, forensic material, and the record of Subbulakshmi's complaint; the judge finds the minister's son guilty of Murali's murder and sentences him to life imprisonment. The son's accomplices, the friends who aided him, receive seven-year prison sentences each. The verdict triggers reactions from Singaraayar's faction; they continue to intimidate and attempt to avoid consequences, but the judicial decision stands. Sahana asks Vasu to remain near Subbulakshmi and provide protection against any further reprisals from the minister's allies. Vasu agrees and departs for Chennai.

Shortly after arriving in Chennai, Vasu receives a phone call from film producer AVR. The producer invites Vasu to narrate a script idea to the actor Suriya. Vasu, hoping to revive his prospects as a storyteller, prepares to narrate the project, but when he opens his mouth he finds he cannot recall the narrative he had previously known. He realizes that he had told that same story to Subbulakshmi months earlier, and Aravind reminds him of that fact. The lapse prompts Subbulakshmi to travel to Chennai in person to help him recover the forgotten material.

They meet at a coffee shop. Subbulakshmi sits across from Vasu and begins to retell the script--the sequence of scenes, character motivations, and particular images--speaking in a measured, organized way. Vasu orders a Bella coffee while listening; the moment the cup arrives and he takes a sip, a cascade of memories returns. Visual fragments and conversations reassemble in his mind; the narration Subbulakshmi delivers stitches together missing moments and fills in the timeline of the accident, the subsequent marriage, and the legal fight over Murali's killing. As the past flows back, Vasu recognizes his own prior failings: his coldness toward Subbulakshmi, the way he interpreted small slights as character defects, and his unwillingness to support her when she most needed him. He grows overwhelmed, apologizes to Subbulakshmi for his behavior in the months before the crash, and asks for her forgiveness.

Subbulakshmi answers with an apology of her own; she confesses to selfishness and acknowledges that some of her actions betrayed Vasu's trust. She explains once more why she had been reluctant to involve him in certain details: at the time, she feared that exposing the truth would put him and his family at risk, given Singaraayar's influence and the threats that were ongoing. With Vasu's memory partially restored and with the case resolved in court, she says she now believes they can attempt reconciliation. Because Vasu worries the memory loss might recur, Subbulakshmi proposes practical measures: she has kept a series of phone recordings in which she narrates the story of their shared life and the script he must narrate for AVR, and she offers those recordings as a means for him to recover memories or reacquaint himself with events he might lose again. Vasu accepts that plan.

The film closes with a private, emotional reunion. In the coffee shop Vasu and Subbulakshmi sit close, and they share a prolonged embrace. Tears fall; both of them articulate short, halting words of regret and apology. They decide to begin again from the place of the present, with Vasu using the recorded narrations as anchors for memory and Subbulakshmi trusting him with the knowledge of what happened during the two years he cannot immediately recall. As they hold one another, the camera remains on their faces and then pulls back, ending on the couple reunited and resolved to move forward together.

Short Summary

Vasu regains his memories when he orders a Bella coffee at a café, triggering recollection of his past two years. He realizes he had been married to Subbulakshmi but they had separated. After learning that she reported a murder case against a minister's son despite threats to her life, Vasu seeks her forgiveness for his past behavior. Subbulakshmi apologizes for her selfishness. The minister's son receives a life sentence, and his associates receive seven-year terms. Vasu and Subbulakshmi reconcile, with Vasu reassuring her that phone recordings of her narrating their story will help him remember if he forgets again.

Expanded Narrative Account

The ending begins with Vasu in a coffee shop in Chennai. He sits down and orders a Bella coffee. The act of ordering this specific drink becomes the catalyst that unlocks his fractured mind. As he takes the coffee, memories flood back to him in waves. He recalls the events of the past two years that had been erased from his consciousness following the accident orchestrated by Minister Singaraayar's henchmen.

Through these returning memories, Vasu pieces together the truth about his relationship with Subbulakshmi. He understands that they had been married, not merely acquaintances as he had believed during his amnesiac state. More significantly, he learns what transpired after their separation. Subbulakshmi, consumed by guilt over her own selfishness and her lack of trust in him during their marriage, made a consequential decision. Despite the constant threats to her life from the minister and his associates, she reported the murder committed by the minister's son to the police. She filed a formal case against Minister Singaraayar's son, an act of courage that put her in direct danger.

With his memories restored and understanding the full scope of Subbulakshmi's sacrifice and bravery, Vasu experiences overwhelming remorse for his past behavior toward her. He seeks her out and asks for her forgiveness. In this moment of confrontation, Subbulakshmi also apologizes to him for her own selfishness during their marriage, acknowledging her role in their dysfunction.

The legal proceedings reach their conclusion. The court delivers its verdict on the murder case that Subbulakshmi had reported. The minister's son is sentenced to life imprisonment for the murder he committed. His associates and friends who were involved in the crime receive seven-year prison sentences.

Following the court's decision and the resolution of the legal threat, Vasu prepares to depart for Chennai. However, before he leaves, Subbulakshmi expresses a concern that weighs on her heart. She worries that Vasu might forget her again, that his memory loss could recur and erase the reconciliation they have just achieved.

Vasu responds to her fear with reassurance. He tells her that the phone recordings she made, in which she narrated the story of their relationship and the events that transpired, can serve as a permanent reminder. These recordings become a safeguard against future memory loss, a tangible connection to their shared history that exists outside his mind.

The fates of the main characters are thus determined: Vasu remains an aspiring director who has recovered his memories and reconciled with his wife. Subbulakshmi survives the threats against her life, having successfully pursued justice through the legal system, and is reunited with her husband. Minister Singaraayar's son faces life imprisonment, and his associates face seven-year sentences, their criminal actions finally held accountable by the court.

Based on the available search results about the 2024 film Miss You, there is no information provided regarding whether the movie contains a post-credit scene or what such a scene might contain. The search results include plot details about the film's ending, which shows Vasu and Subbulakshmi reuniting emotionally at a coffee shop in Chennai, but they do not address the presence or absence of any post-credit scenes.

To get a definitive answer about whether Miss You has a post-credit scene, you would need to check dedicated film databases, watch the movie yourself, or consult reviews specifically focused on the film's credits sequence.

The 2024 movie Miss You is generally considered family-friendly with content suitable for a broad audience, including children, though it is primarily aimed at family viewers rather than very young children.

Potentially objectionable or upsetting aspects for children or sensitive viewers are minimal and mild in nature:

• Violence & Gore: Only mild, with no graphic or intense scenes reported.
• Sex & Nudity: None present in the film.
• Profanity: None reported.
• Alcohol, Drugs & Smoking: Mild references or depiction, but nothing excessive or explicit.
• Frightening & Intense Scenes: Mild intensity, unlikely to be disturbing for most children or sensitive viewers.

The film blends romance, humor, and emotional drama with a light-hearted tone, making it a wholesome entertainer without harsh or disturbing content. There are no reports of scenes involving strong language, explicit content, or graphic violence that would be inappropriate for family viewing.

In summary, Miss You (2024) is suitable for family audiences, with only mild elements of violence and adult themes that are unlikely to upset children or sensitive viewers.