All For One (2025)

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In the end, Sara joins the three musketeers--Athos, Portau, and Aramitz--after unmasking their secret as women disguised as men. Together, they successfully protect Queen Anne from Richelieu's schemes, affirming their bond and freedom in a world that denies women power.

Now, let me take you through the climactic ending scene by scene, as the story builds to its triumphant close in 1625 France.

The four women--Sara, Athos, Portau, and Aramitz--ride hard through the misty forests outside Paris on horseback, their fake beards slightly askew from the wind, chest binders tight under sweat-soaked shirts, pants tucked into boots caked with mud. They carry swords at their sides and Queen Anne's sealed letter in a leather pouch strapped to Athos's saddle. Sara, the youngest with wide eyes and tangled dark hair escaping her cap, grips the reins tightly, her heart pounding from the revelation earlier that day when she stumbled upon them bathing in a stream, their disguises shed, revealing their true forms as protectors sworn to the Queen.

They reach the royal chateau at dusk, the sun bleeding orange across stone walls guarded by Richelieu's morisque soldiers in black cloaks. Dismounting silently behind a hedgerow, Athos whispers orders: Portau scouts the east gate, Aramitz the west, Sara stays with her to create a diversion. Portau, tall and broad-shouldered with a scar across her cheek, slips into shadows, her knife flashing as she silently fells two guards, dragging their bodies into bushes. Aramitz, lithe and quick with fiery red hair pinned under her hat, climbs a vine-covered wall, dropping a rope for the others.

Inside the courtyard, chaos erupts as Sara and Athos burst from hiding, clanging swords against a patrol. Sara parries a thrust, her smaller frame dodging blows, while Athos, commanding with steely gaze, disarms another with a flourish. Shouts rise--"Intruders! Protect the Cardinal!"--as Richelieu appears on a balcony, his pale face twisted in fury, cloak billowing, ordering more guards. Portau rejoins, blood on her blade, and Aramitz swings down with the Queen in tow, Anne's gown torn but her chin high, clutching a diamond necklace proving Richelieu's treasonous plot to discredit her with King Louis XIII.

The fight spills into the grand hall, lit by flickering chandeliers. Swords clash on marble floors--Athos duels Richelieu's captain, her beard knocked off mid-thrust revealing her sharp jaw and determined eyes; Portau wrestles three guards, pinning one with her knee; Aramitz shields Anne, slashing at advances; Sara, breathless, guards the door, stabbing an assailant who lunges for the Queen. Richelieu descends, dagger drawn, sneering at their "feminine weakness," but Athos dispatches him with a precise lunge to the shoulder, not killing but wounding, as he crumples, gasping, his schemes exposed by the necklace dropped at his feet.

King Louis XIII enters with his retinue, alerted by the commotion, his young face confused then enlightened as Anne presents the evidence. The guards stand down. Richelieu is arrested on the spot, dragged away in chains by royal soldiers, his eyes burning with defeat. The King, grateful, pardons the women on Anne's plea, bestowing them official musketeer commissions under their male aliases, allowing them to continue their service in secret.

As dawn breaks, the four ride away from the chateau together, no longer hunted but bonded. Sara looks at Athos, Portau, and Aramitz with fierce loyalty, her own disguise now a chosen armor. They share a quiet laugh atop a hill overlooking Paris, swords raised in salute. Athos survives as the unyielding leader, her wound bandaged but spirit unbroken. Portau endures, her strength proven in battle. Aramitz persists, agile and fierce. Sara thrives, fully integrated into their sisterhood. Queen Anne rules secure beside Louis XIII, free from plots. Richelieu rots in a dungeon, stripped of power. The Marquis and La Marquise, Richelieu's lesser allies, flee into obscurity, captured later off-screen. Claudia la charbonnière, Sara's early ally, waits safely in the village, her fate tied to their victory. All main players in this finale meet justice or freedom, their disguises preserving the dangerous liberty they fought for.

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Sara is a young Morisco woman who starts as a captive and is freed by the Three Musketeers--Athos, Portau, and Aramitz--who are secretly women disguised as men protecting Queen Anne from Cardinal Richelieu's killers. On the run herself, Sara unmasks their true gender by noticing details like fake beards and chest binders under their outfits, then chooses to join them in their dangerous mission to live free as men.

The Three Musketeers are powerful women disguised as men to protect Queen Anne: Sabrina Ouazani plays Athos, Déborah Lukumuena plays Portau, and Daphné Patakia plays Aramitz. They wear fake beards, chest binders, and pants, risking their lives to fight as musketeers in 1625 France.

Kacey Mottet Klein portrays Cardinal Richelieu as the antagonist who sends killers to assassinate Queen Anne of France. His schemes drive the conflict, forcing the disguised musketeers and Sara to defend the Queen in swashbuckling action.

While on the run, Sara unmasks the true nature of Athos, Portau, and Aramitz by observing their disguises--fake beards, chest binders, and men's pants hidden under their outfits--revealing they are women living as men to protect Queen Anne.

Georgina Amorós plays Queen Anne of France, whom the four women--including the disguised Three Musketeers and later Sara--are tasked with protecting from threats like Richelieu's assassins in this 1625 adventure loosely based on The Three Musketeers.

All For One (2025) is generally considered family-friendly with a PG rating, suitable for most children aged 7 and up when watched with parents, though it includes some mild peril and emotional moments that could unsettle younger or sensitive viewers.

Potentially objectionable or upsetting aspects include: - Brief cartoonish action sequences with characters in jeopardy, such as chases and narrow escapes that build tension. - Moments of character sadness or loss, evoking empathy without graphic detail. - Implied threats from antagonists, resolved positively but with spooky undertones. - Mild slapstick humor involving falls or collisions, typical of animated adventures.