Al Sur del Corazón: Season 1, Episode 123 - Episode 123 (2024)

Felipe asks if Trino remembers buying the drops the doctor prescribed, along with the diapers and cream left by the midwife.

Trino expresses hesitation about where to put a gift while traveling.

Someone asks if Trino wants to bring a gift, confirming that's what people do when they travel.

Trino affirms that he brings gifts to the people he loves.

The recipient tells Trino how happy that makes her.

Trino acknowledges that she's been terrible to him but had her reasons.

Trino asks if he can tell her something he's never told her before.

Trino confesses that he doesn't regret anything.

Trino assures her that he will never leave her alone in this.

Pablo greets someone with "Hi, Pablo."

Rodrigo suggests that the best thing is to clarify this once and for all, so he's going with the doctor.

Someone expresses gladness that the three of them are in the same boat.

The three decide to go together.

Someone instructs to take care of her because she's in a lot of pain.

The response is that he will help her a lot.

People exchange goodbyes and wishes for a good trip, including "Have a good trip," "Take care," "See you when you get there," and multiple "Bye"s.

In the preview for Capítulo 123, a question is raised about what Trini will say to Gracia.

Valentina's mom appears in the best moments of Capítulo 123.

Trinidad and Nicolás board their flight and embark on their journey to Argentina together, marking a hopeful new beginning for the couple as the episode closes.

Now, let me narrate the ending of Al Sur del Corazón, Season 1, Episode 123, scene by scene, drawing you into the final moments as they unfold on screen.

The episode builds to its close at the bustling airport terminal in the early morning light filtering through large glass windows. Trinidad stands at the check-in counter, her face glowing with a mix of excitement and nervous anticipation, clutching her passport and a small leather suitcase packed with mementos from her life in the small town. She wears a simple white blouse tucked into jeans, her dark hair tied back in a practical ponytail, revealing the faint worry lines around her eyes that have softened now that her decision is made. Nicolás approaches from behind, wheeling two larger suitcases, his tall frame dressed in a casual button-down shirt rolled up at the sleeves, his expression one of quiet determination, the stubble on his jaw showing he skipped shaving in the rush of preparations. He places a reassuring hand on her shoulder, and she turns to him with a small smile, her hand covering his briefly.

They move through security together, Trinidad glancing back once at the departure gate as if bidding farewell to the familiar chaos of her past life--family dramas, hidden secrets, and unresolved tensions. Nicolás notices and squeezes her hand, pulling her forward. No words are exchanged here; the camera lingers on their intertwined fingers, the hum of announcements overhead underscoring the finality.

At the gate, they sit side by side on plastic chairs, Trinidad pulling out a photo from her bag--a faded picture of her late family, her fingers tracing the edges as a tear wells up but doesn't fall. Nicolás leans in, whispering something inaudible that makes her nod and tuck the photo away. The boarding call crackles over the speakers: "Flight to Buenos Aires, now boarding." They rise in unison, Trinidad slinging her carry-on over her shoulder, Nicolás taking her free hand.

The final scene shifts to the jet bridge, the door of the plane visible ahead. Trinidad pauses at the threshold, taking a deep breath of the cool, recycled air, her chest rising and falling visibly. Nicolás stands beside her, his free arm around her waist, steadying her. They step forward together into the plane, the door closing behind them with a definitive hydraulic hiss. The screen fades to black on the image of the airplane taxiing down the runway, wings lifting into the dawn sky toward Argentina, the sound of engines roaring as the credits begin to roll.

In this ending, the fates of the main characters involved are clear: Trinidad leaves her hometown behind, departing physically and emotionally for a fresh start in Argentina with Nicolás by her side, their relationship solidified through trials of doubt and commitment. Nicolás commits fully to this new life with Trinidad, abandoning his previous ties to join her on the journey. Other key figures like Gracia, whose secret Trinidad alluded to in prior moments, Pablo, Felipe, Valentina, and their circle remain in the hometown, their stories poised for continuation in future episodes, but they do not participate directly in this episode's closing scenes.

I cannot provide a definitive answer about whether Episode 123 of Al Sur del Corazón contains a post-credit scene based on the available search results. The search results include brief video clips and transcripts from the episode that show dialogue between characters discussing a pianist, medical matters, and Valentina's mother appearing, but they do not contain information about post-credit scenes or the episode's ending structure.

To accurately answer your question, I would need access to complete episode documentation, detailed episode guides, or viewer accounts that specifically address the post-credit content of this episode. The search results provided focus on plot moments within the episode itself rather than its conclusion or any additional scenes that may appear after the credits roll.

1. What does Trini say to Gracia in episode 123 of Al Sur del Corazón?
2. What are Felipe and the other character discussing about the baby drops, diapers, and cream in episode 123?
3. How does Sofía manage to send a coded message to her mother Teresa through her drawing in the episode?
4. What does El Zurdo discover in the message from the bottle and what does he decide to do next?
5. What causes Teresa to seem like she has lost her mind during Sofía's rescue operation?

No, Al Sur del Corazón, Season 1 Episode 123 is not entirely family-friendly for young children or highly sensitive viewers due to the telenovela's dramatic tone involving mature emotional conflicts.

Potentially objectionable or upsetting aspects include: - Intense family arguments with raised voices and emotional distress. - References to past secrets or traumas surfacing, causing tension. - Scenes of romantic jealousy or confrontations between couples. - Mild depictions of rural work stress, like animal handling in a dairy farm setting. - Underlying themes of exclusion, betrayal, and reconciliation that may evoke strong feelings.